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Dark Model – Close to Infinity

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Home > Topics > Dark Model > Dark Model – Close to Infinity
Categories: Dark Model and New Tracks.
Apr 26, 2014
Dark Model 2014

This track, which is the first preview from Dark Model’s full album which will be released on May 16th, 2014, is a spine-tingling and epic percussive orchestra track based on the structure of electronic dance music/trance music. It features dynamic percussion sound, prog rock-esque basslines, and choir.

While the music has some common ground with trailer music or Hollywood soundtrack as it features hard-hitting percussion, orchestral sound, and choirs, it should sound more uplifting and exciting.

Regarding Dark Model’s first album, please refer to the album page.

BPM: 145
Keywords for this track:
Percussive, Uplifting, Epic, Orchestral, Classical, Hybrid, Electronica, Spine-tingling, Breathtaking, Aggressive, Thrilling, Panoramic, Soaring, Hard-hitting, Pounding, Intense, Explosive, Trancy, Choir, Dramatic, Rousing

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Note: Purchasing our music on MP3 stores such as iTunes and Bandcamp does NOT mean we have granted you any synchronization license of the music. Also our music is NOT available under a Creative Commons license. Please read our License Tutorial carefully.


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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
31 January 2026

日々の業務でAIChatは色々と使っているが、音楽制作のアイデア出しや作曲ツールとして使うことはない。僕が惹かれるコードの響きやリズムのシンコペーション、「間」の取り方、そして展開の予測不能さは、AIが目指している方向とはまったく異なるし、AIにアドバイスされるのも困る(笑)。これは老子の言う「無用の用」なのかもしれない。役に立たない(=AIが「攻略できる」と興味を示さない)ものこそ、侵食されずに生き延びるということ。

Dark Model – Labyrinth (Short Edit) #neoclassical #chambermusic https://www.youtube.com/shorts/_gxKDkvdgHg

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

No Title
28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

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