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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Close to Infinity

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Home > Topics > Dark Model > Dark Model – Close to Infinity
Categories: Dark Model and New Tracks.
Apr 26, 2014
Dark Model 2014

This track, which is the first preview from Dark Model’s full album which will be released on May 16th, 2014, is a spine-tingling and epic percussive orchestra track based on the structure of electronic dance music/trance music. It features dynamic percussion sound, prog rock-esque basslines, and choir.

While the music has some common ground with trailer music or Hollywood soundtrack as it features hard-hitting percussion, orchestral sound, and choirs, it should sound more uplifting and exciting.

Regarding Dark Model’s first album, please refer to the album page.

BPM: 145
Keywords for this track:
Percussive, Uplifting, Epic, Orchestral, Classical, Hybrid, Electronica, Spine-tingling, Breathtaking, Aggressive, Thrilling, Panoramic, Soaring, Hard-hitting, Pounding, Intense, Explosive, Trancy, Choir, Dramatic, Rousing

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Note: Purchasing our music on MP3 stores such as iTunes and Bandcamp does NOT mean we have granted you any synchronization license of the music. Also our music is NOT available under a Creative Commons license. Please read our License Tutorial carefully.


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    Dark Model 2014Dark Model – Moment of Truth Dark Model - Rage and Redemption (First Version)Dark Model – Rage and Redemption Dark Model 2014Dark Model – Hope Is Never Gone Dark Model - Storm GoddessDark Model – Storm Goddess (from the new album “Saga”) Dark ModelDark Model – Revenge Seeker (Complete Version)
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
23 March 2026

映画『マネーボール』で一躍有名になったアスレチックス。現在は低迷しているが、ビリー・ビーンによる「データを活用した選手起用」は当時は画期的だった。「良い選手を獲得する資金力のなさ」よりも「得点力のなさ」が真の問題だと気付くのに統計が役立ったという訳だ。メディアやSNSで人気者のアーティスト生活を夢見るのも悪くないが、「独立した音楽家として持続可能なキャリアを築く」ことを優先するならば、統計の知識は味方になってくれる。

映画『マネーボール』予告編 https://youtu.be/8Ln0ySlnxOs

No Title
22 March 2026

(編集・再掲)何年かおきに、小倉を訪ねたくなる最大の理由は「松本清張記念館」があるから。僕にとってあの場所は、40歳を過ぎたデビューから700超の作品を遺した、彼の驚異的な創作力を肌で感じられる「パワースポット」なのだ。創作の原動力となったハングリーさや闘志、そして劣等感。人類が月や火星へ行く時代になっても、これらはお金で買うことはできない。芥川賞受賞作の『或る「小倉日記」伝』は、ずっしり重い初期の傑作。

松本清張『或る「小倉日記」伝 傑作短編集1』 https://amzn.to/4rJVmWH

No Title
21 March 2026

ILMやピクサーのドキュメンタリーを観ると、設立当初の奔放な姿勢は影を潜め、巨額の予算と重責から「失敗が許されない構造」へと変貌したことが分かる。失敗の回避は往々にして予定調和を招く。しかし、そうならないために、彼らは小規模なプロジェクトを重ね、意図的に試行錯誤を繰り返しているようだ。大失敗を避けるには、小さな失敗を積み重ねるほかない。創作に限らず、「小さく始めて、小さく、沢山失敗する」ことが前進の秘訣だろう。

Light & Magic | Official Trailer | Disney+ https://youtu.be/DM_XwzOK_98

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