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Tatsuya Oe Joins Sync Summit Hollywood as a panelist

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Home > Topics > Event/Party > Tatsuya Oe Joins Sync Summit Hollywood as a panelist
Categories: Event/Party. Tags: United States, Talk Session, Conference, and Music Business.
Nov 21, 2013
Tatsuya will join Sync Summit Hollywood as a panelist on Dec 4th, 2013.

Tatsuya was invited and will participate as a panelist in Sync Summit Hollywood, which will be held on Day 1 – December 4th.

About Sync Summit

Sync Summit is a high-level, focused networking event where top music supervisors, heads of music in visual and interactive media (TV, film, video games, advertising, the internet and mobile), label executives, publishers, music libraries, composers, artists, technologists, legal, accounting, brand managers and service providers gather for two days of discussion, networking and dealmaking.

Sync Summit is designed to be a different kind of conference – not a mere pitchfest where the connections made are soon forgotten or not followed up, or a general glossing over of the music in media market. Rather, Sync Summit is organized around fostering real, productive networking opportunities, presenting case studies of how music is discovered and used, evolving business models in the music in media market as well as creative and promotional considerations.

For the full agenda, visit SyncSummit.com.

PANEL DISCUSSION: The International Market

Roosevelt Hotel – Hollywood, CA
11:30 – 12:30 PM, Dec 4th – BALLROOM:

The business of music and media defies borders. Music supervisors and rights holders alike do business on a global scale, and there are opportunities for both sides from looking beyond their country to do business. The panel features top rights holders and music supervisors from across the globe discussing the challenges and opportunities in doing business internationally.

SPEAKERS:
Diana Rodriguez – CEO and Founder, Criteria Entertainment (LatAm)
Luciana Pegorer – Executive Director, Brazilian Association of Independent Music (Brazil)
Michèle Amar – CEO, France Rocks, Director, French Music Export Office (France)
Tatsuya Oe – Founder/CEO, Recording Artist, Dark Model (Japan, US)
Roberto Izaac – Head of Music Programming, mun2 (NBC Universo)
Anastasiya Mushchil – Chief of Synchronization Department, Firma Melodiya (Russia)
Andreas Katsambas – Founder/CEO, The End Records (US, EU)
Jen Taunton –Music Supervisor, Level Two Music (Australia)

MODERATOR:
Robert Singerman – Founder, Music With Subtitles


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United StatesTalk SessionConferenceMusic Business
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Tatsuya Oe Updated: December 12, 2025

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No Title
8 February 2026

音楽家のインタビューでよく聞かれる質問の一つが「最初に買ったアルバムは?」というもの。僕はテクノのアーティスト/DJとしてプロのキャリアを始めたけれど、初めて買ったレコードはビリー・ジョエルだし、その後もプログレ、ニューウェーブ、そしてジャズ、現代音楽、R&B、ブラジリアンと渡り歩いてきたので、典型的なテクノ少年的な音楽遍歴ではない。僕にとってテクノとは、それらの音楽のグルーヴや躍動感を結晶化、あるいは抽出した「うまみ」のような存在。

OE – Tessera #pianomusic #minimalism #contemporary https://www.youtube.com/shorts/Syd7wtxF7GU

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感情を鍵盤に叩きつけるような、パーカッシブで荒っぽいピアノが大好きだ。ジャズならマッコイ・タイナー、そしてインディロックではベン・フォールズの演奏を時々猛烈に聴きたくなる。ピアノに限らず僕は、正確さよりもダイナミックさに惹かれるところがある。大学に入りたての頃、ファンカデリックのようなバンドをやりたくて幾つか音楽サークルを訪問したら、ユーミンのカバーをしていた上級生が「君、ピッキングが荒いね」。大学で音楽仲間を探すのはお門違いだった(笑)。

Ben Folds: NPR Music Tiny Desk Concert https://youtu.be/VNMms_zGbnI&t=1135

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(2/2) そして、その「(一神教的な文明にある)西洋人が最も難解に感じる世界」は、実は我々東洋人にとってはこうした難解な本を読まずとも「さらっと肌で感じられる」世界だったりする。彼が「無門関」など、禅の公案をいくつも紹介しているのは決して偶然ではない。僕も日々LLMを活用しているが、「言語化の自己ループ」を飛び出て「不思議の環」に到達する人間の知能は、AIが設計する知能とは全く違うということを忘れずに、AIと向き合いたい。

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