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Captain Funk – I’ll Be There (Epic Strings Instrumental Mix)

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Home > Topics > New Tracks > Captain Funk – I’ll Be There (Epic Strings Instrumental Mix)
Categories: New Tracks and Captain Funk.
Jul 4, 2012
Captain Funk

A new instrumental remix of Captain Funk “I’ll Be There,” arranged toward orchestra-based, indie rock type of music. On this version, I added more building elements to the “Epic Synth Rock Mix,” which was included in “Versions 2011.”

While it’s still uplifting and optimistic, the highly-featured symphonic sound and the sparse beginning with piano make this mix sound pretty different from the previous mix.

This version is included in the album “Chronicles 2007-2013 vol.2.”

I hope you enjoy the differences between these mixes.

BPM: 125
Keywords for this track: Dramatic, Orchestral, Indie Rock, Motivational, Hopeful, Romantic, Synth Pop

This clip is “I’ll be There (Epic Synth Rock Mix)” from “Versions 2011” (and which is also included in “Chronicles vol.2”).

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via Model Electronic License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Captain Funk - Versions 2013Captain Funk – Endless Possibilities(Electro Shuffle Mix) Captain Funk - Versions 2013Captain Funk – Tell Me (Chill Out Downtempo Mix) Captain Funk_Version 2012Captain Funk – Leaving (Extended Piano Mix) Captain FunkCaptain Funk – Superfoxy (Dirty Electro House Mix) Captain Funk - Versions 2013Captain Funk – Try Try Try (Beachside Bar Mix)

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Tatsuya Oe Updated: November 14, 2017

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効果音(サウンドエフェクト)は巷に出回っているので、わざわざ自分で作らなくても間に合うといえば間に合う。しかし、クセのある音や特徴的な音を作りたい場合は、シンセで波形を一から合成したり、自分で録音したオリジナル音源を加工して作るしかない。これは作曲とは異なる、いわば別の創作魂や忍耐力が試される世界。効果音といえば、ここ十年で最も定番化したのは「BRAAM(ブラーム)」だろう。次の時代を形作るのは、はたしてどんな音なのだろうか。

How to create professional CINEMATIC BRAAMS from scratch https://youtu.be/ZeTCWjfN0LQ

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2年ぶりに、各種がん検査を含めた健康診断を受けた。詳しい結果はこれからだが、現時点では異常なし。毎日2時間体を動かし、毎朝山盛りの野菜を食べ、超規則正しい生活を送っているので、これ以上健康的にしろと助言されても思いつかない(笑)。今も健在な父は「俺は生命線が2本あるから、まだ大丈夫だ」と冗談めかして言う。長寿も素晴らしいが、最後に心の底から笑える人生は、さらに素晴らしい。

ダニエル・リーバーマン『運動は長寿の特効薬か?』 https://youtu.be/hshBTJaFqNY

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創作手法にあえて制約や縛りを設けることで、よりクリエイティブなものが生まれることもある。これは作り手なら誰もが経験しているだろう。ただ、そうして生まれた作品を受け手がどう感じるか以前に、このアプローチ自体が目的化・教義化してしまったり、作り手としてむしろ満足できないクオリティに陥ってしまうなら意味がない。そんなことを、かつて話題になった映画製作運動『ドグマ95』を思い出しながら考えた。昨日の「度胸比べ」も厄介だが、「ガマン比べ」も大変だ。

トマス・ヴィンターベア『セレブレーション』(1998) https://amzn.to/4ppfNbo

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