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Compilation Album “Kibou” & Demolition Disco “Big Mama” Remix

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Home > Topics > Captain Funk > Compilation Album “Kibou” & Demolition Disco “Big Mama” Remix
Categories: Captain Funk and Awards/Charts. Tags: Release, Remix, Chart, and Digital distribution.
Jun 3, 2011
Demolition Disco "Big Mama EP (Part-One)"

Tatsuya participated in the Japan charity compilation called “Kibou” which was released from Elektrax Music (Australia). Including this album, they released 4 compilations, and very many electronic musicians contributed their tracks to join this project (please refer to their website). All Beatport sales of this compilation will be donated to the Japanese Red Cross Society to aid the people of Japan.

Tatsuya’s contribution track is “Let the music take control (Instrumental Mix).” The original version of this track was produced while making Heavy Metal and Heavy Mellow albums, and Tatsuya polished it again for this participation.

This compilation got ranked No.1 at Juno Download chart in Mid-May. Please drop by Beatport and Juno Downloads to listen to them!

Elektrax Music “Kibou” page

Electrax_Kibou

Next news is regarding German Electro unit Demolition Disco’s “Captain Funk Epic Suite Remix (Riot Riot Records).” While the original mix has pretty modern tribal & bleepy Electro style (which is great), Tatsuya dared to take a different approach by adding more cinematic and spacey/cosmic atmosphere. And it ended up with 10 minutes remix, the longest one he has ever done.

Hopefully, you will take a listen to it at Juno Downloads and enjoy all other cool remixes (StereoHeroes, Aerotronic, Junkietron) as well. Also don’t forget to check out the impressive video of “Big Mama.”

Juno Download Link: https://www.junodownload.com/products/big-mama-ep-part-one/1733639-02/?trackid=5

Demolition Disco “Big Mama (Captain Funk Epic Suite Remix)”

Demolition Disco “Big Mama (Original Mix)”


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ReleaseRemixChartDigital distribution
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Tatsuya Oe Updated: February 17, 2022

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27 January 2026

最近のUK/USインディ・レーベルの音をチェックしていると、「インディ」とは思えないほど、新人でも随分豪華なミュージックビデオ(MV)を作っている。複数のAIに「販促・宣伝費はどうやって捻出するの?」と聞いたところ、「実質的にはアーティストがレーベルにローン(前借り)する形です。アーティストは“リスクは最初に負い、報酬は最後に得る存在”なのです」と返ってきた。そうした世界から離れて、音楽業を30年、レーベルを20年続けてこられたことは奇跡かもしれない。

OE – Warning (Reconstruction Mix) (Short Edit) from “Early Techno Works 9697” https://www.youtube.co…

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Dark Model – Vigilant Eyes (Short Edit) #orchestralmusic #glitch #epicmusic https://youtube.com/shorts/sq3Qo5_d_FQ

No Title
26 January 2026

今月の Financial Timesで紹介されていた、各国の AI に対する印象を比較したグラフが印象に残っている。イプソスという調査会社のデータを図表化したものだったと思うが、日本は AI への不安も期待も、そして恩恵への実感も先進国で最下位だった。AI にユートピアもディストピアも感じない、というのは「バランス感覚がある」とするのか、「無批判・無抵抗(=お人好し)すぎる」のかは見方次第。ただ、Gemini は「ジェミナイ」と呼んでほしかったかな。

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