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Dark Model album review on Trailer Music News

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Home > Topics > Dark Model > Dark Model album review on Trailer Music News
Categories: Dark Model and Review. Tags: Trailer, Album Review, and Websites.
May 30, 2014
Trailer Music News

Dark Model’s album was reviewed on Trailer Music News, specialized in introducing top-notch artists (such as Two Steps From Hell, Immediate Music, Audiomachine, Brand-X) making cinematic music and soundtracks that have been used in advertising campaigns for motion pictures.

Many thanks to the editor-in-chief Clothilde Lebrun for choosing Dark Model’s album!

https://trailermusicnews.com/2014/05/model-electronic-dark-model/

Facebook: https://www.facebook.com/trailermusicnews

Dark Model on Trailer Music News

Dark Model recently released their debut album of the same name, feat. futurist, hybrid electronic/orchestral music. https://t.co/MVNH65u4VI

— Trailer Music News (@TMusicNews) May 30, 2014


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TrailerAlbum ReviewWebsites
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
15 January 2026

AI 特集の番組で、タモリさんが 「人間性(を賛美すること)そのものが胡散臭い」と語っていた。案の定、出演者の誰もその発言の真意を確かめようとしなかった。ヴィクトール・フランクルは「過剰自己観察」という言葉で、自意識過剰がもたらす心身の疲労や機能不全を説明したが、人は「自分の前に鏡を置き、自分のことばかり考える」傾向がある。AI(アルゴリズム)と人間のやり取りは、まさにこの状態に陥る可能性をはらんでいる。

過剰自己観察/反省除去 – ヴィクトール・フランクル・ロゴセラピー研究所 https://themeaningseeker.org/dereflection/

No Title
15 January 2026

布団にくるまり、何か映画でも見ようと思う。幸か不幸か、ジャン・リュック・ゴダールのドキュメンタリーに出会ってしまった。彼は時間芸術、とりわけ王道的な映画が持つ「物語性」を破壊することで革命と混乱を起こした。「物語を信じない」と斬り、自分の人生から作品に至るまで偶然や断片という眼差しで解体したのが、デヴィッド・ボウイだ。世界はいつしか物語まみれの時代に戻り、アルゴリズムに翻弄され、空虚な「辻褄合わせ」に躍起になっている。

【予告編】『ジャン=リュック・ゴダール 反逆の映画作家』 https://youtu.be/jnLjmJXJims

No Title
13 January 2026

エドワード・サイードの代表的著書『オリエンタリズム』で、彼は西欧諸国がつくりあげた東洋へのイメージや偏見を徹底的に批判した。彼自身は複雑でパッチワーク的なアイデンティティーの持ち主であり、自らを「アウト・オブ・プレイス(場違い、部外者)」と定義している。考えようによっては(西洋に追随し帝国主義に走った)日本も「場違いな東洋」だろう。「場違いの国に生まれた場違い」として(笑)、僕は彼の主張に一筋の光を感じる。

エドワード・W. サイード『知識人とは何か』 https://amzn.to/3NmlNTW

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Preview track from Dark Model’s first full album: a cinematic, orchestral psychedelic funk piece with 70s B-movie flair and suspenseful...

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