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Captain Funk – I’ll Be There (Epic Strings Instrumental Mix)

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Home > Topics > New Tracks > Captain Funk – I’ll Be There (Epic Strings Instrumental Mix)
Categories: New Tracks and Captain Funk.
Jul 4, 2012
Captain Funk

A new instrumental remix of Captain Funk “I’ll Be There,” arranged toward orchestra-based, indie rock type of music. On this version, I added more building elements to the “Epic Synth Rock Mix,” which was included in “Versions 2011.”

While it’s still uplifting and optimistic, the highly-featured symphonic sound and the sparse beginning with piano make this mix sound pretty different from the previous mix.

This version is included in the album “Chronicles 2007-2013 vol.2.”

I hope you enjoy the differences between these mixes.

BPM: 125
Keywords for this track: Dramatic, Orchestral, Indie Rock, Motivational, Hopeful, Romantic, Synth Pop

This clip is “I’ll be There (Epic Synth Rock Mix)” from “Versions 2011” (and which is also included in “Chronicles vol.2”).

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via Model Electronic License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Captain Funk - Versions 2013Captain Funk – Tell Me (Chill Out Downtempo Mix) Captain Funk - Versions 2013Captain Funk – Endless Possibilities(Electro Shuffle Mix) Captain Funk-Versions 2011Captain Funk “Versions 2011” Got No.1 in “Dance/Electronica” at Amazon Japan Captain Funk-Versions 2011Captain Funk “Versions 2011” Released Worldwide on July 11th! Captain Funk - Versions 2013Captain Funk – Try Try Try (Beachside Bar Mix)
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Tatsuya Oe Updated: December 12, 2025

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10 March 2026

パンチの効いたビートやボーカルを作る際、アタックにTR-808のハイハットやホワイトノイズを薄く重ねると、キックやスネアの解像度が劇的に上がることがある。ハット特有の鋭い「チッ」という音には、10k〜16kHz付近の非常に純度の高いエネルギーが含まれているからだ(単体で聴くとキツイ)。この帯域を超えると人間には聞こえない「超音波」の領域に入るが、犬にとってはここからが本番の可聴範囲となる。犬笛を眺めながら、そんな音の境界線に思いをはせる。

【犬笛による呼び戻し】 https://youtu.be/q2AXwSG7jDg

No Title
10 March 2026

ハリウッド映画界には「Temp Love」という用語がある。制作が猛烈なスピードで進むため、最終的な劇伴が完成するまで、映像には多くの「仮の音楽」が当てられる。有名曲等が使われると、監督はその曲に執着し、作曲家に酷似した曲を求めてしまう。この「仮の音楽への執着とプレッシャー」への対応に苦心する作曲家は多いようだ。僕の既存曲が映像に使われるのは歓迎だけど、あえて書き下ろしの仕事を請けないのは、こうした風潮も理由の一つかもしれない。

Temp Loveのワナを避ける方法(英語) https://www.soundstripe.com/blogs/how-to-avoid-temp-love

No Title
9 March 2026

この「Rakuen」という曲は、2019年リリースの『Oceans』に収録されているが、最初のバージョンを作ったのはそのずっと前、OE『Director’s Cut』を制作していた頃だったと思う。曲の雰囲気の通り南の島をイメージして作ったのだけれど、当時実際に行ったことのある島は沖縄くらいだった。その後、常夏の島で暮らしてみた後でこの曲を聴くと、頭に浮かぶ映像が俄然リアルなものになった。年中半袖&短パン生活を目指して、今日も頑張るか(笑)。

Captain Funk – Rakuen #downtempo #rnb #mellowbeats https://www.youtube.com/watch?v=YuQqVF3Ij5U

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