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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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FAQs about Licensing Our Music

Home > Licensing Our Music > FAQs about Licensing Our Music

These are frequently asked questions about licensing Tatsuya Oe’s music. Hopefully, you will refer to our tutorial and guide pages as well. If you have any further questions after reading those guides, feel free to ask us via the contact page (as long as they are related to our music and licensing service).

How to Obtain a License to Use Our Music
Music Licensing Guide (Knowledge Base)
How to Deal with PRO

Contents

  • 1. For what kind of media projects can we use music from your catalog?
  • 2. Which releases and songs are 100% pre-cleared for sync licenses?
  • 3. I’d like to use your music for my monetized video on Youtube. Do I have to get permission from you?
  • 4. Do you license your music for personal use such as background music of my (sports, motivational, wedding, etc.) videos?
  • 5. Do you do additional/custom edits for these pre-existing tracks?
  • 6. Do you have a rate card?
  • 7. How can I use your music for a sample/beat of my new song legally?
  • 8. As a professional licensing agent, how can I have a non-exclusive sync representation deal with you?

For what kind of media projects can we use music from your catalog?

While we focus on so-called “Sync Licensing,” we handle a wide range of licenses like the examples below. We strongly recommend you look at the Licensing Guide page as well to understand the basics of music licensing.

– Synchronization Uses –

Films
TV Programming (Shows, Documentaries, Dramas, News, etc.)
TV Advertising Campaigns (Commercials)
Film Trailers & TV Promos
Corporate Productions (Theater, Competition Video/Slide, etc)
Video Games and Software
Internet Websites, Webisodes, Flash
Products and Toys
Video Packages (Music for Video, DVD or CD-ROM)

– Non-synchronization Uses –

Radio Programming and Advertising Campaigns (Commercials)
Audio Projects
Music Compilation (CD, PC Audio)
Public Space (Live Events, Restaurants, Trade Shows, Retail Spaces)
Ringtones (Master/Pre-Recorded Ringtones)

Which releases and songs are 100% pre-cleared for sync licenses?

[Newly-Launched] Model Electronic Records Catalog for Professional Licensing

All the releases and tracks from Model Electronic Records (Tatsuya’s own label) have been registered to PRO/MRO in terms of performing and mechanical rights. We, Model Electronic, own their master rights as well. We offer a convenient one-stop resource, ensuring your musical needs are met quickly and hassle-free license deals are brought to you.

If your request involves a performance license, such as a broadcasting use, you will need to submit a report/cue sheet and pay (or have someone pay) appropriate performing royalties. But don’t worry—we understand the nuts and bolts of music licensing and could address the specific needs of your project.

For some of Tatsuya’s (old) songs that were NOT released from Model Electronic Records, you may need to ask their labels (copyright owners) and publishers for sync. These references will be useful for checking who is in charge of the songs.

Releases from Model Electronic Records (100% Pre-cleared and One-stop)
(Entire) Discography
JASRAC J-WID (Works Information Database, Japanese only)
NexTone Database (On a domestic basis, the affiliation of Tatsuya’s self-published songs will be shifted from JASRAC to NexTone in April 2024. JASRAC will remain in charge of international operations only.)
Music Forest (Japanese only)

I’d like to use your music for my monetized video on Youtube. Do I have to get permission from you?

Yes. Whether you advertise something in your video or not, monetizing through your video on video-sharing websites such as YouTube and Twitch TV is supposed to be regarded as a profit-earning use, i.e. commercial use/license. You are required to contact us via the License Form to obtain a license to use our music and pay the license fee. Please note that we don’t grant any license to use our pre-released tracks for a project whose music budget is low (less than $100). Thanks for your understanding.

Do you license your music for personal use such as background music of my (sports, motivational, wedding, etc.) videos?

Unfortunately, our music license is unavailable for non-commercial, non-profit videos and personal/private or student productions on any media. We handle only commercial licenses with a specific budget. Please note that we don’t provide anyone with formal authorization to use our music for free. When it comes to using our music for your “monetized (ad-driven)” YouTube videos, please refer to the Q3.

Any inquiries for these non-commercial uses will not be answered since we don’t have the resources to reply to all of them. Thanks for your understanding.

Do you do additional/custom edits for these pre-existing tracks?

While we could meet your needs by providing additional production and custom edits of our pre-existing tracks, this would charge you extra fees in addition to the basic license fees. As we already have many alternative mixes and edits/stems of our music, we will try to find out how you could use them lest they exceed your budget’s capacity.

Do you have a rate card?

As license fees vary according to how you use our music, we concluded that generalizing license rates and automating the licensing process too much could work against our goal.

We do not aim to be a “music delivery service” or a “supermarket of music licensing” just to achieve as many placements as possible. Our priority is to offer a quality music licensing service.

We are committed to understanding your needs, providing appropriate music at rates that are fair and reflective of the value our music brings, and building a long-term relationship with our clients. This commitment to quality and client relationships is at the core of our business.

How can I use your music for a sample/beat of my new song legally?

To avoid the complexity and possible troubles of sampling clearance and agreements, we basically do NOT permit other artists to sample our master recordings for their new works (unless they work with experienced A&Rs and attorneys who can address the legal process and payment responsibly). This includes derivative works/acts such as singing or rapping a new song on any part of our masters, of course.

Please understand and look for other easy-to-clear sampling sources. Many royalty-free music services outside are available to you. Thanks for your interest!

Reference: “When You Need Permission to Sample Others’ Music” (Nolo)

Note: As of 2025, we have never given anyone permission to use Dark Model’s music as a sampling source. If you find a song, track, or beat by another artist that samples Dark Model’s music, that use is considered a violation of our copyright and constitutes illegal use.

As a professional licensing agent, how can I have a non-exclusive sync representation deal with you?

Feel free to ask us via the contact page. We would appreciate your interest. Please note that we are not seeking (sub-)publishing deal and an exclusive representation.


You might also be interested in:
    Default ThumbnailLicensing Our Music Model Electronic Music Catalog for SyncDiscover Our Music Catalog for Professional Licensing Default ThumbnailLicensing Guide (Knowledge Base) Most In-demandPlaylist: Most In-demand Tracks for Sync Licensing Model Electronic Records - Sync Agent WantedSync Agent Wanted: Help Us Place Our Music in Media
Tags:
Sync License

Tatsuya Oe Updated: February 22, 2025

Model Electronic Records Catalog for Sync Professionals

Sync Agent Wanted

Experienced Sync Agent Wanted

Licensing Guides & Form

  • Discover Our Music Catalog for Professional Licensing
  • Playlist: Most In-demand Tracks for Sync Licensing
  • FAQs about Licensing Our Music
  • Licensing Guide (Knowledge Base)
  • How to Work with Performing & Mechanical Rights Organizations
  • Licensing Our Music

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Microblog

No Title
1 October 2025

海外の起業家、特にハードウェア・エンジニア出身の人々はこぞって「アキオ・モリタ」をロールモデルとして挙げる。今の日本人よりも彼の功績について詳しいのではないかと思うほど。数十年前に繰り返し読んだ『Made In Japan』を、いま再び手に取っている。ソニー成長期の卓越した商品開発力やマーケティング力は言うまでもないが、この本で最も印象深いのは、エンジニアであり実業家であり、そして日本人としての彼の「プライド」、つまり「負けてたまるか」な意地だ。

盛田 昭夫『[新版]MADE IN JAPAN』 https://amzn.to/3ISB90u

No Title
30 September 2025

ドイツの音楽著作権管理団体GEMAがOpenAIを訴え、法廷闘争が始まった。OpenAIに限らずテック業界の連中は、他人の創作物について「フェアユース」という言葉を軽々しく使いすぎるところがあって、まさに「おまいう」だ。生成AIは画期的な面もあるけれど、周囲に群がる輩の倫理観の欠如と著作権に対する鈍感さのために、早晩自滅するかも知れない。ちなみに『なぜOpenAIは崩壊するか』という記事を書いたのはジェフリー・ファンクという人。名前がいい(笑)。

『なぜOpenAIは崩壊するか: LLMは安上がりではない』 https://mindmatters.ai/2025/09/why-openai-will-collapse-llms-are-not-eco…

続きを読む

No Title
29 September 2025

幼稚園生の頃、デパートに隣接するたい焼き屋で親によく買ってもらったことを思い出し、帰国ついでに千葉まで足を伸ばして食べに行った。コロナ禍もあって翌年に閉店してしまった。小学生の頃に家族で通ったそば屋を思い出し、兵庫に寄って食べてみたのだが、ここも今はない。あと一軒、もう一度訪れておきたいお好み焼き屋が広島の呉市にあり、今はおばあちゃんが一人で頑張って切り盛りされている。どうか末永く続けてほしい。

【広島グルメ】地元で大人気呉焼きの店 https://youtu.be/taeNpaNwzPg

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