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Licensing Our Music (for International Users)

Home > Licensing Our Music (for International Users)

For International Users (Outside Japan)
This page provides licensing guidance for the use of works by Tatsuya Oe / Model Electronic Records outside Japan.
For licensing within Japan, please refer to the Japanese edition of this page.

Note: Licensing workflows differ significantly between Japan and the international market.

What This Page Covers
– How broadcasters can legally use our music through PROs
– When commercial projects require a sync license
– What is pre-cleared / one-stop
– Additional notes for creators seeking sampling or representation

Our music catalog is available under a hybrid licensing model designed for media professionals. This approach combines the efficiency of blanket performance rights for broadcast with the professionalism of negotiated sync agreements for commercial projects. Broadcasters benefit from easy access through PROs, while commercial clients receive tailored sync agreements that protect both creative integrity and brand value. All works are 100% pre-cleared for both publishing and master rights, enabling a smooth, reliable workflow for professionals.

You can explore the Model Electronic Records catalog in two ways, depending on your needs:

  • Public releases (streaming & downloads):
    All commercially released albums and singles from Model Electronic Records are available here:
    Model Electronic Records – Public Releases and Playlists
  • Professional-use library (alt mixes, stems, production-only releases):
    Editors, producers, and supervisors can access additional materials via our curated library on DISCO:
    Model Electronic Records – Library on DISCO.ac

Contents

  • Licensing at a Glance
  • How to Use Our Music
  • How to Proceed
  • Our Hybrid Licensing Philosophy
  • Miscellaneous / Updates

Licensing at a Glance

Quick Reference Table

Our hybrid licensing model makes it easy for professionals to understand how our music can be used. Broadcast and streaming programs are covered under existing PRO blanket licenses, ensuring simple and compliant access. Commercial and branded projects require a direct sync license for proper clearance. Other uses are handled case-by-case through direct negotiation, while sampling of our masters is generally not permitted.

Use Case License Path Payment Flow
TV/Radio Broadcast, Streaming PRO blanket license Royalties via PROs
Commercials, Trailers, Corporate, Games Direct sync license Upfront fee + PRO royalties
Public Spaces, Ringtones, Compilations Direct clearance / case-by-case Case-by-case
Sampling, Remixes, Derivative Works Direct negotiation (rare exceptions) Case-by-case

Note: Streaming Originals produced for platforms such as Netflix, Amazon Prime Video, Hulu, Disney+, Apple TV+ are not considered broadcast uses. These projects require a direct sync license, even if they resemble television programming.

How to Use Our Music

A. Broadcast & Streaming Programs

Includes: Television programming (news, factual, variety, reality, documentaries, drama, etc.), radio programming, and network-based streaming of broadcast programs (simulcast and catch-up / replay services).

License Path: Covered by existing PRO blanket licenses (ASCAP, BMI, PRS, JASRAC, KOMCA, UBC, etc.).

What this means for you:

  • If your organization already holds a PRO license, you may use our music immediately — with no additional permission from us.
  • No need to contact us as long as your usage falls under your PRO’s standard broadcast license.
  • Usage should be reported to your local PRO according to its customary procedures (cue sheet submissions, broadcast logs, etc.).
  • We receive royalties directly through the PRO system.

In other words, you can use our music just as you would any other PRO-registered repertoire — simple, compliant, and barrier-free for legitimate broadcasters.

Special Case: Streaming Originals (Netflix / Amazon Prime Video / Hulu / Disney+ / Apple TV+)

Projects produced as Streaming Originals for platforms such as Netflix, Amazon Prime Video, Hulu, Disney+, Apple TV+, and other SVOD services are not considered broadcast under PRO blanket licenses.

For these productions, a direct sync license is required, even when the content resembles traditional television programming.

This applies to:

  • Platform-exclusive original series and films
  • Documentary and factual originals produced directly for SVOD platforms
  • Promotional versions or trailers related to the above

This is different from:

  • TV broadcast programs later made available via catch-up / replay / simulcast services operated by TV networks
    → These continue to be covered under PRO blanket usage, with cue sheet reporting.

If you are unsure whether your project qualifies as broadcast or streaming original, please contact us and we will help determine the correct category.

Special Case: Platform Music Libraries (TikTok / Instagram / Facebook)

Our music is officially available in the music libraries provided by TikTok, Instagram Reels, and Facebook. On these platforms, users may use our music without contacting us, as long as the project is created within the platform and follows the platform’s own licensing framework.

This applies to:

  • TikTok videos
  • Instagram Reels / Facebook Reels / Facebook Sound Collection
  • In-platform promotional use under standard platform terms

Please note:

  • Using our music in videos created outside the platform and uploaded later (e.g., commercial YouTube uploads, agency-produced ads, event videos, corporate branding) requires a direct sync license.
  • YouTube does not provide licensed access to our music through YouTube Music; using our music in monetized YouTube uploads requires a sync license.

B. Commercial & Branded Content

Includes: TV and online advertising campaigns, film trailers, corporate videos, branded content, video games, websites, promos, apps, toys, products, and other high-visibility commercial uses.

License Path: Requires a direct synchronization license negotiated with us.

What this means for you:

  • Covers synchronization rights and master use rights.
  • Ensures proper clearance for high-profile, brand-integrated contexts.
  • Fees are tailored to project scope and usage.
  • Fast turnaround and clear contracts for professional environments.

✔ Efficient negotiations + proper protection for brand-integrated work.

C. Other Uses

Includes: audio projects, compilations, ringtones, live events, public spaces, trade shows, and more.

License Path: These uses fall outside blanket performance rights and therefore require direct clearance on a case-by-case basis.

What this means for you:

  • Each case is assessed individually.
  • We ensure creative integrity and full copyright compliance.

✔ Friendly, flexible negotiation for non-standard uses.

D. Sampling, Remixes, and Derivative Works

Sampling our master recordings (even small portions), remixing, or creating derivative works usually requires clearance for:

  • A Mechanical License (composition)
  • A Master Use License (recording)

Because these uses often involve complex rights and legal risks:

  • Sampling is generally not permitted under our standard licensing.
  • Rare exceptions may be considered only when handled by experienced professionals with full legal oversight.
  • This applies to all derivative acts, including adding new vocals or rap over existing masters.

Guidance for Creators:
For smoother production timelines, we recommend using sample libraries or works designed for derivative use.

How to Proceed

Broadcast / Streaming

If your organization already holds a PRO blanket license:
➡ You may use our music immediately.
Please report usage to your local PRO according to its normal procedures.

Commercial / Branded / Other Uses

➡ Contact us to obtain a sync license or special clearance.
We provide clear guidance, fast responses, and professional agreements tailored to your project.

Need More Information?

See licensing FAQs and additional guides on this site, or contact us for support.

Our Hybrid Licensing Philosophy

We aim to eliminate unnecessary barriers for broadcasters while maintaining premium standards for commercial use.

Our hybrid model ensures:

  • Barrier-free access for TV, radio, and streaming through PRO blanket licenses
  • Tailored sync agreements for commercial productions
  • Consistent rights protection for creatives and brands
  • Efficient workflows for producers, editors, and music supervisors

This balance keeps the process simple where it should be — and thorough where it needs to be.

Miscellaneous / Updates

Using our music in Japan
If you intend to use music from Model Electronic Records within Japan, please refer to the Japanese-language licensing guide on Tatsuya Oe’s official website:
Licensing Guide (Japanese)

Updates regarding PRO affiliation in Japan

As of April 2024, the domestic PRO affiliation for Tatsuya’s self-published works has transitioned from JASRAC to NexTone.

If you plan to use these self-published works inside Japan, please check the NexTone database for the most up-to-date information:

  • NexTone Database (Japanese only)
  • NexTone Inc. website (English)

For uses outside Japan, performance and publishing rights for these self-published works continue to be administered internationally by JASRAC in cooperation with overseas PROs. Please consult the PRO in your country or refer to JASRAC for confirmation:

  • JASRAC Song Database (J-WID)
  • JASRAC contact form


You might also be interested in:
    FAQs - Dark ModelFAQs about Licensing Our Music Model Electronic Music Catalog for SyncDiscover Our Music Catalog for Professional Licensing Model Electronic Records - Sync Agent WantedSync Agent Wanted: Help Us Place Our Music in Media Most In-demandPlaylist: Most In-demand Tracks for Sync Licensing Performing Rights OrganizationsHow to Work with Performing & Mechanical Rights Organizations
Tags:

Tatsuya Oe Updated: November 23, 2025

Model Electronic Records Catalog for Sync Professionals

Sync Agent Wanted

Experienced Sync Agent Wanted

Licensing Guides & Form

  • Licensing Our Music (for International Users)
  • FAQs about Licensing Our Music
  • How to Work with Performing & Mechanical Rights Organizations
  • Sync Agent Wanted: Help Us Place Our Music in Media
  • Discover Our Music Catalog for Professional Licensing
  • Playlist: Most In-demand Tracks for Sync Licensing

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  • [Updated] Dark Model “Judgment Day” achieved 6 million streams on NetEase Cloud Music (China)
  • Discover Our Music Catalog for Professional Licensing

Microblog

No Title
26 November 2025

「上達は真似から始まる」というのは、語学やスポーツの習得だけでなく、作曲や芸術のような創造的な活動にもよく当てはまる。でも、なぜ人は「真似したい」と思うのだろう。集団への帰属意識や憧れ、求愛、承認欲求など様々な理由があるはずだ。オウムのスノーボールが踊り始めたのは最初、飼い主の動きを真似たからだろうが、今では14の振付を自分で創り、習得している。オウムに元々踊る特性があるのか、彼が「師匠を真似て、そして超えた」のかは分からない。

Snowball (TM) – Another One Bites The Dust https://youtu.be/cJOZp2ZftCw

No Title
25 November 2025

先日作ったYouTubeのMERチャンネルに『Shakedown』をアップしました。このブログを読んで下さっている皆さんの中で、ごく初期の『Twist & Shout』位しか知らないという方はいないと思いますが、他の名義も含めModel Electronic Recordsのリリース作品を100曲以上聴いた方はまだ少ないかもしれません。自主管理の音源は豊富にあるので、様々な角度から動画を披露し、この音楽の世界をより多くの方に楽しんでいただけたら嬉しいです。

MER – Shakedown (from "Anti-Crime Breaks") https://youtu.be/tINu7dGjs7Y

No Title
24 November 2025

楽曲の放送や配信へのライセンスに関するガイドラインを更新しました。コロナ禍の影響もあると思うが、日本では音楽の権利処理に関する改正が著しく、海外とは独立した動きをしているので、それぞれを正確にキャッチアップするのは大変。この手の話は海外の場合、現場を切り盛りしている実務家が率先してゲームに参加するのに対し、日本では役人の答弁や弁護士のコメントが目立つ。彼らは必要不可欠な存在だが、使用料をもらう側でも支払う側でもない。

Topics: 楽曲ライセンスガイドを全面リニューアルしました https://l.tatsuyaoe.com/music-license-update

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