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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Close to Infinity

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Home > Topics > Dark Model > Dark Model – Close to Infinity
Categories: Dark Model and New Tracks.
Apr 26, 2014
Dark Model 2014

This track, which is the first preview from Dark Model’s full album which will be released on May 16th, 2014, is a spine-tingling and epic percussive orchestra track based on the structure of electronic dance music/trance music. It features dynamic percussion sound, prog rock-esque basslines, and choir.

While the music has some common ground with trailer music or Hollywood soundtrack as it features hard-hitting percussion, orchestral sound, and choirs, it should sound more uplifting and exciting.

Regarding Dark Model’s first album, please refer to the album page.

BPM: 145
Keywords for this track:
Percussive, Uplifting, Epic, Orchestral, Classical, Hybrid, Electronica, Spine-tingling, Breathtaking, Aggressive, Thrilling, Panoramic, Soaring, Hard-hitting, Pounding, Intense, Explosive, Trancy, Choir, Dramatic, Rousing

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Note: Purchasing our music on MP3 stores such as iTunes and Bandcamp does NOT mean we have granted you any synchronization license of the music. Also our music is NOT available under a Creative Commons license. Please read our License Tutorial carefully.


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    Dark Model 2014Dark Model – Moment of Truth Dark Model - Rage and Redemption (First Version)Dark Model – Rage and Redemption Dark Model 2014Dark Model – Hope Is Never Gone Dark Model - Storm GoddessDark Model – Storm Goddess (from the new album “Saga”) Dark ModelDark Model – Revenge Seeker (Complete Version)
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Tatsuya Oe Updated: December 12, 2025

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21 March 2026

ILMやピクサーのドキュメンタリーを観ると、設立当初の奔放な姿勢は影を潜め、巨額の予算と重責から「失敗が許されない構造」へと変貌したことが分かる。失敗の回避は往々にして予定調和を招く。しかし、そうならないために、彼らは小規模なプロジェクトを重ね、意図的に試行錯誤を繰り返しているようだ。大失敗を避けるには、小さな失敗を積み重ねるほかない。創作に限らず、「小さく始めて、小さく、沢山失敗する」ことが前進の秘訣だろう。

Light & Magic | Official Trailer | Disney+ https://youtu.be/DM_XwzOK_98

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20 March 2026

「言語化ブーム」への違和感は以前も書いたが、それ以上に「聞く力」や「質問する力」が後回しになっていることが問題だ。会話であれメールであれ、相手の意図を汲み取る前に「どう言語化するか」に走るのは、車輪がないのにエンジンだけを吹かしているようなものだ。自己主張の国である米国ですら、最近は「アクティブ・リスニング」が注目されている。経験から言えば、仕事のトラブルの大半は「聞けていない、飲み込めていない」ことが原因だと思う。

The Art of Active Listening | The Harvard Business Review Guide https://youtu.be/aDMtx5ivKK0

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19 March 2026

先日、豚を愛でるチャーチルの言葉を紹介したが、対照的にバーナード・ショーは「豚とレスリングをするな。泥まみれになるし、豚はそれを喜ぶからだ」と遺した。豚には大層失礼な話だ。要は「君子危うきに近寄らず」なのだが、SNS全盛の昨今、「反応しない=同じ土俵に乗らずにスルーを貫く」のはさぞ難しいのだろう。ただ、自己顕示欲や承認欲求におぼれる人間とは違って、豚は純粋に泥を楽しんでいるだけだ。やっぱりショーの言葉は豚に失礼だと思う。

George Bernard Shaw: Never to wrestle with a pig. https://www.azquotes.com/quote/268350

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