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Compilation Album “Kibou” & Demolition Disco “Big Mama” Remix

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Home > Topics > Captain Funk > Compilation Album “Kibou” & Demolition Disco “Big Mama” Remix
Categories: Captain Funk and Awards/Charts. Tags: Release, Remix, Chart, and Digital distribution.
Jun 3, 2011
Demolition Disco "Big Mama EP (Part-One)"

Tatsuya participated in the Japan charity compilation called “Kibou” which was released from Elektrax Music (Australia). Including this album, they released 4 compilations, and very many electronic musicians contributed their tracks to join this project (please refer to their website). All Beatport sales of this compilation will be donated to the Japanese Red Cross Society to aid the people of Japan.

Tatsuya’s contribution track is “Let the music take control (Instrumental Mix).” The original version of this track was produced while making Heavy Metal and Heavy Mellow albums, and Tatsuya polished it again for this participation.

This compilation got ranked No.1 at Juno Download chart in Mid-May. Please drop by Beatport and Juno Downloads to listen to them!

Elektrax Music “Kibou” page

Electrax_Kibou

Next news is regarding German Electro unit Demolition Disco’s “Captain Funk Epic Suite Remix (Riot Riot Records).” While the original mix has pretty modern tribal & bleepy Electro style (which is great), Tatsuya dared to take a different approach by adding more cinematic and spacey/cosmic atmosphere. And it ended up with 10 minutes remix, the longest one he has ever done.

Hopefully, you will take a listen to it at Juno Downloads and enjoy all other cool remixes (StereoHeroes, Aerotronic, Junkietron) as well. Also don’t forget to check out the impressive video of “Big Mama.”

Juno Download Link: https://www.junodownload.com/products/big-mama-ep-part-one/1733639-02/?trackid=5

Demolition Disco “Big Mama (Captain Funk Epic Suite Remix)”

Demolition Disco “Big Mama (Original Mix)”


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ReleaseRemixChartDigital distribution
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Tatsuya Oe Updated: February 17, 2022

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7 February 2026

感情を鍵盤に叩きつけるような、パーカッシブで荒っぽいピアノが大好きだ。ジャズならマッコイ・タイナー、そしてインディロックではベン・フォールズの演奏を時々猛烈に聴きたくなる。ピアノに限らず僕は、正確さよりもダイナミックさに惹かれるところがある。大学に入りたての頃、ファンカデリックのようなバンドをやりたくて幾つか音楽サークルを訪問したら、ユーミンのカバーをしていた上級生が「君、ピッキングが荒いね」。大学で音楽仲間を探すのはお門違いだった(笑)。

Ben Folds: NPR Music Tiny Desk Concert https://youtu.be/VNMms_zGbnI&t=1135

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6 February 2026

(2/2) そして、その「(一神教的な文明にある)西洋人が最も難解に感じる世界」は、実は我々東洋人にとってはこうした難解な本を読まずとも「さらっと肌で感じられる」世界だったりする。彼が「無門関」など、禅の公案をいくつも紹介しているのは決して偶然ではない。僕も日々LLMを活用しているが、「言語化の自己ループ」を飛び出て「不思議の環」に到達する人間の知能は、AIが設計する知能とは全く違うということを忘れずに、AIと向き合いたい。

Dark Model – Cold Rain #cyberpunk #soundscape #pulse #timelapse https://www.youtube.com/shorts/oCL8oGS06F8

No Title
5 February 2026

(1/2) その昔「だまし絵」のエッシャーについて書かれた本を色々読んだ時期があった。『ゲーデル、エッシャー、バッハ―あるいは不思議の環』は今でも読み継がれている名著で、現在のAIの設計にも影響を与えたであろう「自己言及」について深堀りしている。ただ、著者が本当に模索していたのは、ここでは説明しきれていない(そして今のAI開発者が見落としがちな)『非言語的な混沌(カオス)の世界』に対する人間の認知の仕組みではなかったかと思う。

『ゲ-デル,エッシャ-,バッハ: あるいは不思議の環』 https://amzn.to/4acWxXV

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