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OE – New Classics Vol.1 – Album Preview

Home > Video > OE – New Classics Vol.1 – Album Preview
  • Videos
    • Playlist
    • Dark Model
      • Driving Orchestral Electro Mix
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      • Metropolis
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      • Early Techno Works 9697
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      • New Classics Vol.1
      • Compositions in Light
      • New Classics Vol.2
    • MER
      • Anti-Crime Breaks
      • Cyber City Connection
      • Soul Funk Ska Moods
    • Sync Placements

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Language:

  • English
  • 日本語
Categories: OE. Tags for Video: Indie-Rock, Electronic Pop, and Contemporary.

“New Classics Vol.1 & 2” are collections of new tracks and new arrangements of his past pieces produced under the moniker of “OE” (E is pronounced as long E, like “O.E”).

While the vol.1 focuses on the indie rock/pop electronica and songwriter-oriented side of the project, the vol.2 delves into the contemporary, edgy, and experimental side.

Album details: https://s.tatsuyaoe.com/2PwYC6V

– Album info –

All tracks composed, produced, and mastered by Tatsuya Oe (NexTone / JASRAC)
Art Direction: Passion Yoko
Label: Model Electronic
Physical Distribution: Alliance Entertainment
Format: CD (CD-R Pro in Jacket type) & Digital
UPC Code: 191924552246

-Streaming Services / Music Apps-

Spotify
Apple Music
Amazon US MP3: https://amzn.to/2oGFPKN
Bandcamp
Album details & other links: https://s.tatsuyaoe.com/2PwYC6V

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    OE - New Classics Vol.2 Album SamplerOE – New Classics Vol.2 – Album Preview OE - Suchness Album PreviewOE – Suchness – Album Preview Captain Funk - Metropolis - Album PreviewCaptain Funk – Metropolis – Album Preview Captain Funk - Night MusicCaptain Funk – Night Music [Album Medley] Anti-Crime Breaks - The-FugitiveMER – Anti-Crime Breaks: Thrilling and Badass Jazz Funk Tracks (Album Preview)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
6 November 2026

アルバムのミックスダウンを追い込み、16曲を通し聴き。「なかなか良いじゃないの」と浸っていた11曲目、ふとファイル名を見て愕然とした。…これ、3週間前にアートワーク用に作った暫定版だ!その後、細部を詰めて取り組んできた作業の成果に、本人が全く気づいていなかったという事実。 ここは前向きに、「前のミックスの時点で、すでにほぼ完璧に仕上がっていたということだ」という、あふれんばかりの自己肯定感で突っ走ることにします(笑)。

自己肯定感が高い人の4大特徴が明らかに! – STUDY HACKER https://studyhacker.net/self-esteem-high

No Title
3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

No Title
2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

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