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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Prayer For the Night (Hard Mix)

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Home > Topics > Dark Model > Dark Model – Prayer For the Night (Hard Mix)
Categories: Dark Model and New Tracks.
Aug 1, 2012
Dark Model

A dark, suspenseful and eerie track which features sparse acoustic guitar sound ethnic flute, growling low brass, soaring strings, and building drones. This track may work for trailers, horror/suspense, cyberpunk/paranormal sci-fi, etc.

Updated: As of Nov 2017, this track is available only on Bandcamp Dark Model store.

BPM: 103
Keywords for this track:
Eerie, Scary, Ominous, Horror, Suspenseful, Drone, Dark, Foreboding, Doom, Sinister, Atmospheric, Impending, Thriller, Mysterious, Psychedelic, Paranormal, Psycho

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via Model Electronic License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


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    Dark Model 2014Dark Model – Prayer for the New Moon Dark Model 2014Dark Model – Double Cross Dark Model 2014Dark Model – Farewell To The Moon Dark Model 2014Dark Model – Abandoned Dark Model - New TracksDark Model – Vengeance Is Mine
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

No Title
28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

No Title
27 January 2026

最近のUK/USインディ・レーベルの音をチェックしていると、「インディ」とは思えないほど、新人でも随分豪華なミュージックビデオ(MV)を作っている。複数のAIに「販促・宣伝費はどうやって捻出するの?」と聞いたところ、「実質的にはアーティストがレーベルにローン(前借り)する形です。アーティストは“リスクは最初に負い、報酬は最後に得る存在”なのです」と返ってきた。そうした世界とは無縁に、音楽業を30年、レーベルを20年続けてこられたことは奇跡かもしれない。

OE – Warning (Reconstruction Mix) #electrofunk #techno https://youtube.com/shorts/GCF8N8svEyM

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