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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Labyrinth (from “Saga”)

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Home > Topics > Dark Model > Dark Model – Labyrinth (from “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

Unlike the other tracks of “Saga,” there are minor electronic elements in this track “Labyrinth,” as I wanted to make this track sound as organic and lively as possible. When it comes to making Dark Model’s music, I have been cautious about the proportions of orchestral and electronic sounds I use in one track. I would like to avoid the case where the music sounds like a “remix” (of some orchestral music).

Sometimes it is necessary not to cram electronic elements just to come off as modern or edgy because it could ruin the meat of what should be conveyed through the music. Hopefully, the purity of this track gives a significant role in solidifying the structure of the “Saga” story.

Here are some reviews which described this track. Enjoy them as well as the music.

“Survivors,” for example, is ideal for a 80s inspired athletic sequence, but “Labyrinth,” being the only recording to forgo electronic components, is appropriate for a more somber ― but still ― epic event.”

(Liz Campese, ARTpublika Magazine)

“Other tracks such as “Labyrinth” are delicate and sound as if performed straight off the stage of a live orchestra, with heart-tugging piano melodies that encapsulate the feeling of hope and despair all in one.”

(Isiah Reyes, Enter the Venture)

“The dense affair of Oe’s Saga takes in more heavily clad layers of repetitious melodies as we circle into the next track, titled “Labyrinth.” The dramatic storytelling unfolds as the ominous sounds of hypnotic strings fleshes out a tense, yet spirited narrative.”

(My Nguyen, The Celebrity Cafe)

“Our favorite tracks are ‘Survivors’ and ‘Labyrinth.'”

(Louis Pratt, Viral Pirate)

“‘Labyrinth’ backs off on the imminent peril and finds our protagonists once again reinvigorated in their travels. The orchestration finds itself somewhere between Howard Shore’s adventurous Lord of the Rings score and Danny Elfman’s quirky fantastical scores”

(Jon C. Ireson, Music News)

(This may sound funny, but I have not watched “Lord of the Rings” series except for some of their highlights. I have hardly heard the music as well although I would listen to Mr. Shore’s early soundtrack “Videodrome” in my twenties.)

BPM: 135
Keywords: Baroque, Neoclassical, Mysterious, Rhythmic, Beautiful, Elegant, Sophisticated, Fast paced, European, Orchestral, Strings, Cinematic, Uptempo, Solemn, Graceful, Minimalist, Aristocratic, Intricate, Pulsating, Poignant, Refined, Staccato, Chamber Orchestra, Timeless

Composed and produced by Tatsuya Oe

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

 


You might also be interested in:
    Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - Storm GoddessDark Model – Storm Goddess (from the new album “Saga”) Now Hear This -Saga-Dark Model on Huffington PostDark Model “Saga” scored 4.5 out of 5 on The Huffington Post Trailer Music NewsTrailer Music News introduced Dark Model “Saga” album Dark Model - AvalonDark Model – Avalon (from the new album “Saga”)
Saga
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Tatsuya Oe Updated: January 31, 2026

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「Pain is inevitable. Suffering is optional.(痛みは避けがたいが、苦しみはこちら次第)」—2006年のヘラルド・トリビューン紙の記事でアマチュアランナーがこれをマントラ(呪文)として挙げた。同記事で、五輪銀メダリストのリディア・シモンは「マラソンの90%は脳。身体的なものは実は大したことがない」と語る。あの過酷なマラソンですらそうなのだとすれば、まして現実の痛みや苦しみなど…。

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パラグ・カンナ『「接続性」の地政学』の中に、メルカトル図法による世界地図では面積が大きく歪むため、グリーンランドがアフリカ並みに大きく表示されていることに著者の娘が驚いたというエピソードがあった。トランプ氏は、まさにこのメルカトル図法サイズでグリーンランド獲得を夢見ていたんだろうと笑ってしまったのだが、地図サイト「The True Size Of…」で日本を見たら、想像以上に国土が大きくて長い…。自分も人のことは笑えない(笑)。

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名著『バブル』で知られる故・永野健二氏の講演を聴いた。同氏はバブルの真犯人を不動産や株ではなく、銀行や官僚システムだと説く。個人的には、実体経済よりもマネーだけが膨らむ今の日本の方がさらに危なっかしく思えるが、僕が興味あるのは犯人探しではない。「人は調子に乗り、流され、崩れれば自分以外に原因を求める」という、人間がもつ抗いようのない「習性」をどう乗り越えるか、これを自らの課題として向き合いたい。

永野健二 ジャーナリスト『バブル 日本迷走の原点』2017.3.15 https://youtu.be/6Sf04APvacY

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