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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Home > EDM
Dark Model "Fate" video

Dark Model – Fate (Album version)

Sep 28, 2014

An orchestral Electro Funk/EDM track filled with a futuristic, heroic and badass vibe. It includes Dubstep-esque synth bass, glitchy breaks & drops.  

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Dark Model "Moment of Truth" video

Dark Model – Moment of Truth

Sep 28, 2014

Uplifting, cinematic breakbeat/EDM track which features tribal percussion & drumline (marching band), massive electronic beats, and full orchestral arrangements.  

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Dark Model "Hope is Never Gone" video

Dark Model – Hope Is Never Gone

Sep 28, 2014

An uplifting, trance-esque orchestral electronic track featuring minimalistic piano, strings & horn phrases, and marching drums.

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Dark Model "JudgmentDay" video

Dark Model – Judgment Day (Album version)

Sep 28, 2014

Apocalyptic, epic, and melancholic Orchestral/Classical Electronica/EDM, which features minimalistic violin phrases and a building with woodwinds, horn ensemble, and heavy (Dubstep-esque) beats & bass.  

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Dark Model "Onibi" video

Dark Model – Onibi (Demon Fire)

Sep 28, 2014

An intense and cinematic Orchestral Electronic track, which has a touch of modern electronic music such as EDM / Drumstep / Neurofunk (or even Breakcore). However, its arrangement and instrumentation are based on authentic cinematic orchestral music.  

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Dark Model "Oath (Dubstep Remix)" video

Dark Model – Oath (Dubstep Remix)

Sep 28, 2014

Remix of “Oath,” a dramatic and emotionally storytelling Orchestral Electronica track consisting of three (four) parts like a suite.  

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Tatsuya Oe Updated: February 19, 2022

Video

  • Captain Funk – Call on Me (Night Cruising Mix)(Visualizer)Captain Funk – Call on Me (Night Cruising Mix)(Visualizer)

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Microblog

No Title
5 August 2026

年齢を重ねるほど好奇心が広がり、学びたいことが増えて忙しくなる。日々の制作に加えて勉強したいことが山積み。だが、そこに焦りはない。制作に1000時間かかるアルバムを100時間で完成できても、そこに楽しさはないのと同じだ。自発的な学びや創作の醍醐味は「過程」にあり、効率やタイパとは全く次元が異なる。やってもやっても終わらない感覚。それは時間が足りない焦りではなく、終わりなき充実感の中にいるということだと思う。

R.L.スティーブンソン「希望を持って旅をすることは、目的地にたどり着くことに勝る」 https://www.brainyquote.com/quotes/robert_louis_stevenson_162816

No Title
3 August 2026

Carol Robbinsというハープ奏者が演奏するインスト「Caminhos Cruzados」を聴いていて、タイトル(ポルトガル語で「十字路」)からして、以前どこかで聴いたことがある曲だと思っていたものの、調べるまでには至らなかった。先日、何気なく検索してみたら、トム・ジョビン作曲の超有名曲で、しかも大学時代に毎晩リピートして聴いていたジョアン・ジルベルトのアルバムに収録されていたのだった。もうこれで一生忘れない(笑)。

João Gilberto – Caminhos Cruzados https://youtu.be/D3Hf-725Yk4

No Title
1 August 2026

テクノロジーは常に「レイジー」と「クリエイティブ」の選択を迫る。 思考や感情をAIに丸投げして「楽をする」アプローチと、アイデアの「着想の種」として使い、編集や意図を人間が責任を持ってコントロールするアプローチは全く異なる。「今や誰もがスタジオでAIを使っている」というグラミー賞のエグゼクティブのコメントが引用されているが、もしそれがレイジーな使い方ばかりなのだとしたら、問題なのは技術ではなく使い手の姿勢や業界の文化だろう。

Ari's Take「AI音楽は冒涜だ — “当たり前”にするのをやめよう」 https://aristake.com/ai-music-is-an-abomination/

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