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Tatsuya Oe Interview about Music Licensing Business for Billboard biz (US)

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Home > Topics > Media/Press > Interview > Tatsuya Oe Interview about Music Licensing Business for Billboard biz (US)
Categories: Interview. Tags: United States, Sync License, and Websites.
Mar 4, 2013
Billboard biz

Tatsuya had a long interview with Mark Frieser, contributing writer of Billboard biz and founder of Sync Summit /Sync Exchange.

This was originally held as a series of interviews on Billboard biz he has been working on from the standpoint of “possibilities of music licensing business,” and the article has been pre-published on Sync Exchange and Music2Deal websites (as well as Blog page on this website). Publication on Billboard.com is due in this early summer.

While we comprehensively covered many topics about music licensing business, these are based on what he has actually experienced and learned for years. We hope this article will be helpful for independent musicians and publishers who have been exploring possibilities of the music business on a daily basis.

If you’re interested in Mark’s other interviews with Gerald Casale (Devo), Martyn Ware (Heaven 17), Chuck D (Public Enemy), Mathew Knowles (Music World Entertainment, and Beyonce’s father), etc., check out Billboard.biz and Sync Summit pages. These precious talks with the music industry greats should be helpful for you as well.

Tatsuya Oe page on Sync Summit

Sync Exchange “Creating a Successful Licensing Business as an Independent Musician (Part 1)”
(Part2)

Tatsuya Oe interview on Sync Exchange

Music2Deal Interview page

Tatrsuya Oe interview on Music2Deal


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United StatesSync LicenseWebsites
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Tatsuya Oe Updated: December 12, 2025

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No Title
23 December 2025

このところYouTubeのプレイリストを整理・拡充しています。これまでは音楽のジャンルやテーマに沿った楽曲集を中心に作ってきましたが、音楽を聴く側(皆さんです)の使い道や機能を想定したプレイリストも充実させていきます。第一弾として「ランニング・ワークアウトのための楽曲」リストを作ってみました。コレクションの中心を占めるCaptain Funkの楽曲の大半は、Deluxe Editionに収録されている最新ミックスです。僕もこれを聴いて走ってみます!

(Playlist) Running Workout Music https://youtube.com/playlist?list=PLvPvwbfJHf5eurYxEZ_B2n0rX1F6N3mq9

No Title
22 December 2025

昔、あるミュージシャンが「音楽を作るのは畳職人が畳を作るのと同じだ」と言ったという記事を読んだ。出典がなかったので真偽は定かではないが、その言葉を読んだとき、膝を打ちながらも、かなりドライな意見だと感じた。ただ僕自身は長らく、誰かに頼まれて畳(曲)を作ったことがなく、創作を職人気質に捉えすぎないようにしている。それは、畳作りを一生好きでいられる(=嫌いにならない)方法について真剣に考えた結果の、自分なりの答え。

ダ・ヴィンチは職人だった…「芸術家」と「職人」の違いとは? https://gentosha-go.com/articles/-/29391

No Title
22 December 2025

遅ればせながら「ショパン国際コンクール」のドキュメンタリーを観た。1位を獲ったエリック・ルーの演奏スタイルが非常にアメリカ的なのが印象的だった。僕はこれまで、コンクールやコンテスト、ランキング、オーディションといった、他人による優劣の判断や評価システムに対して猛烈な反発心があって、それをバネに生きてきたところがある。演奏者の方々にはコンクールを一つの通過点と捉え、「自分が音楽と演奏を好きでいられること」を最優先に、邁進してほしいと思う。

【ショパンコンクール】審査員の発言に波紋「音楽のためではなく、拍手のために弾いている人もいる」 https://youtu.be/Ja3znTbQZkk

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