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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Idle Curiosity (Audio Visualizer)

Home > Video > OE – Idle Curiosity (Audio Visualizer)
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Language:

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  • 日本語
Categories: New Classics Vol.1. Tags for Video: Indie-Rock.

This is an upbeat, quirky Indie Rock track that features minimalist guitars and piano on the odd-beat rock drums. All instruments play rhythmically like a Math Rock tune, but it sounds lively and joyous.

– Keyword for this track –

Uptempo, Indie Rock, Math Rock, Odd-beat, Electronica, Minimalism, Unpredictable, Light, Fun, Upbeat, Rhythmic, Quirky, Cool, Driving, Acoustic Guitar, Flute, Drums, Piano, Electric Guitar, Synth, Electric Bass, Electronica, Indie Rock, Vocoder
BPM: 150

– About “New Classics Vol.1” –

“New Classics Vol.1 & 2” are collections of new tracks and new arrangements of his past pieces produced under the moniker of “OE” (E is pronounced as long E, like “O.E”).

While the vol.1 focuses on the indie rock/pop electronica and songwriter-oriented side of the project, the vol.2 delves into the contemporary, edgy, and experimental side.

Album details: https://s.tatsuyaoe.com/2PwYC6V

– Album info –

All tracks composed, produced, and mastered by Tatsuya Oe (NexTone / JASRAC)
Label: Model Electronic
UPC Code: 191924552246

-Streaming Services / Music Apps-

Spotify
Apple Music
Amazon US MP3
Bandcamp
Album details & other links: https://s.tatsuyaoe.com/2PwYC6V

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    OE - Rambler and CanterOE – Rambler and Canter (Audio Visualizer) OE - The GlowOE – The Glow (Audio Visualizer) OE - Ain’t Knockin’ at Your Door (Visualizer)OE – Ain’t Knockin’ at Your Door (Audio Visualizer) OE - Fickle HoundOE – Fickle Hound (Audio Visualizer) OE - Life (Visualizer)OE – Life (Audio Visualizer)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
15 March 2026

昔、バンドがライブで自曲を演奏する際、加齢と共にテンポが落ちていくのを見て、どこか寂しさを感じたものだ。ダンスミュージックはBPMで細かくジャンルが分かれるため、「遅い曲を作り出したら加齢の証だ」(笑)と一概には言えない。だが「速い曲を聴くのがしんどい」と感じたら、それは何かのサインかもしれない。幸い僕は今のところそういう現象とは無縁で、ここ最近BPM128以上の曲を集中的に作っている。

Conducta | Mixmag Lab London https://youtu.be/T4FZxTFY_ek

No Title
14 March 2026

かつて英文を書く際は、Grammarlyという文法チェッカーを愛用していた。だが数年前、AI機能が大幅に導入されて以降、自分の文章が「誰が書いても同じになる無個性なテンプレ」へ誘導されている気がして、利用を控えるようになった。LinkedIn等でも、”innovative”とか”visionary”、”passionate leader”といった、似た形容詞が並ぶ定型文をよく目にする。AIが作った「完璧すぎるCV」をAIがジャッジするなんて、妙な時代になったものだ。

How Recruiters Spot AI-Written Resumes | NG Career Strategy https://bit.ly/4baf6xN

No Title
13 March 2026

凹凸の少ないフローリングの部屋は、音を吸収するものがなく、壁や床で音が何度も反射してしまう。特にエネルギーの強いベース音は、部屋の角や壁際に溜まりやすい。見た目こそ洒落ているが、響きが「ライブすぎる」ため、リスニングならまだしも制作には全く不向きだ。今回突発的に思いついて、スピーカーのリアポート(背面の穴)に靴下を突っ込んでみた。この「ソックスチューニング」のおかげで、4畳半の和室のような、デッドで制作向きの音に仕上がった。

Speaker Port Plugs: Could They Solve Bass Issues in Your System? – YouTube https://youtu.be/xMVWaFeJImM

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