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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Rage and Redemption

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Home > Topics > Dark Model > Dark Model – Rage and Redemption
Categories: Dark Model and New Tracks. Formats: Video.

This track, which follows Dark Model’s first album, is an uplifting, apocalyptic, and Gothic industrial-esque electro track that features choir and orchestral sound.

Tatsuya posted an article called “The Making of Dark Model’s New Track “Rage and Redemption” on his English blog. We hope you (especially young electronic music producers) will enjoy the article and find it helpful.

Updated(Mar 24, 2017): “Rage and Redemption” was newly mixed and included in the new album “Saga.” For details, please visit the album page.

BPM: 128
Keywords: Aggressive, Apocalyptic, Classical, Doomsday, Emotional, Epic, Furious, Gothic, Industrial, Intense, Orchestral, Rousing, Trance-esque, Uplifting, Choir, Choral
Composed and produced by Tatsuya Oe

(This mix is the first version of “Rage and Redemption,” not the album version.)

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.


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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
3 August 2026

Carol Robbinsというハープ奏者が演奏するインスト「Caminhos Cruzados」を聴いていて、タイトル(ポルトガル語で「十字路」)からして、以前どこかで聴いたことがある曲だと思っていたものの、調べるまでには至らなかった。先日、何気なく検索してみたら、トム・ジョビン作曲の超有名曲で、しかも大学時代に毎晩リピートして聴いていたジョアン・ジルベルトのアルバムに収録されていたのだった。もうこれで一生忘れない(笑)。

João Gilberto – Caminhos Cruzados https://youtu.be/D3Hf-725Yk4

No Title
1 August 2026

テクノロジーは常に「レイジー」と「クリエイティブ」の選択を迫る。 思考や感情をAIに丸投げして「楽をする」アプローチと、アイデアの「着想の種」として使い、編集や意図を人間が責任を持ってコントロールするアプローチは全く異なる。「今や誰もがスタジオでAIを使っている」というグラミー賞のエグゼクティブのコメントが引用されているが、もしそれがレイジーな使い方ばかりなのだとしたら、問題なのは技術ではなく使い手の姿勢や業界の文化だろう。

Ari's Take「AI音楽は冒涜だ — “当たり前”にするのをやめよう」 https://aristake.com/ai-music-is-an-abomination/

No Title
31 July 2026

陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 – 幻想的なフォルムと、想像を超える精緻な技術 https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

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Playmodel 2014
Playmodel – Love Supreme

Brisk, romantic orchestral disco by Tatsuya Oe for Playmodel, inspired by late-70s disco-funk with strings, groovy bass, and e-piano. BPM...

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