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Music Licensing for ELLE Brazil TV Commercial (2012 May)

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Home > Topics > Music Placement > Music Licensing for ELLE Brazil TV Commercial (2012 May)
Categories: Music Placement. Tags: Magazines & Books, TV Commercial, Sync License, Advertising, and Videos.
May 3, 2012
Coco Rocha on ELLE Brazil 2012 May Cover

Tatsuya’s “My Jetset” was sync-licensed and used for a fashion magazine ELLE BRAZIL’s TV commercial. The video is available on ELLE BRAZIL website.


Also, this week we had “T’s groove” placed for an American #1 online swimwear boutique called SwimSpot.

SwimSpot.Com


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    Lucozade vs Water feat. Dark Model "Fate"Music Placements for Media and Advertising – Spring 2013 – Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q2). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Summer 2012 – Verizon Wirelss TV commercial "Droid DNA -Extra Sensory" featuring Dark Model "Oath (Dubstep Remix)"Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US) Music Placements for TV, Film & Advertising – Autumn 2013 – Music Placement Summer 2014Music Placements for TV, Film & Advertising – Summer 2014 –
Magazines & BooksTV CommercialSync LicenseAdvertisingVideos
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Tatsuya Oe Updated: December 12, 2025

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No Title
19 February 2026

その昔、香港へDJツアーで出かけたとき、熱気でむせかえるインド人街で大ヒット映画『Disco Dancer(’82)』のVHSを買った。「インドにディスコ、それって最高じゃん!」とハチワレばりに小躍りしながら自宅のビデオデッキに入れると、映像は激しく乱れ、音だけがかすかに聞こえてくる…。インドの規格はPAL方式だったのだ。あの時は諦めざるを得なかった伝説の映画が、今やYouTubeで普通に見られるとは。しかも1.3億再生って、どんだけ人気やねん(笑)。

Disco Dancer – Jimmi Jimmi Jimmi Aaja Aaja Aaja Aaja Re Mere https://youtu.be/ZUdJQSUcK_Y

No Title
18 February 2026

(2/2)実際、面倒なプロセスや試行錯誤こそが、脳を鍛え、能動性を育む力になる。プロセスをショートカットし続けると、クリエイティブになるどころか、選ぶことすらしない「受動的な消費者」が増えてしまう。「その摩擦を取り除くことで、人の能動性や想像力が奪われないか?」という「摩擦の吟味」については、我々アジア人と彼らとの間には相当な文明観や美学の開きがある。世界が一律に同じプラットフォームや検索サービスを使っていた時代は終わりつつある。

顧客体験における「良い摩擦、悪い摩擦」- Macquarie University https://bit.ly/3MQLaNK

No Title
18 February 2026

(1/2)アメリカのテックエリートは、「人間が面倒なことを徹底的に排除すれば、もっとクリエイティブなことに時間を使えるはずだ」と考える傾向がある。これを勿体つけて「フリクションレス(摩擦がない)」と言ったりするが、その「面倒なことリスト」の中に、買い物のレコメンデーションや注文、運転にとどまらず、選曲、さらには思考のプロセスまで含まれてしまうと、「じゃあ人間は何をするの?楽しみやワクワクはどこに残るの?」という疑問が素直に湧いてくる。

メルセデス・ベンツ FYI RAIDIO (official video) https://youtu.be/MUBkSgUaMIY

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Read previous post:
Shiseido Asia "White Lucent"
Music Composition for Shiseido Asia “White Lucent” TV Commercial

Tatsuya composed music for Shiseido Asia White Lucent TV commercial (dir. Noriyuki Tanaka), airing across Asia and on web/YouTube.

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