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Music Placements for TV, Film & Advertising – Winter 2015 –

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Home > Topics > Music Placement > Music Placements for TV, Film & Advertising – Winter 2015 –
Categories: Music Placement and Media/Press. Tags: FOX, Hollow Stone, TV Commercial, TV Program, Australia, United States, Sync License, United Kingdom, Canada, MTV, and Advertising.
Jan 19, 2015
NBC- The voice

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Contents

  • Branding Campaign / Advertising / Corporate (Broadcast TV/Web/Event), etc
  • Movie / Trailer / TV Promo / Network TV Program

Music Placement Winter 2015

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also these placements include some ones which occurred before 2015 as we often receive their reports with some delay.

Branding Campaign / Advertising / Corporate (Broadcast TV/Web/Event), etc

Fox Head(Sporting goods, US) “Fox Wake Presents – Rusty Malinoski We Live” (details on Topic page)
Specialized (Bicycle and related components, US) “Annika Langvad: Double Life”
Anon Optics/Burton (Snowboard goggles and eyewear, US)
Speedo (Swimwear, US) “Bullet Head Snorkel”
Honda Northern California (Automobile, US) “Honda Pilot”
Audi (Automobile, Korea)
Hands Motorsport (Korea) “Hands Motorsport”
Smirnoff (Vodka)
Disney Cruise Line (US) “A Look Behind The Scenes”
Verizon (Network Communication, US) “Verizon Fios” TV Commercial
Cord “Cord Project,” etc

Movie / Trailer / TV Promo / Network TV Program

NBC (US) “The Voice”
Crackle “Comedians In Cars Getting Coffee by Jerry Seinfeld: Jimmy Fallon” (details on Topics page)

Comedian in cars

National Geographic Channel (US, CA) “Brain Games,” “Abandoned”
National Geographic

Fox Sports “MLB on Fox”

MLB on Fox 2014

MTV (US, UK, CA) “Guy Code,” “The Challenge: Rivals”

MTV - Guy Code

– Other placements (except Japan) –

AHC (American Heroes Channel) “Bullet points,” “Shadow OPs”
A&E (US, AU) “Modern Dads,” “Aussie Pickers”
History Channel (US, AU) “American Pickers,”
TLC
(US, CA) “What not to wear,” Discovery Channel (US) “Turn & Burn,” “Backyard Oil,” Travel Channel (US, CA) “BBQ Crawl,” Bravo (US) “Married to Medicine,” “Dukes of Melrose,” “Start-Ups: Silicon Valley,” “Flipping Out,” VH1 “Love & Hip Hop Atlanta,” CMT “Dog and Beth on the Hunt,” “My Big Redneck Vacation,” UFC “Countdown to UFC,” Telemundo “Un Nuevo Dia,” Fashion Television (CA), Snow.tv (NZ), etc.


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FOXHollow StoneTV CommercialTV ProgramAustraliaUnited StatesSync LicenseUnited KingdomCanadaMTVAdvertising
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Tatsuya Oe Updated: December 12, 2025

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テクノロジーは常に「レイジー」と「クリエイティブ」の選択を迫る。 思考や感情をAIに丸投げして「楽をする」アプローチと、アイデアの「着想の種」として使い、編集や意図を人間が責任を持ってコントロールするアプローチは全く異なる。「今や誰もがスタジオでAIを使っている」というグラミー賞のエグゼクティブのコメントが引用されているが、もしそれがレイジーな使い方ばかりなのだとしたら、問題なのは技術ではなく使い手の姿勢や業界の文化だろう。

Ari's Take「AI音楽は冒涜だ — “当たり前”にするのをやめよう」 https://aristake.com/ai-music-is-an-abomination/

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陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 – 幻想的なフォルムと、想像を超える精緻な技術 https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

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DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

KONTAKT: FIRST STEPS (Ch. 2 Ep. 1) – YouTube https://youtu.be/Gj-ZLEmn15I

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