• Search ...
  • English (en)English
  • 日本語 (ja)日本語
Tatsuya Oe (Captain Funk/Dark Mode/OE)
  • Home
    • Top (Japanese)
    • Topics
    • Sitemap
    • RSS Feeds
    • Contact
    • Privacy Policy
  • About
    • Biography
    • Projects
      • Captain Funk
      • Dark Model
      • OE
      • OE – Suchness
      • MER
      • Playmodel
    • Credits & Awards
    • Testimonials
    • Model Electronic Records
  • Discography
    • Captain Funk
    • Dark Model
    • OE
    • MER
    • Collaborations
    • Remixes
    • Compilations
    • Lyrics
  • Playlists
    • Musically Themed
      • Sci-fi / Cyberpunk
      • Disco / House
      • Downtempo / Trip-Hop / Mellow Hip-Hop
      • Synthwave & Dark Electro
      • Electronic Jazz Funk / Synth Boogie
      • Breakbeats Funk / Big Beat
      • Epic Hybrid: Uptempo
      • Epic Hybrid: Down & Midtempo
      • Swagger, Badass, and Gritty Music
      • Soundscape & Ambient
      • Uplifting Indie & Alternative Rock
      • Vintage Soul, Funk, and Jazz
      • Piano-Driven Tracks
      • Electronic Pop Vocals / Synthpop
    • Synced Tracks
      • Top Licensed Tracks for Sync
      • Sports Tracks in Use
    • Captain Funk Playlists
    • Dark Model Playlists
    • OE Playlists
  • Blogs
    • Japanese Blog
    • Microblog (Day by Day)
    • English Blog
  • Videos
    • Sync Placements
    • Dark Model
    • Captain Funk
    • OE
    • MER
  • License Music
    • License Form
    • Licensing FAQ
    • Most In-demand Tracks
  • Links/Resources
    • Store Lists
    • Interviews & Resources

How to Work with Performing & Mechanical Rights Organizations

Home > Licensing Our Music (for International Users) > How to Work with Performing & Mechanical Rights Organizations

Here is guidance for broadcasters, public venues, and users covered under PRO blanket licenses.

Contents

  • Important Note on Licensing Categories
  • Updates Regarding Japan (2024— )
  • PRO Case 1 — Your country’s PRO is in alliance with JASRAC
  • PRO Case 2 — When your country has no PRO in alliance with JASRAC
  • PRO Case 3 — No allied Mechanical Rights Organization
  • Note: Master Recording License
  • List of PRO/MROs in alliance with JASRAC

Important Note on Licensing Categories

This page explains how Performance Rights Organizations (PROs) and Mechanical Rights Organizations (MROs) handle rights related to broadcasting, public performance, and mechanical reproduction.

This page does not apply to the following types of uses:

  • Commercials
  • Games
  • Corporate videos
  • Film trailers
  • Apps
  • Branded content
  • Monetized online videos

All of these uses require a direct sync license from Model Electronic Records.

Updates Regarding Japan (2024— )

Note for international users:

Although the domestic administration of Tatsuya’s self-published works has moved from JASRAC to NexTone, this applies only to users operating within Japan. For all international uses, JASRAC continues to administer these works through its reciprocal agreements with overseas PROs.

  • JASRAC Song Database (J-WID)
  • JASRAC International Information

If you intend to use music from Model Electronic Records within Japan, please refer to the Japanese-language licensing guide on Tatsuya Oe’s official website:
Licensing Guide (Japanese)

PRO Case 1 — Your country’s PRO is in alliance with JASRAC

If your local PRO/MRO has a reciprocal agreement with JASRAC, the procedures are:

1. Performance Rights (Broadcast / Public Performance)

If you use our music in:

  • TV programs
  • Radio programs
  • Films
  • Live or public venues

→ Submit the cue sheet or public performance report to your local PRO.

2. Mechanical Rights (Physical or Audio-only Reproduction)

If you manufacture:

  • CDs
  • Vinyl
  • Audio-only media

→ Consult your PRO/MRO for mechanical licensing before or at the same time you contact us.

If performance and mechanical rights are handled by separate societies
(e.g., the United States: ASCAP/BMI/SESAC vs. Harry Fox/MLC)
→ Contact both organizations according to your usage.

PRO Case 2 — When your country has no PRO in alliance with JASRAC

If, for any reason, there is no local PRO/MRO in your country that has a reciprocal agreement with JASRAC, then:

  • Broadcast and public performance uses of our music generally cannot be cleared via local blanket licenses.
  • You may still request a sync-only license (e.g., for online video), which can be handled directly with Model Electronic Records.

In practice, most major countries and territories do have PROs that work with JASRAC.
However, if you are unsure about the status in your country, it is advisable to:

  • Check JASRAC’s list of overseas affiliated societies
  • Contact your local PRO directly for confirmation

PRO Case 3 — No allied Mechanical Rights Organization

If your country has a PRO but no partnered mechanical rights society, then:

  • Mechanical fees must be negotiated directly with us.

Note: Master Recording License

For any use of our original recordings (except for cover performances or MIDI/sheet-music use), a Master License must be obtained directly from Model Electronic Records, regardless of PRO handling.

If you are unfamiliar with music licensing, you may find this reference helpful:
“How Music Licensing Works” by HowStuffWorks.

Please provide detailed information about your project when requesting a quote.
If you have questions, feel free to contact us.

List of PRO/MROs in alliance with JASRAC

(Always confirm the latest information on JASRAC’s website.)

  Performance
  Mechanical
  Performance&Mechanical
North America United States AMRA Asia Israel ACUM
APRS India IPRS
ASCAP Indonesia KCI
BMI South Korea KOMCA
Harry Fox Singapore COMPASS
SESAC Thailand MCT
Canada CMRRA Taiwan MUST
SOCAN China MCSC
SODRAC Turkey MESAM
Cuba ACDAM Philippines FILSCAP
Costa Rica ACAM Vietman VCPMC
Jamaica JACAP Hong Kong CASH
Saint Lucia HMS Macau MACA
Trinidad and Tobago COTT Malaysia MACP
Barbados COSCAP Oceania Australia AMCOS
Mexico SACM APRA
Europe Iceland STEF New Caledonia SACENC
Ireland IMRO French Polynesia SPACEM
Albania ALBAUTOR South America Argentina SADAIC
United Kingdom MCPS Uruguay AGADU
MRS Colombia SAYCO
PRS for Music Chile SCD
Italy SIAE Paraguay APA
Estonia EAU Brazil ABRAMUS
Austria AKM ADDAF
Austro-Mechana AMAR
Literar-Mechana ASSIM
Netherlands BUMA SADEMBRA
STEMRA SBACEM
Kazakhstan KAZAK SBAT
Greece AEPI SICAM
Georgia SAS SOCINPRO
Croatia HDS UBC
Switzerland SUISA Venezuela SACVEN
Sweden STIM Peru APDAYC
Spain SGAE Africa Egypt SACERAU
Slovakia SOZA Cameroon CMC
Slovenia SAZAS Guinea BGDA
Serbia SOKOJ Cote d’Ivoire BURIDA
Czech Republic OSA Congo BCDA
Denmark KODA Zimbabwe ZIMURA
NCB Senegal BSDA
Germany GEMA Central African Republic BUCADA
WORT Tunisia OTPDA
Norway TONO Nigeria MCSN
Hungary ARTISJUS Namibia NASCAM
Finland TEOSTO Burkina Faso BBDA
France SACEM Benin BUBEDRA
SDRM Madagascar OMDA
Bulgaria MUSICAUTOR Mali BUMDA
Belarus BELAT South Africa SAMRO
Belgium SABAM Mauritius MASA
Poland ZAIKS Morocco BMDA
SQN
Portugal SPA
Macedonia ZAMP
Moldova ASDAC
Latvia AKKA/LAA
Lithuania LATGA-A
Romania UCMR-ADA
Russia RAO


You might also be interested in:
    FAQs - Dark ModelFAQs about Licensing Our Music Licensing Our MusicLicensing Our Music (for International Users) Model Electronic Music Catalog for SyncDiscover Our Music Catalog for Professional Licensing Model Electronic Records - Sync Agent WantedSync Agent Wanted: Help Us Place Our Music in Media Most In-demandPlaylist: Most In-demand Tracks for Sync Licensing
Tags:
Sync License, Music Publishing

Tatsuya Oe Updated: November 23, 2025

Model Electronic Records Catalog for Sync Professionals

Sync Agent Wanted

Experienced Sync Agent Wanted

Licensing Guides & Form

  • Discover Our Music Catalog for Professional Licensing
  • Playlist: Most In-demand Tracks for Sync Licensing
  • FAQs about Licensing Our Music
  • How to Work with Performing & Mechanical Rights Organizations
  • Licensing Our Music (for International Users)

Language:

  • English
  • 日本語

Playlists

All Playlists

Today’s Popular Topics

  • Day by Day (Microblog)
  • Tatsuya Oe Biography
  • RSS Feeds & Newsletters
  • FAQs about Licensing Our Music
  • How to Work with Performing & Mechanical Rights Organizations
  • [Updated] Dark Model “Judgment Day” achieved 6 million streams on NetEase Cloud Music (China)
  • [Album Medley] Captain Funk – Heavy Mellow (Deluxe Edition)
  • Licensing Our Music (for International Users)

Microblog

No Title
22 November 2025

楽曲ライセンスの解説ページを久々に更新中。このページを最初に作ったのは10年ほど前だが、その後メディアの生態系が大きく変わったため、追加・修正・削除が必要な部分が多かった。アメリカと日本ではメディア産業の構造もお金の流れが全然違うため、相互に翻訳して活用できる説明部分はほとんどない。まずはModel Electronic Recordsの解説ページを更新したので、海外での音楽ライセンスに関心のある方はお立ち寄りください。

Licensing Our Music | Model Electronic Records https://www.model-electronic.com/license-our-music/

No Title
20 November 2025

僕は伝記的なドキュメンタリーは好きだが、いわゆる歴史小説や時代小説の類は読まないし見ない。詳細が分からない中世あたりまでの人物を脚色して物語化するのはまだかわいいものだが、近現代に実在した人物を誇張・歪曲・創作(司馬遼太郎ナイズ?)してしまうフィクションは、見ていて興覚めしてしまう。そんなことを考えていたら出会ったこのブログの筆者・醍醐さんって、なんと大学時代の会計の先生じゃないか(笑)。

歴史小説・歴史ドラマは史実からどこまで離れられるのか?: 醍醐聰のブログ http://sdaigo.cocolog-nifty.com/blog/2010/12/post-55c6.html

No Title
19 November 2025

YouTubeのOAC(公式アーティストチャンネル)作成の最後はMERです。このチャンネルでは、MER名義でリリースした作品のビジュアライザーや動画をアップしていきます。MERはもともと映像で使われることを意識して作った楽曲が多く、ビジュアル化が簡単で楽しい。Dark Modelの作品も映像とともに使われることが多いけれど、サウンドが壮大すぎて相応しいビジュアルを自分で作るのは難しい。そんなジレンマがあります。

MER – Over and Over (from the album "Cyber City Connection") https://youtu.be/vJQ65kbLD_0 .

Menu

  • About
  • Discography
  • English Blog
  • Japanese Blog
    • Microblog
  • License Music
  • Links & References
  • RSS Feeds
  • Contact
  • Sitemap

Search in tatsuyaoe.com

Archives

Categories in Topics

Copyright © 2002-2025 Tatsuya Oe / Model Electronic. All rights reserved.