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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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FAQs about Licensing Our Music

Home > Licensing Our Music > FAQs about Licensing Our Music

These are frequently asked questions about licensing Tatsuya Oe’s music. Hopefully, you will refer to our tutorial and guide pages as well. If you have any further questions after reading those guides, feel free to ask us via the contact page (as long as they are related to our music and licensing service).

How to Obtain a License to Use Our Music
Music Licensing Guide (Knowledge Base)
How to Deal with PRO

Contents

  • 1. For what kind of media projects can we use music from your catalog?
  • 2. Which releases and songs are 100% pre-cleared for sync licenses?
  • 3. I’d like to use your music for my monetized video on Youtube. Do I have to get permission from you?
  • 4. Do you license your music for personal use such as background music of my (sports, motivational, wedding, etc.) videos?
  • 5. Do you do additional/custom edits for these pre-existing tracks?
  • 6. Do you have a rate card?
  • 7. How can I use your music for a sample/beat of my new song legally?
  • 8. As a professional licensing agent, how can I have a non-exclusive sync representation deal with you?

For what kind of media projects can we use music from your catalog?

While we focus on so-called “Sync Licensing,” we handle a wide range of licenses like the examples below. We strongly recommend you look at the Licensing Guide page as well to understand the basics of music licensing.

– Synchronization Uses –

Films
TV Programming (Shows, Documentaries, Dramas, News, etc.)
TV Advertising Campaigns (Commercials)
Film Trailers & TV Promos
Corporate Productions (Theater, Competition Video/Slide, etc)
Video Games and Software
Internet Websites, Webisodes, Flash
Products and Toys
Video Packages (Music for Video, DVD or CD-ROM)

– Non-synchronization Uses –

Radio Programming and Advertising Campaigns (Commercials)
Audio Projects
Music Compilation (CD, PC Audio)
Public Space (Live Events, Restaurants, Trade Shows, Retail Spaces)
Ringtones (Master/Pre-Recorded Ringtones)

Which releases and songs are 100% pre-cleared for sync licenses?

[Newly-Launched] Model Electronic Records Catalog for Professional Licensing

All the releases and tracks from Model Electronic Records (Tatsuya’s own label) have been registered to PRO/MRO in terms of performing and mechanical rights. We, Model Electronic, own their master rights as well. We offer a convenient one-stop resource, ensuring your musical needs are met quickly and hassle-free license deals are brought to you.

If your request involves a performance license, such as a broadcasting use, you will need to submit a report/cue sheet and pay (or have someone pay) appropriate performing royalties. But don’t worry—we understand the nuts and bolts of music licensing and could address the specific needs of your project.

For some of Tatsuya’s (old) songs that were NOT released from Model Electronic Records, you may need to ask their labels (copyright owners) and publishers for sync. These references will be useful for checking who is in charge of the songs.

Releases from Model Electronic Records (100% Pre-cleared and One-stop)
(Entire) Discography
JASRAC J-WID (Works Information Database, Japanese only)
NexTone Database (On a domestic basis, the affiliation of Tatsuya’s self-published songs will be shifted from JASRAC to NexTone in April 2024. JASRAC will remain in charge of international operations only.)
Music Forest (Japanese only)

I’d like to use your music for my monetized video on Youtube. Do I have to get permission from you?

Yes. Whether you advertise something in your video or not, monetizing through your video on video-sharing websites such as YouTube and Twitch TV is supposed to be regarded as a profit-earning use, i.e. commercial use/license. You are required to contact us via the License Form to obtain a license to use our music and pay the license fee. Please note that we don’t grant any license to use our pre-released tracks for a project whose music budget is low (less than $100). Thanks for your understanding.

Do you license your music for personal use such as background music of my (sports, motivational, wedding, etc.) videos?

Unfortunately, our music license is unavailable for non-commercial, non-profit videos and personal/private or student productions on any media. We handle only commercial licenses with a specific budget. Please note that we don’t provide anyone with formal authorization to use our music for free. When it comes to using our music for your “monetized (ad-driven)” YouTube videos, please refer to the Q3.

Any inquiries for these non-commercial uses will not be answered since we don’t have the resources to reply to all of them. Thanks for your understanding.

Do you do additional/custom edits for these pre-existing tracks?

While we could meet your needs by providing additional production and custom edits of our pre-existing tracks, this would charge you extra fees in addition to the basic license fees. As we already have many alternative mixes and edits/stems of our music, we will try to find out how you could use them lest they exceed your budget’s capacity.

Do you have a rate card?

As license fees vary according to how you use our music, we concluded that generalizing license rates and automating the licensing process too much could work against our goal.

We do not aim to be a “music delivery service” or a “supermarket of music licensing” just to achieve as many placements as possible. Our priority is to offer a quality music licensing service.

We are committed to understanding your needs, providing appropriate music at rates that are fair and reflective of the value our music brings, and building a long-term relationship with our clients. This commitment to quality and client relationships is at the core of our business.

How can I use your music for a sample/beat of my new song legally?

To avoid the complexity and possible troubles of sampling clearance and agreements, we basically do NOT permit other artists to sample our master recordings for their new works (unless they work with experienced A&Rs and attorneys who can address the legal process and payment responsibly). This includes derivative works/acts such as singing or rapping a new song on any part of our masters, of course.

Please understand and look for other easy-to-clear sampling sources. Many royalty-free music services outside are available to you. Thanks for your interest!

Reference: “When You Need Permission to Sample Others’ Music” (Nolo)

Note: As of 2025, we have never given anyone permission to use Dark Model’s music as a sampling source. If you find a song, track, or beat by another artist that samples Dark Model’s music, that use is considered a violation of our copyright and constitutes illegal use.

As a professional licensing agent, how can I have a non-exclusive sync representation deal with you?

Feel free to ask us via the contact page. We would appreciate your interest. Please note that we are not seeking (sub-)publishing deal and an exclusive representation.


You might also be interested in:
    Default ThumbnailLicensing Our Music Model Electronic Music Catalog for SyncDiscover Our Music Catalog for Professional Licensing Default ThumbnailLicensing Guide (Knowledge Base) Most In-demandPlaylist: Most In-demand Tracks for Sync Licensing Model Electronic Records - Sync Agent WantedSync Agent Wanted: Help Us Place Our Music in Media
Tags:
Sync License

Tatsuya Oe Updated: February 22, 2025

Model Electronic Records Catalog for Sync Professionals

Sync Agent Wanted

Experienced Sync Agent Wanted

Licensing Guides & Form

  • Discover Our Music Catalog for Professional Licensing
  • Playlist: Most In-demand Tracks for Sync Licensing
  • FAQs about Licensing Our Music
  • Licensing Guide (Knowledge Base)
  • How to Work with Performing & Mechanical Rights Organizations
  • Licensing Our Music

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Today’s Popular Topics

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Microblog

No Title
11 September 2025

先日、池上彰さんが「嫌いな言葉は『真実』」と話しているのを見て、すぐに思い出したのは、トランプが設立したSNS「トゥルース・ソーシャル」だった。「真実と虚偽は顔が似ている。我々は欺瞞を拒む根性がないばかりか、むしろ自ら進んで罠に飛び込んでいく。虚しいことに、巻き込まれるのが好きなのだ。」モンテーニュがこう説いたのは、16世紀半ば。

『モンテーニュ よく生き、よく死ぬために』(講談社学術文庫) https://amzn.to/48e2e8F

No Title
10 September 2025

OE『Letting Go』に続く作品が完成。今はそのさらに次の作品に向けて、リサーチやアイデア集めに没頭中。思えば音楽のキャリアを始めてから5年くらいまでは、自分の作品の中で知られるようになった数曲だけで、音楽性やスタイルを頭ごなしに決めつけられたりジャッジされることに猛烈な抵抗を感じていた。あれから四半世紀近く経ち、制作した曲は1,000を超え、様々な国の人たちが自分の様々な音楽を楽しんでくれている。当時の葛藤も、今となっては笑い話。

他人を決め付ける人が増えるほど、世の中は停滞する https://ej.alc.co.jp/tag/TRENDS/20191202-mogi-communication23

No Title
9 September 2025

AIには、手軽に大量消費されるジャンクフードのような仕事や創作物を量産する危険性がある。ただし、「〇〇とハサミは使いよう」とも言うように、倫理観を持った熟練者が技を駆使し、創意工夫をすれば、AIを活用してアウトプットに新たな「価値」を吹き込むことは十分に可能だろう。人間の熟練や手間、そしてモラルを早々に手放し、強引な「ジャンク化」を進めて繁栄と余暇を謳歌してきたレイジーな人々こそが、AIの存在をひたすら恐れ、煽り、過剰反応している。

「AIのネットフリックス?」Fable Studio CEO Edward Saatchi https://youtu.be/crWKW1u55eI

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