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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Close to Infinity

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Home > Topics > Dark Model > Dark Model – Close to Infinity
Categories: Dark Model and New Tracks.
Apr 26, 2014
Dark Model 2014

This track, which is the first preview from Dark Model’s full album which will be released on May 16th, 2014, is a spine-tingling and epic percussive orchestra track based on the structure of electronic dance music/trance music. It features dynamic percussion sound, prog rock-esque basslines, and choir.

While the music has some common ground with trailer music or Hollywood soundtrack as it features hard-hitting percussion, orchestral sound, and choirs, it should sound more uplifting and exciting.

Regarding Dark Model’s first album, please refer to the album page.

BPM: 145
Keywords for this track:
Percussive, Uplifting, Epic, Orchestral, Classical, Hybrid, Electronica, Spine-tingling, Breathtaking, Aggressive, Thrilling, Panoramic, Soaring, Hard-hitting, Pounding, Intense, Explosive, Trancy, Choir, Dramatic, Rousing

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Note: Purchasing our music on MP3 stores such as iTunes and Bandcamp does NOT mean we have granted you any synchronization license of the music. Also our music is NOT available under a Creative Commons license. Please read our License Tutorial carefully.


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    Dark Model 2014Dark Model – Oath (Dubstep Remix, Album version) Dark Model 2014Dark Model – Ran (Resistance) Dark ModelDark Model – Tougher Than Steel Dark Model 2014Dark Model – Onibi (Demon Fire) Dark Model 2014Dark Model – Abandoned
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Tatsuya Oe Updated: March 9, 2019

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Microblog

No Title
24 November 2025

楽曲の放送や配信へのライセンスに関するガイドラインを更新しました。コロナ禍の影響もあると思うが、日本では音楽の権利処理に関する改正が著しく、海外とは独立した動きをしているので、それぞれを正確にキャッチアップするのは大変。この手の話は海外の場合、現場を切り盛りしている実務家が率先してゲームに参加するのに対し、日本では役人の答弁や弁護士のコメントが目立つ。彼らは必要不可欠な存在だが、使用料をもらう側でも支払う側でもない。

Topics: 楽曲ライセンスガイドを全面リニューアルしました https://l.tatsuyaoe.com/music-license-update

No Title
22 November 2025

以前住んでいた東海岸の町は、この時期は毎週のようにストーム(雪や雨の嵐)が襲った。一番やっかいなのは停電や電力の供給が不安定になること。住み始めてすぐにノートパソコンの電源が入らなくなったので、無停電電源(UPS)を買って対策を整えたつもりだったのに、なんとUPSのコンセントを挿し間違えてしまい、またしてもパソコンが逝ってしまった。皆は当たり前のように思うかもしれないけど、日本は停電が驚異的に少ない国なのです。

先進国における年間停電時間の国際比較分析 2025年5月 https://bit.ly/4owsqA9

No Title
22 November 2025

楽曲ライセンスの解説ページを久々に更新中。このページを最初に作ったのは10年ほど前だが、その後メディアの生態系が大きく変わったため、追加・修正・削除が必要な部分が多かった。アメリカと日本ではメディア産業の構造もお金の流れが全然違うため、相互に翻訳して活用できる説明部分はほとんどない。まずはModel Electronic Recordsの解説ページを更新したので、海外での音楽ライセンスに関心のある方はお立ち寄りください。

Licensing Our Music | Model Electronic Records https://www.model-electronic.com/license-our-music/

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