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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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MER – Undercover Man (Visualizer)

Home > Video > MER – Undercover Man (Visualizer)
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      • Anti-Crime Breaks
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Categories: Anti-Crime Breaks. Tags for Video: Jazz-Funk.

This mysterious, driving soul funk track features a brass section, saxophone solo, organ, wah guitar, vibrant bass on the deep funk drum & percussion grooves.

– Keywords for this track –

Groovy, Psychedelic, Wah Guitar, Brass/Horn Section, Saxophone, mid 70s, Mysterious, Energetic, Reto, Disco, Gritty, Funky, Uplifting, Percussive, Driving, Instrumental, Captain Funk, Tatsuya Oe
BPM: 120

– About “Anti-Crime Breaks: Thrilling and Badass Jazz Funk Tracks ” –

Model Electronic Records, led by Tatsuya Oe (aka Dark Model / Captain Funk / OE), releases a new album under the moniker of MER. “Anti-Crime Breaks” is a collection of thrilling and badass jazz-funk and breakbeat tracks reminiscent of soundtracks from the late 70’s crime action and detective movies. Get your adrenaline pumping with this energetic funk music, which is way more than just “retro.”

Album details: https://s.tatsuyaoe.com/3eIhdKY

Artist Name: MER
Album Title: “Anti-Crime Breaks: Thrilling and Badass Jazz Funk Tracks”
Release Date: August 23, 2021
Format: Digital
Product No: MER-3006
UPC Code: 755491208199
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)

– Streaming and Downloads –

Apple Music
Amazon US
Spotify
Bandcamp
Details & other links: https://s.tatsuyaoe.com/3eIhdKY

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    MER - EmergencyMER – Emergency (Uplifting Jazz Disco Funk/Fusion/late 70s) MER - Monkey BusinessMER – Monkey Business (Visualizer) MER - ShakedownMER – Shakedown (Visualizer) MER - Break to KillMER – Break to Kill (Visualizer) MER - Brooklyn MamaMER – Brooklyn Mama (Visualizer)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
25 March 2026

創作の範囲が驚くほど多岐に渡るゲーテは、「過去を振り返って反省する」タイプではなく、「今の自分を作品に叩きつけたら、すぐさま次の新しい自己へ脱皮する」タイプだった。彼にとって書くことは自己形成の手段であり、書き終えた瞬間、その時の自分はもう次のレベルに移動していると考える。この姿勢には強く同感だ。自作への評価は光栄だが、僕にとって過去作は「当時の全力の落書き」のようなもの。常に脱皮し、「今作りたい音」を追い求めていたい。

ゲーテとの対話(完全版) https://amzn.to/4lXDpTw

No Title
25 March 2026

トランプのSNS投稿という、現代社会で最も信じてはいけないものに世界中が右往左往している。だが、これはもはや彼だけのせいではない。それに過剰反応する側の責任も大きい。彼の投稿をソースにコピペ記事を書く輩を「ジャーナリスト」と呼び、その一喜一憂にレバレッジをかけてギャンブルに励む輩を「投資家」と呼ぶのは、さすがに劣化しすぎだろう。と、そんな「どうでもいい現象」について、わざわざ時間を割いて書いている自分も、過剰反応なのか(笑)

実は「ギャンブル」と同じ?! 投資の本質を考えてみた | 週刊エコノミスト Online https://bit.ly/4bGaheE

No Title
23 March 2026

映画『マネーボール』で一躍有名になったアスレチックス。現在は低迷しているが、ビリー・ビーンによる「データを活用した選手起用」は当時は画期的だった。「良い選手を獲得する資金力のなさ」よりも「得点力のなさ」が真の問題だと気付くのに統計が役立ったという訳だ。メディアやSNSで人気者のアーティスト生活を夢見るのも悪くないが、「独立した音楽家として持続可能なキャリアを築く」ことを優先するならば、統計の知識は味方になってくれる。

映画『マネーボール』予告編 https://youtu.be/8Ln0ySlnxOs

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