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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Rage and Redemption

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Home > Topics > Dark Model > Dark Model – Rage and Redemption
Categories: Dark Model and New Tracks. Formats: Video.

This track, which follows Dark Model’s first album, is an uplifting, apocalyptic, and Gothic industrial-esque electro track that features choir and orchestral sound.

Tatsuya posted an article called “The Making of Dark Model’s New Track “Rage and Redemption” on his English blog. We hope you (especially young electronic music producers) will enjoy the article and find it helpful.

Updated(Mar 24, 2017): “Rage and Redemption” was newly mixed and included in the new album “Saga.” For details, please visit the album page.

BPM: 128
Keywords: Aggressive, Apocalyptic, Classical, Doomsday, Emotional, Epic, Furious, Gothic, Industrial, Intense, Orchestral, Rousing, Trance-esque, Uplifting, Choir, Choral
Composed and produced by Tatsuya Oe

(This mix is the first version of “Rage and Redemption,” not the album version.)

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.


You might also be interested in:
    Dark Model-Rage and Redemption (First Version)Dark Model’s new track “Rage and Redemption” has been published Dark Model 2014Dark Model – Oath (Dubstep Remix, Album version) Dark Model 2014Dark Model – I Will Return (Album version) Dark Model - New TracksDark Model – Vengeance Is Mine Dark Model 2014Dark Model – Judgment Day (Album version)
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Tatsuya Oe Updated: December 12, 2025

Video

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Microblog

No Title
3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

No Title
2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

No Title
1 November 2026

「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病気名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

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Playmodel 2014
Playmodel – Love Supreme

Brisk, romantic orchestral disco by Tatsuya Oe for Playmodel, inspired by late-70s disco-funk with strings, groovy bass, and e-piano. BPM...

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