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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Rage and Redemption

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Home > Topics > Dark Model > Dark Model – Rage and Redemption
Categories: Dark Model and New Tracks. Formats: Video.

This track, which follows Dark Model’s first album, is an uplifting, apocalyptic, and Gothic industrial-esque electro track that features choir and orchestral sound.

Tatsuya posted an article called “The Making of Dark Model’s New Track “Rage and Redemption” on his English blog. We hope you (especially young electronic music producers) will enjoy the article and find it helpful.

Updated(Mar 24, 2017): “Rage and Redemption” was newly mixed and included in the new album “Saga.” For details, please visit the album page.

BPM: 128
Keywords: Aggressive, Apocalyptic, Classical, Doomsday, Emotional, Epic, Furious, Gothic, Industrial, Intense, Orchestral, Rousing, Trance-esque, Uplifting, Choir, Choral
Composed and produced by Tatsuya Oe

(This mix is the first version of “Rage and Redemption,” not the album version.)

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.


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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
25 March 2026

創作の範囲が驚くほど多岐に渡るゲーテは、「過去を振り返って反省する」タイプではなく、「今の自分を作品に叩きつけたら、すぐさま次の新しい自己へ脱皮する」タイプだった。彼にとって書くことは自己形成の手段であり、書き終えた瞬間、その時の自分はもう次のレベルに移動していると考える。この姿勢には強く同感だ。自作への評価は光栄だが、僕にとって過去作は「当時の全力の落書き」のようなもの。常に脱皮し、「今作りたい音」を追い求めていたい。

ゲーテとの対話(完全版) https://amzn.to/4lXDpTw

No Title
25 March 2026

トランプのSNS投稿という、現代社会で最も信じてはいけないものに世界中が右往左往している。だが、これはもはや彼だけのせいではない。それに過剰反応する側の責任も大きい。彼の投稿をソースにコピペ記事を書く輩を「ジャーナリスト」と呼び、その一喜一憂にレバレッジをかけてギャンブルに励む輩を「投資家」と呼ぶのは、さすがに劣化しすぎだろう。と、そんな「どうでもいい現象」について、わざわざ時間を割いて書いている自分も、過剰反応なのか(笑)

実は「ギャンブル」と同じ?! 投資の本質を考えてみた | 週刊エコノミスト Online https://bit.ly/4bGaheE

No Title
23 March 2026

映画『マネーボール』で一躍有名になったアスレチックス。現在は低迷しているが、ビリー・ビーンによる「データを活用した選手起用」は当時は画期的だった。「良い選手を獲得する資金力のなさ」よりも「得点力のなさ」が真の問題だと気付くのに統計が役立ったという訳だ。メディアやSNSで人気者のアーティスト生活を夢見るのも悪くないが、「独立した音楽家として持続可能なキャリアを築く」ことを優先するならば、統計の知識は味方になってくれる。

映画『マネーボール』予告編 https://youtu.be/8Ln0ySlnxOs

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Playmodel 2014
Playmodel – Love Supreme

Brisk, romantic orchestral disco by Tatsuya Oe for Playmodel, inspired by late-70s disco-funk with strings, groovy bass, and e-piano. BPM...

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