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Music Licensing for ELLE Brazil TV Commercial (2012 May)

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Home > Topics > Music Placement > Music Licensing for ELLE Brazil TV Commercial (2012 May)
Categories: Music Placement. Tags: Magazines & Books, TV Commercial, Sync License, Advertising, and Videos.
May 3, 2012
Coco Rocha on ELLE Brazil 2012 May Cover

Tatsuya’s “My Jetset” was sync-licensed and used for a fashion magazine ELLE BRAZIL’s TV commercial. The video is available on ELLE BRAZIL website.


Also, this week we had “T’s groove” placed for an American #1 online swimwear boutique called SwimSpot.

SwimSpot.Com


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    Lucozade vs Water feat. Dark Model "Fate"Music Placements for Media and Advertising – Spring 2013 – Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q2). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Summer 2012 – Verizon Wirelss TV commercial "Droid DNA -Extra Sensory" featuring Dark Model "Oath (Dubstep Remix)"Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US) Music Placements for TV, Film & Advertising – Autumn 2013 – Music Placement Summer 2014Music Placements for TV, Film & Advertising – Summer 2014 –
Magazines & BooksTV CommercialSync LicenseAdvertisingVideos
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
7 February 2026

感情を鍵盤に叩きつけるような、パーカッシブで荒っぽいピアノが大好きだ。ジャズならマッコイ・タイナー、そしてインディロックではベン・フォールズの演奏を時々猛烈に聴きたくなる。ピアノに限らず僕は、正確さよりもダイナミックさに惹かれるところがある。大学に入りたての頃、ファンカデリックのようなバンドをやりたくて幾つか音楽サークルを訪問したら、ユーミンのカバーをしていた上級生が「君、ピッキングが荒いね」。大学で音楽仲間を探すのはお門違いだった(笑)。

Ben Folds: NPR Music Tiny Desk Concert https://youtu.be/VNMms_zGbnI&t=1135

No Title
6 February 2026

(2/2) そして、その「(一神教的な文明にある)西洋人が最も難解に感じる世界」は、実は我々東洋人にとってはこうした難解な本を読まずとも「さらっと肌で感じられる」世界だったりする。彼が「無門関」など、禅の公案をいくつも紹介しているのは決して偶然ではない。僕も日々LLMを活用しているが、「言語化の自己ループ」を飛び出て「不思議の環」に到達する人間の知能は、AIが設計する知能とは全く違うということを忘れずに、AIと向き合いたい。

Dark Model – Cold Rain #cyberpunk #soundscape #pulse #timelapse https://www.youtube.com/shorts/oCL8oGS06F8

No Title
5 February 2026

(1/2) その昔「だまし絵」のエッシャーについて書かれた本を色々読んだ時期があった。『ゲーデル、エッシャー、バッハ―あるいは不思議の環』は今でも読み継がれている名著で、現在のAIの設計にも影響を与えたであろう「自己言及」について深堀りしている。ただ、著者が本当に模索していたのは、ここでは説明しきれていない(そして今のAI開発者が見落としがちな)『非言語的な混沌(カオス)の世界』に対する人間の認知の仕組みではなかったかと思う。

『ゲ-デル,エッシャ-,バッハ: あるいは不思議の環』 https://amzn.to/4acWxXV

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Read previous post:
Shiseido Asia "White Lucent"
Music Composition for Shiseido Asia “White Lucent” TV Commercial

Tatsuya composed music for Shiseido Asia White Lucent TV commercial (dir. Noriyuki Tanaka), airing across Asia and on web/YouTube.

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