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Dark Model – Survivors (from the new album “Saga”)

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Home > Topics > Dark Model > Dark Model – Survivors (from the new album “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga.
Feb 24, 2017
Dark Model - Saga

This is a teaser from Dark Model’s upcoming album “Saga.” Not only does this track construct orchestral and symphonic sound (which is signature to this project), it also features a lot of elements of disco & electronic funk which Tatsuya Oe has embraced and presented throughout his career as Captain Funk. Hopefully, fans of both projects will enjoy the track.

For details of Dark Model’s “Saga,” please refer to the album page.

BPM: 112
Keywords: Orchestral, Disco, Funk, Electronic, Baroque, dance, Heroic, Brave, Thematic
Composed and produced by Tatsuya Oe

Reviews on “Survivors”

“With a rhythm section entrenched in the electronic spectrum, soaring and anthemic strings and classical-inspired organ lines comprise the lead melodic force. The blare of brass around 02:20 signals a melodic shift, into mariachi-like territory — before reverting back into symphonic anthemic bliss around the three-minute mark. Never dull, “Survivors” and fellow recent release “Storm Goddess” show Oe’s production-based power well.”

(Mike Mineo, Obscure Sound)

“‘Survivors’ is one of Saga’s lead singles and features a compelling cross between electronic and classical music to create a world around Oe’s aural landscape. It’s a scintillating movement capable of weaving characters and a setting into place within the mind’s eye as you listen.”

(Jonathan Frahm, For Folk’s Sake)

“Oe merges the dramatic and cinematic sweep of orchestral music with the enthusiastically rhythmic and dancy effusion of electronica on the 13 robust and rousing tracks that comprise Saga. The single Survivors showcases Oe’s adept merging of these two supposedly disparate genres into one entrancing whole.”

(Jen Dan, Indie Music Review)

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.


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Saga
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31 July 2026

陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 ── 幻想的なフォルムと、想像を超える精緻な技術| Vogue Japan https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

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DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

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2010年出版の『インビジブル・エッジ』を読み返す。かつてのアメリカは知財オペレーションという「頭脳戦」に傾倒し、結果として現場の製造スキルや品質向上を手放してしまった。 2026年の今、潮目は変わっている。もはや知財の威光だけで勝てる時代ではなく、「その知財で何を作り出せるのか」というモノづくりの実体価値が改めて問われているように思う。足りないのは、手足を動かして価値を生み出しているという「リアリティ(実感)」なのだ。

『インビジブル・エッジ』その知財が勝敗を分ける https://link.amazon/B03Bi0vho

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Dark Model announces 2nd album Saga, out March 24, 2017 on CD and digital via Model Electronic (MECD-1005). Details on...

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