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Captain Funk – Leaving (Extended Piano Mix)

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Home > Topics > New Tracks > Captain Funk – Leaving (Extended Piano Mix)
Categories: New Tracks and Captain Funk. Tags: Self-Remix.
Sep 5, 2012
Captain Funk_Version 2012

A new remix of Captain Funk “Leaving,” focused more on piano riffs and uplifting beats. This track is a new version produced by Tatsuya himself. Original version is included in the album “Sunshine.”

Addendum: this mix is included in Captain Funk “Chronicles 2007-2013 Vol.1.”

BPM:128
Produced and Remixed by Tatsuya Oe
Vocals: Recomposed from the materials of “Vocal Foundry (Zero-G)”
(We already confirmed to the manufacturer as to the condition of using/licensing this product after purchase.)

Keywords for this track:
Synth Pop, Dance Pop, Electro, House, Funky, Remix, Female Vocals, Bittersweet, Emotional, Stuttering, Glitch, Filter, Love Song, Heartbreak, Wistful, Uplifting, Piano

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube. Note that frequently-used “I don’t have any copyrights” type of phrases don’t make any sense legally.


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Self-Remix
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
22 December 2025

昔、あるミュージシャンが「音楽を作るのは畳職人が畳を作るのと同じだ」と言ったという記事を読んだ。出典がなかったので真偽は定かではないが、その言葉を読んだとき、膝を打ちながらも、かなりドライな意見だと感じた。ただ僕自身は長らく、誰かに頼まれて畳(曲)を作ったことがなく、創作を職人気質に捉えすぎないようにしている。それは、畳作りを一生好きでいられる(=嫌いにならない)方法について真剣に考えた結果の、自分なりの答え。

ダ・ヴィンチは職人だった…「芸術家」と「職人」の違いとは? https://gentosha-go.com/articles/-/29391

No Title
22 December 2025

遅ればせながら「ショパン国際コンクール」のドキュメンタリーを観た。1位を獲ったエリック・ルーの演奏スタイルが非常にアメリカ的なのが印象的だった。僕はこれまで、コンクールやコンテスト、ランキング、オーディションといった、他人による優劣の判断や評価システムに対して猛烈な反発心があって、それをバネに生きてきたところがある。演奏者の方々にはコンクールを一つの通過点と捉え、「自分が音楽と演奏を好きでいられること」を最優先に、邁進してほしいと思う。

【ショパンコンクール】審査員の発言に波紋「音楽のためではなく、拍手のために弾いている人もいる」 https://youtu.be/Ja3znTbQZkk

No Title
20 December 2025

何事も経験を積むことは大事だけど、経験を積んだことで「何をすべきか」じゃなくて「何をすべきでないか」が先に浮かぶようになって、結局進めなくなったり、リスクを冒せなくなったら意味がない。知識や経験を得るほど臆病になり、快適領域でものを考え、バカなことをしなくなる。それを防ぐ一つの方法として「好奇心を持ち続ける」ということがあると思う。「これは自分の領域じゃない」と関心を限定しすぎない。ただし、噂話とかゴシップとかじゃなくて(笑)。

THE CURIOSITY GENE(好奇心の遺伝子) https://youtu.be/HhPZ7yx8ttg

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