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Captain Funk (Tatsuya Oe) Interview on Metropolis Magazine, Tokyo

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Home > Topics > Media/Press > Interview > Captain Funk (Tatsuya Oe) Interview on Metropolis Magazine, Tokyo
Categories: Interview and Model Electronic. Tags: Magazines & Books, Japan, Music Business, and Websites.
Feb 10, 2009
Metropolis magazine-logo

Tatsuya had an interview with Metropolis, Japan’s Number 1 English magazine (paper and digital). He talked mainly about Club Model Electronic, new digital download service and website launched by his own label Model Electronic. We hope you will visit the interview page and enjoy the article.

“Tatsuya Oe opens an online “club” for his banging digital creations”
https://archive.metropolis.co.jp/tokyo/775/clubs.asp

This interview mainly consists of the story about Club Model Electronic ( Captain Funk Official Store, as of 2010 ), including the introduction of me.

Thanks a lot to Metropolis & Don for your interest.

Captain Funk interview on Metropolis Magazine_2009


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Tatsuya Oe Updated: June 14, 2019

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感情を鍵盤に叩きつけるような、パーカッシブで荒っぽいピアノが大好きだ。ジャズならマッコイ・タイナー、そしてインディロックではベン・フォールズの演奏を時々猛烈に聴きたくなる。ピアノに限らず僕は、正確さよりもダイナミックさに惹かれるところがある。大学に入りたての頃、ファンカデリックのようなバンドをやりたくて幾つか音楽サークルを訪問したら、ユーミンのカバーをしていた上級生が「君、ピッキングが荒いね」。大学で音楽仲間を探すのはお門違いだった(笑)。

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(2/2) そして、その「(一神教的な文明にある)西洋人が最も難解に感じる世界」は、実は我々東洋人にとってはこうした難解な本を読まずとも「さらっと肌で感じられる」世界だったりする。彼が「無門関」など、禅の公案をいくつも紹介しているのは決して偶然ではない。僕も日々LLMを活用しているが、「言語化の自己ループ」を飛び出て「不思議の環」に到達する人間の知能は、AIが設計する知能とは全く違うということを忘れずに、AIと向き合いたい。

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(1/2) その昔「だまし絵」のエッシャーについて書かれた本を色々読んだ時期があった。『ゲーデル、エッシャー、バッハ―あるいは不思議の環』は今でも読み継がれている名著で、現在のAIの設計にも影響を与えたであろう「自己言及」について深堀りしている。ただ、著者が本当に模索していたのは、ここでは説明しきれていない(そして今のAI開発者が見落としがちな)『非言語的な混沌(カオス)の世界』に対する人間の認知の仕組みではなかったかと思う。

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