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Tatsuya Oe Joins Sync Summit Hollywood as a panelist

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Home > Topics > Event/Party > Tatsuya Oe Joins Sync Summit Hollywood as a panelist
Categories: Event/Party. Tags: United States, Talk Session, Conference, and Music Business.
Nov 21, 2013
Tatsuya will join Sync Summit Hollywood as a panelist on Dec 4th, 2013.

Tatsuya was invited and will participate as a panelist in Sync Summit Hollywood, which will be held on Day 1 – December 4th.

About Sync Summit

Sync Summit is a high-level, focused networking event where top music supervisors, heads of music in visual and interactive media (TV, film, video games, advertising, the internet and mobile), label executives, publishers, music libraries, composers, artists, technologists, legal, accounting, brand managers and service providers gather for two days of discussion, networking and dealmaking.

Sync Summit is designed to be a different kind of conference – not a mere pitchfest where the connections made are soon forgotten or not followed up, or a general glossing over of the music in media market. Rather, Sync Summit is organized around fostering real, productive networking opportunities, presenting case studies of how music is discovered and used, evolving business models in the music in media market as well as creative and promotional considerations.

For the full agenda, visit SyncSummit.com.

PANEL DISCUSSION: The International Market

Roosevelt Hotel – Hollywood, CA
11:30 – 12:30 PM, Dec 4th – BALLROOM:

The business of music and media defies borders. Music supervisors and rights holders alike do business on a global scale, and there are opportunities for both sides from looking beyond their country to do business. The panel features top rights holders and music supervisors from across the globe discussing the challenges and opportunities in doing business internationally.

SPEAKERS:
Diana Rodriguez – CEO and Founder, Criteria Entertainment (LatAm)
Luciana Pegorer – Executive Director, Brazilian Association of Independent Music (Brazil)
Michèle Amar – CEO, France Rocks, Director, French Music Export Office (France)
Tatsuya Oe – Founder/CEO, Recording Artist, Dark Model (Japan, US)
Roberto Izaac – Head of Music Programming, mun2 (NBC Universo)
Anastasiya Mushchil – Chief of Synchronization Department, Firma Melodiya (Russia)
Andreas Katsambas – Founder/CEO, The End Records (US, EU)
Jen Taunton –Music Supervisor, Level Two Music (Australia)

MODERATOR:
Robert Singerman – Founder, Music With Subtitles


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United StatesTalk SessionConferenceMusic Business
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Tatsuya Oe Updated: February 17, 2022

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楽曲ライセンスの解説ページを久々に更新中。このページを最初に作ったのは10年ほど前だが、その後メディアの生態系が大きく変わったため、追加・修正・削除が必要な部分が多かった。アメリカと日本ではメディア産業の構造もお金の流れが全然違うため、相互に翻訳して活用できる説明部分はほとんどない。まずはModel Electronic Recordsの解説ページを更新したので、海外での音楽ライセンスに関心のある方はお立ち寄りください。

Licensing Our Music | Model Electronic Records https://www.model-electronic.com/license-our-music/

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僕は伝記的なドキュメンタリーは好きだが、いわゆる歴史小説や時代小説の類は読まないし見ない。詳細が分からない中世あたりまでの人物を脚色して物語化するのはまだかわいいものだが、近現代に実在した人物を誇張・歪曲・創作(司馬遼太郎ナイズ?)してしまうフィクションは、見ていて興覚めしてしまう。そんなことを考えていたら出会ったこのブログの筆者・醍醐さんって、なんと大学時代の会計の先生じゃないか(笑)。

歴史小説・歴史ドラマは史実からどこまで離れられるのか?: 醍醐聰のブログ http://sdaigo.cocolog-nifty.com/blog/2010/12/post-55c6.html

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YouTubeのOAC(公式アーティストチャンネル)作成の最後はMERです。このチャンネルでは、MER名義でリリースした作品のビジュアライザーや動画をアップしていきます。MERはもともと映像で使われることを意識して作った楽曲が多く、ビジュアル化が簡単で楽しい。Dark Modelの作品も映像とともに使われることが多いけれど、サウンドが壮大すぎて相応しいビジュアルを自分で作るのは難しい。そんなジレンマがあります。

MER – Over and Over (from the album "Cyber City Connection") https://youtu.be/vJQ65kbLD_0 .

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