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Compilation Album “Kibou” & Demolition Disco “Big Mama” Remix

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Home > Topics > Captain Funk > Compilation Album “Kibou” & Demolition Disco “Big Mama” Remix
Categories: Captain Funk and Awards/Charts. Tags: Release, Remix, Chart, and Digital distribution.
Jun 3, 2011
Demolition Disco "Big Mama EP (Part-One)"

Tatsuya participated in the Japan charity compilation called “Kibou” which was released from Elektrax Music (Australia). Including this album, they released 4 compilations, and very many electronic musicians contributed their tracks to join this project (please refer to their website). All Beatport sales of this compilation will be donated to the Japanese Red Cross Society to aid the people of Japan.

Tatsuya’s contribution track is “Let the music take control (Instrumental Mix).” The original version of this track was produced while making Heavy Metal and Heavy Mellow albums, and Tatsuya polished it again for this participation.

This compilation got ranked No.1 at Juno Download chart in Mid-May. Please drop by Beatport and Juno Downloads to listen to them!

Elektrax Music “Kibou” page

Electrax_Kibou

Next news is regarding German Electro unit Demolition Disco’s “Captain Funk Epic Suite Remix (Riot Riot Records).” While the original mix has pretty modern tribal & bleepy Electro style (which is great), Tatsuya dared to take a different approach by adding more cinematic and spacey/cosmic atmosphere. And it ended up with 10 minutes remix, the longest one he has ever done.

Hopefully, you will take a listen to it at Juno Downloads and enjoy all other cool remixes (StereoHeroes, Aerotronic, Junkietron) as well. Also don’t forget to check out the impressive video of “Big Mama.”

Juno Download Link: https://www.junodownload.com/products/big-mama-ep-part-one/1733639-02/?trackid=5

Demolition Disco “Big Mama (Captain Funk Epic Suite Remix)”

Demolition Disco “Big Mama (Original Mix)”


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Tatsuya Oe Updated: February 17, 2022

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16 September 2025

効果音(サウンドエフェクト)は巷に出回っているので、わざわざ自分で作らなくても間に合うといえば間に合う。しかし、クセのある音や特徴的な音を作りたい場合は、シンセで波形を一から合成したり、自分で録音したオリジナル音源を加工して作るしかない。これは作曲とは異なる、いわば別の創作魂や忍耐力が試される世界。効果音といえば、ここ十年で最も定番化したのは「BRAAM(ブラーム)」だろう。次の時代を形作るのは、はたしてどんな音なのだろうか。

How to create professional CINEMATIC BRAAMS from scratch https://youtu.be/ZeTCWjfN0LQ

No Title
16 September 2025

2年ぶりに、各種がん検査を含めた健康診断を受けた。詳しい結果はこれからだが、現時点では異常なし。毎日2時間体を動かし、毎朝山盛りの野菜を食べ、超規則正しい生活を送っているので、これ以上健康的にしろと助言されても思いつかない(笑)。今も健在な父は「俺は生命線が2本あるから、まだ大丈夫だ」と冗談めかして言う。長寿も素晴らしいが、最後に心の底から笑える人生は、さらに素晴らしい。

ダニエル・リーバーマン『運動は長寿の特効薬か?』 https://youtu.be/hshBTJaFqNY

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14 September 2025

創作手法にあえて制約や縛りを設けることで、よりクリエイティブなものが生まれることもある。これは作り手なら誰もが経験しているだろう。ただ、そうして生まれた作品を受け手がどう感じるか以前に、このアプローチ自体が目的化・教義化してしまったり、作り手としてむしろ満足できないクオリティに陥ってしまうなら意味がない。そんなことを、かつて話題になった映画製作運動『ドグマ95』を思い出しながら考えた。昨日の「度胸比べ」も厄介だが、「ガマン比べ」も大変だ。

トマス・ヴィンターベア『セレブレーション』(1998) https://amzn.to/4ppfNbo

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