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Music Placement: ASUS + INTEL -IN SEARCH OF INCREDIBLE-

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Home > Topics > Music Placement > Music Placement: ASUS + INTEL -IN SEARCH OF INCREDIBLE-
Categories: Music Placement. Tags: United States, Sync License, ASUS, and Advertising.
Jan 4, 2013
ASUS Intel

Tatsuya’s music “From the Moment On” was licensed and used in ASUS + intel campaign video “the making of – IN SEARCH OF INCREDIBLE.”

ASUS + intel “IN SEARCH OF INCREDIBLE” page https://www.insearchofincredible.com/


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    Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q4, 2013 Q1). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Winter 2013 – "Night od Rasa" was used in Bergdorf Goodman 2013 collection movie "The Awakening"Music Placement: Bergdorf Goodman 2013 Spring Collections “Here She Comes Again” featured in Forever 21 “Ashley Smith x Forever 21” (US) Oakley "Beyond Reason feat. Craig Alexander" using Dark Model's "Requiem for an Angel"Dark Model’s music on Oakley “Beyond Reason feat. Craig Alexander” (US) Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q2). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Summer 2012 –
United StatesSync LicenseASUSAdvertising
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Tatsuya Oe Updated: December 12, 2025

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最近はニュースを見る機会を最小限に絞っている。誰に対しても何の意見も持たないくらい無関心になりたいのだが、「究極の無関心と鋼のメンタリティ」の領域にはまだ遠い。そんなことを考えていて、ふと『ザ・デイリー・ショー』のジョン・スチュアートを思い出した。彼のトークは今も天才的で、かつてのように思慮深い。けれど、アメリカと世界があまりに冷え切ってしまった今では、そのジョークの背後にも、「もはや打つ手なし」という虚しさが漂ってきてしまう。

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昔、バンドがライブで自曲を演奏する際、加齢と共にテンポが落ちていくのを見て、どこか寂しさを感じたものだ。ダンスミュージックはBPMで細かくジャンルが分かれるため、「遅い曲を作り出したら加齢の証だ」(笑)と一概には言えない。だが「速い曲を聴くのがしんどい」と感じたら、それは何かのサインかもしれない。幸い僕は今のところそういう現象とは無縁で、ここ最近BPM128以上の曲を集中的に作っている。

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かつて英文を書く際は、Grammarlyという文法チェッカーを愛用していた。だが数年前、AI機能が大幅に導入されて以降、自分の文章が「誰が書いても同じになる無個性なテンプレ」へ誘導されている気がして、利用を控えるようになった。LinkedIn等でも、”innovative”とか”visionary”、”passionate leader”といった、似た形容詞が並ぶ定型文をよく目にする。AIが作った「完璧すぎるCV」をAIがジャッジするなんて、妙な時代になったものだ。

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Verizon Wirelss TV commercial "Droid DNA -Extra Sensory" featuring Dark Model "Oath (Dubstep Remix)"
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Dark Model’s “Oath (Dubstep Remix)” was licensed for Verizon Wireless TV ad “Droid DNA - Extra Sensory” and later remixed...

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