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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Close to Infinity

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Home > Topics > Dark Model > Dark Model – Close to Infinity
Categories: Dark Model and New Tracks.
Apr 26, 2014
Dark Model 2014

This track, which is the first preview from Dark Model’s full album which will be released on May 16th, 2014, is a spine-tingling and epic percussive orchestra track based on the structure of electronic dance music/trance music. It features dynamic percussion sound, prog rock-esque basslines, and choir.

While the music has some common ground with trailer music or Hollywood soundtrack as it features hard-hitting percussion, orchestral sound, and choirs, it should sound more uplifting and exciting.

Regarding Dark Model’s first album, please refer to the album page.

BPM: 145
Keywords for this track:
Percussive, Uplifting, Epic, Orchestral, Classical, Hybrid, Electronica, Spine-tingling, Breathtaking, Aggressive, Thrilling, Panoramic, Soaring, Hard-hitting, Pounding, Intense, Explosive, Trancy, Choir, Dramatic, Rousing

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Note: Purchasing our music on MP3 stores such as iTunes and Bandcamp does NOT mean we have granted you any synchronization license of the music. Also our music is NOT available under a Creative Commons license. Please read our License Tutorial carefully.


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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
26 October 2026

21世紀末には世界人口の8割以上を「グローバルサウス」が占めると言われる。この地域のアジアやアフリカ、中南米などのIT事情を現地取材で届ける「Rest of World」は貴重なメディアだったが、立ち上げ数年で単体での配信停止となった。Google元CEOの娘が100億円近い私財を投じたプロジェクトだったと知り、その「Rest of World(その他の世界)」という名に込められた目線に複雑な思いがしつつ、あっけない幕引きに驚いている。

Rest of World – Reporting Global Tech Stories https://restofworld.org/

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25 October 2026

本棚を整理していて栗本慎一郎氏を思い出し、懐かしの『パンツをはいたサル』を読み返す。同書で紹介される「過剰と蕩尽」理論の本家、ジョルジュ・バタイユの『呪われた部分』は久しく開いていないが、昨今のAIの暴走や相次ぐサイバー攻撃のニュースに触れ、まさにこの現象だと感じた。過剰な2010年代を経て、様々な局面で蕩尽が始まっているように見える今、内なる声に耳を傾け、ひたむきに生きたい。

『呪われた部分 (ジョルジュ・バタイユ著作集)』 https://link.amazon/B0jbBY4Tp

No Title
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僕が創っているのは音楽だが、創作の動機や姿勢に関して、音楽家や作曲家からインスパイアを受けることは滅多にない。発明家、文筆家、映画監督、研究者、そしてさまざまな美術家のインタビューや著書、制作風景に触発されたり共感したりすることはしょっちゅうで、そのための探索は音楽を聴くのと同じくらい好きだ。 陶を素材とする造形作家、田中知美さんの「器を作ろうと思って陶芸を始めたのではない」という言葉がとても印象に残った。

Contemporary Ceramics in Japan: Interview with Tanaka Tomomi https://youtu.be/Bv0WFm8cwzw

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