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Dark Model – Oath (Full Length Mix)

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Home > Topics > Dark Model > Dark Model – Oath (Full Length Mix)
Categories: Dark Model and New Tracks. Tags: Oath.
Oct 2, 2012
Dark Model - Oath (Original Mix)

A dramatic, storytelling orchestral electronica track which consists of three parts like a musical “suite.” It includes 1. strings (pizzicato, marcato) & horn ensemble on dubstep-esque beat & growling bass, 2. dramatically building with percussion, piano & strings section, and 3. ending part consisting of a heavy brass section and riser SFX.

Updated(July 2017): this track has been released and available on many digital downloads & streaming services.

Topics ““Oath (Original Mix)” is now available on Apple Music and Spotify”

This full mix has been featured in many TV programs, commercials, and video game trailers such as Xbox One “Forza Motorsport 5”, Blizzard Entertainment “Overwatch,” and Lexus ES commercial.

BPM:64
Keywords for this track:
Aggressive, Apocalyptic, Building, Dark, Dramatic, Dubstep-esque, Emotional, Epic, Orchestral, Electronica, Hybrid, Motivational, Percussive, Explosive, Brave, Heroic, Impulsive, Triumphant, Solemn

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Dark Model 2014Dark Model – Oath (Dubstep Remix, Album version) Dark ModelDark Model – Revenge Seeker (Complete Version) Dark Model 2014Dark Model – I Will Return (Album version) Dark Model 2014Dark Model – Dance of Wrath (Ikari No Mai) Dark Model 2014Dark Model – Judgment Day (Album version)
Oath
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Tatsuya Oe Updated: December 12, 2025

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Microblog

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31 July 2026

陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 – 幻想的なフォルムと、想像を超える精緻な技術 https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

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30 July 2026

DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

KONTAKT: FIRST STEPS (Ch. 2 Ep. 1) – YouTube https://youtu.be/Gj-ZLEmn15I

No Title
29 July 2026

2010年出版の『インビジブル・エッジ』を読み返す。かつてのアメリカは知財オペレーションという「頭脳戦」に傾倒し、結果として現場の製造スキルや品質向上を手放してしまった。 2026年の今、潮目は変わっている。もはや知財の威光だけで勝てる時代ではなく、「その知財で何を作り出せるのか」というモノづくりの実体価値が改めて問われているように思う。足りないのは、手足を動かして価値を生み出しているという「リアリティ(実感)」なのだ。

『インビジブル・エッジ』その知財が勝敗を分ける https://link.amazon/B03Bi0vho

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Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q2). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.
Music Placements for Media and Advertising – Summer 2012 –

Recent music licensing placements featuring Tatsuya’s tracks in ads and promos for brands and media, with links to Music Placement...

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