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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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MER – Undercover Man (Visualizer)

Home > Video > MER – Undercover Man (Visualizer)
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      • Anti-Crime Breaks
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Language:

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  • 日本語
Categories: Anti-Crime Breaks. Tags for Video: Jazz-Funk.

This mysterious, driving soul funk track features a brass section, saxophone solo, organ, wah guitar, vibrant bass on the deep funk drum & percussion grooves.

– Keywords for this track –

Groovy, Psychedelic, Wah Guitar, Brass/Horn Section, Saxophone, mid 70s, Mysterious, Energetic, Reto, Disco, Gritty, Funky, Uplifting, Percussive, Driving, Instrumental, Captain Funk, Tatsuya Oe
BPM: 120

– About “Anti-Crime Breaks: Thrilling and Badass Jazz Funk Tracks ” –

Model Electronic Records, led by Tatsuya Oe (aka Dark Model / Captain Funk / OE), releases a new album under the moniker of MER. “Anti-Crime Breaks” is a collection of thrilling and badass jazz-funk and breakbeat tracks reminiscent of soundtracks from the late 70’s crime action and detective movies. Get your adrenaline pumping with this energetic funk music, which is way more than just “retro.”

Album details: https://s.tatsuyaoe.com/3eIhdKY

Artist Name: MER
Album Title: “Anti-Crime Breaks: Thrilling and Badass Jazz Funk Tracks”
Release Date: August 23, 2021
Format: Digital
Product No: MER-3006
UPC Code: 755491208199
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)

– Streaming and Downloads –

Apple Music
Amazon US
Spotify
Bandcamp
Details & other links: https://s.tatsuyaoe.com/3eIhdKY

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    MER - EmergencyMER – Emergency (Uplifting Jazz Disco Funk/Fusion/late 70s) MER - Monkey BusinessMER – Monkey Business (Visualizer) MER - ShakedownMER – Shakedown (Visualizer) MER - Break to KillMER – Break to Kill (Visualizer) MER - Brooklyn MamaMER – Brooklyn Mama (Visualizer)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
28 June 2026

僕がお風呂でよく流しているディスコファンク系のラジオから、Alton Edwardsのこの曲が聴こえてくる。とてもキャッチーなシンセ・ブギーだが、実は知ったのは割と最近だ。UK産でアルバムリリースのないアーティストだったため、当時の日本にはあまり入ってこなかったのだろう。六本木の「ウィナーズ」あたりなら12インチが置いてあったかもしれないが、上京したての大学生だった僕は、一人で深夜の六本木にフラっと立ち寄るほどの肝が据わっていなかった。

Alton Edwards – I Just Wanna Spend Some Time With You https://youtu.be/coZEkKsKirg

No Title
26 June 2026

マリー・シェーファーの『世界の調律』は、サウンドスケープを理解する上での大古典。彼は「人類が最初に聴いた音は水(海)の音だ」と言う。一方、僕らは鼻息や心臓が脈打つ音、そしておならの爆発音まで、「自分の身体が出す音」からは終生逃れられないよなあ……。そんなことを考えていたら、それを極めて格調高く、アカデミックかつ哲学的に伝えようとしたのが、かのジョン・ケージだったらしい。上品すぎて今頃気づいたわ(笑)。

『世界の調律: サウンドスケープとはなにか』R.マリー・シェーファー https://amzn.to/4uSPDiR

No Title
26 June 2026

各AIサービスの最新バージョンの優劣を追いかけることには特に熱心ではないけれど、生成AIの思想的な根底にあるアーキテクチャが今後どうなるのかを探るのは面白い。現在普及しているTransformerに対抗して登場したMambaというモデルは、マルコフ連鎖という確率手法と深い関係があるというので、開発者の一人Albert Gu氏の講義を観てみた。AI投資のホラ吹き競争ではなく、このように現場で「知の競争」が進んでいるのを見るのは楽しい。

スタンフォード講義: 状態空間モデルとTransformerのトレードオフについて https://youtu.be/OyimE74UMF8

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