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How to Work with Performing & Mechanical Rights Organizations

Home > Licensing Our Music > How to Work with Performing & Mechanical Rights Organizations

Here is the list of Publishing and Performing Rights Organizations (PRO) in alliance with JASRAC (Japan), with which we affiliate regarding royalty collection overseas. We hope this helps you confirm the situation in your country so that you can properly use our music for your project.

Contents

  • 1. Case 1: PRO
  • 2. Case 2: No PRO
  • 3. Case 3: No Organization for Mechanical
  • 4. Case 4: Synchronization License
  • 5. List of Music Publishing Organizations in alliance with JASRAC

Case 1: PRO

If the Organizations/Societies of your country are in alliance with JASRAC in terms of Performance Rights and Mechanical Rights, please refer to these processes.

1. Performance Rights License: If you want to use our music for public performance such as TV/Radio Broadcasting, Film, and live audience venue performances, please submit your Cue Sheet or public performance report to the Organization.

2. Mechanical Rights License: If you want to use our music for phonorecords such as CD and any other media that includes audio alone, please explain your usage to the Organization and ask about the Mechanical License Fee (or Rate) BEFORE or AT THE SAME TIME you ask us for licensing.

If different Organizations handle Performance Rights and Mechanical Rights in your country (such as the United States) and you need to obtain both licenses, please contact both organizations along with your licensing situation.

Case 2: No PRO

If there is no single Performance Rights Organization in your country that is in alliance with JASRAC, unfortunately, you can not use our music for public performances. If you want to use our music for Synchronization usage ALONE (such as using music for web videos), you may contact and negotiate with us directly.

Case 3: No Organization for Mechanical

If there is no single Mechanical Rights Organization in your country that is in alliance with JASRAC, you will need to discuss the Mechanical license fee for your usage directly with us.

Case 4: Synchronization License

If you want to use our music for Synchronization usage ALONE (outside Japan), you can only contact us and discuss the Synchronization Fee and condition. However, if you consider additional licenses that include Performance or Mechanical Rights such as TV/Radio broadcasting or CD/DVD packages, please also refer to Case1-3 and take all necessary procedures.

Attention!: Master License

Regardless of licensing type (except for a cover song or MIDI/sheet music usage), you need to obtain permission for “Master License” DIRECTLY from us. If you are not familiar with music licensing, please refer to “How Music Licensing Works” on How Stuff Works page. At any rate, please be sure to choose your license type carefully and describe your project and usage as closely as possible on each quote page (see also “License Guide” page).

If you have any questions about using out music for your project, please don’t hesitate to ask us also via Contact page. We’re looking forward to working together!

List of Music Publishing Organizations in alliance with JASRAC

Note: Please be sure to check the latest situation on the JASRAC’s website.

Performance
Mechanical  
Performance&Mechanical
                 
North America United States AMRA   Asia Israel ACUM    
APRS   India IPRS    
ASCAP   Indonesia KCI    
BMI   South Korea KOMCA    
Harry Fox   Singapore COMPASS    
SESAC   Thailand MCT    
Canada CMRRA   Taiwan MUST    
SOCAN   China MCSC    
SODRAC   Turkey MESAM    
Cuba ACDAM   Philippines FILSCAP    
Costa Rica ACAM   Vietman VCPMC    
Jamaica JACAP   Hong Kong CASH    
Saint Lucia HMS   Macau MACA    
Trinidad and Tobago COTT   Malaysia MACP    
Barbados COSCAP   Oceania Australia AMCOS    
Mexico SACM   APRA    
Europe Iceland STEF   New Caledonia SACENC    
Ireland IMRO   French Polynesia SPACEM    
Albania ALBAUTOR   South America Argentina SADAIC    
United Kingdom MCPS   Uruguay AGADU    
MRS   Colombia SAYCO    
PRS for Music   Chile SCD    
Italy SIAE   Paraguay APA    
Estonia EAU   Brazil ABRAMUS    
Austria AKM   ADDAF    
Austro-Mechana   AMAR    
Literar-Mechana   ASSIM    
Netherlands BUMA   SADEMBRA    
STEMRA   SBACEM    
Kazakhstan KAZAK   SBAT    
Greece AEPI   SICAM    
Georgia SAS   SOCINPRO    
Croatia HDS   UBC    
Switzerland SUISA   Venezuela SACVEN    
Sweden STIM   Peru APDAYC    
Spain SGAE   Africa Egypt SACERAU    
Slovakia SOZA   Cameroon CMC    
Slovenia SAZAS   Guinea BGDA    
Serbia SOKOJ   Cote d’Ivoire BURIDA    
Czech Republic OSA   Congo BCDA    
Denmark KODA   Zimbabwe ZIMURA    
NCB   Senegal BSDA    
Germany GEMA   Central African Republic BUCADA    
WORT   Tunisia OTPDA    
Norway TONO   Nigeria MCSN    
Hungary ARTISJUS   Namibia NASCAM    
Finland TEOSTO   Burkina Faso BBDA    
France SACEM   Benin BUBEDRA    
SDRM   Madagascar OMDA    
Bulgaria MUSICAUTOR   Mali BUMDA    
Belarus BELAT   South Africa SAMRO    
Belgium SABAM   Mauritius MASA    
Poland ZAIKS   Morocco BMDA    
SQN            
Portugal SPA            
Macedonia ZAMP            
Moldova ASDAC            
Latvia AKKA/LAA            
Lithuania LATGA-A            
Romania UCMR-ADA            
Russia RAO            
                 
                 


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Tatsuya Oe Updated: October 2, 2024

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