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Captain Funk – Leaving (Extended Piano Mix)

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Home > Topics > New Tracks > Captain Funk – Leaving (Extended Piano Mix)
Categories: New Tracks and Captain Funk. Tags: Self-Remix.
Sep 5, 2012
Captain Funk_Version 2012

A new remix of Captain Funk “Leaving,” focused more on piano riffs and uplifting beats. This track is a new version produced by Tatsuya himself. Original version is included in the album “Sunshine.”

Addendum: this mix is included in Captain Funk “Chronicles 2007-2013 Vol.1.”

BPM:128
Produced and Remixed by Tatsuya Oe
Vocals: Recomposed from the materials of “Vocal Foundry (Zero-G)”
(We already confirmed to the manufacturer as to the condition of using/licensing this product after purchase.)

Keywords for this track:
Synth Pop, Dance Pop, Electro, House, Funky, Remix, Female Vocals, Bittersweet, Emotional, Stuttering, Glitch, Filter, Love Song, Heartbreak, Wistful, Uplifting, Piano

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube. Note that frequently-used “I don’t have any copyrights” type of phrases don’t make any sense legally.


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Self-Remix
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Tatsuya Oe Updated: December 12, 2025

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13 March 2026

凹凸の少ないフローリングの部屋は、音を吸収するものがなく、壁や床で音が何度も反射してしまう。特にエネルギーの強いベース音は、部屋の角や壁際に溜まりやすい。見た目こそ洒落ているが、響きが「ライブすぎる」ため、リスニングならまだしも制作には全く不向きだ。今回突発的に思いついて、スピーカーのリアポート(背面の穴)に靴下を突っ込んでみた。この「ソックスチューニング」のおかげで、4畳半の和室のような、デッドで制作向きの音に仕上がった。

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中学生の頃、当時人気のあった音楽雑誌に「たとえて言えばライオネル・リッチーは五木ひろし、ダイアナ・ロスは美空ひばり」という記事を見て、その比較の強引さに度肝を抜かれた。今考えると、それは単に「国民的人気歌手」だと言いたいだけで、音楽性やミュージシャンシップの話ではなかったと思う。 同様に、JBを北島三郎さんと並べるのもミスリーディングだ。ただし、いつ聴いても「まつり」の破壊力には畏れ入る。何か、のっけからスラップベース鳴ってない?

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“I am fond of pigs. Dogs look up to us. Cats look down on us. Pigs treat us as equals.” https://bit.ly/3NvPYbK

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