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OE “Early Techno Works 9697” Out on June 7, 2024

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Home > Topics > OE > OE “Early Techno Works 9697” Out on June 7, 2024
Categories: OE. Tags: Release and Digital distribution. Formats: Video.

“Found and Reconstructed”

“Early Techno Works 9697” is a rare collection that primarily features unreleased tracks crafted in 1996, when Tatsuya was fully immersed in music production, and 1997, just before his debut as Captain Funk with the album “Encounter with….”

The album includes techno and house tracks, ranging from the ones mastered newly from the final recordings in his DAT tapes to the ‘reconstruction mixes.’ These mixes, with their new arrangements, maintain the ’90s dance music atmosphere that Tatsuya has expertly captured in all his tracks. It’s a journey back in time, a nostalgic connection to the music of the past.

Contents

  • OE “Early Techno Works 9697” Tracklist
  • Album Info & Credit
  • Downloads & Streaming Services

OE “Early Techno Works 9697” Tracklist

OE - Early Techno Works 9697 1. Warning (Reconstruction Mix)
2. Don’t Stop Now
3. Across the Ocean
4. Metro Cruiser
5. Rattlesnake
6. Rolla Costa! (Reconstruction Mix)
7. Terminal Velocity
8. Crash and Burn
9. Neuroscience
10. Eruption
11. Wormhole
12. In the Mood


Album Info & Credit

Artist Name: OE
Album Title: “Early Techno Works 9697”
Release Date: June 7th (Fri), 2024
Format: Digital (No physical release)
Cat No: MEOE-1029
UPC Code: 198500739299
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone/JASRAC)
Art Direction: Passion Yoko

Tatsuya Oe / Model Electronic Records · OE – Across The Ocean (from "Early Techno Works 9697")

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ReleaseDigital distribution
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Tatsuya Oe Updated: December 12, 2025

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14 March 2026

かつて英文を書く際は、Grammarlyという文法チェッカーを愛用していた。だが数年前、AI機能が大幅に導入されて以降、自分の文章が「誰が書いても同じになる無個性なテンプレ」へ誘導されている気がして、利用を控えるようになった。LinkedIn等でも、”innovative”とか”visionary”、”passionate leader”といった、似た形容詞が並ぶ定型文をよく目にする。AIが作った「完璧すぎるCV」をAIがジャッジするなんて、妙な時代になったものだ。

How Recruiters Spot AI-Written Resumes | NG Career Strategy https://bit.ly/4baf6xN

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凹凸の少ないフローリングの部屋は、音を吸収するものがなく、壁や床で音が何度も反射してしまう。特にエネルギーの強いベース音は、部屋の角や壁際に溜まりやすい。見た目こそ洒落ているが、響きが「ライブすぎる」ため、リスニングならまだしも制作には全く不向きだ。今回突発的に思いついて、スピーカーのリアポート(背面の穴)に靴下を突っ込んでみた。この「ソックスチューニング」のおかげで、4畳半の和室のような、デッドで制作向きの音に仕上がった。

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まつり 北島三郎 https://youtu.be/N87ikbj_1vo

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