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OE “Moment of Now (Suchness 5)” out on Jan 17th, 2025

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Home > Topics > OE > OE “Moment of Now (Suchness 5)” out on Jan 17th, 2025
Categories: OE. Tags: Release, Suchness, and Digital distribution. Formats: Video.

Zero in on Now

“Moment of Now,” the fifth album of OE’s Zen-inspired Suchness project, invites you to immerse yourself fully in the present. The gentle rhythmic beats and electronic sounds interweave to highlight moments of silence and emptiness. Now, let’s dive in.

Contents

  • OE “Moment of Now (Suchness 5)” Tracklist
  • Album Info & Credit
  • Album Description
  • Downloads & Streaming Services

OE “Moment of Now (Suchness 5)” Tracklist

OE - Moment of Now (Suchness 5) 1. Watermills
2. Rhythm of the Wind
3. Let Them Come, Let Them Go (Beat Mix)
4. Deer in the Rain
5. Forest Explorer
6. Hello Solitude
7. Cloud Sea (Beat Mix)
8. Glass Moon
9. Hotaru
10. Silver Thaw
11. Midnight Trail
12. Kodama-sama


Album Info & Credit


Artist Name: OE
Album Title: “Moment of Now (Suchness 5)”
Release Date: January 17th (Fri), 2025
Format: Digital (No physical release)
Cat No: MEOE-1032
UPC Code: 198595519950
Genre: Downtempo / Ambient / Electronic
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone/JASRAC)
Art Direction: Passion Yoko

Album Description

In “Moment of Now,” the latest album from OE’s soundscape project “Suchness,” Tatsuya explores the concept of truly being present—feeling the present moment through mindfulness. Suchness, the Buddhism-originated term, originally connotes mindfulness: a state of mind characterized by focused attention, awareness, and acceptance of the present moment. Drawing on his background as a Japanese artist, Tatsuya further delves into how this essence can be expressed through his music, inspired by his unique connection to nature and sound.

In this album, he blends traditional methods of composing Suchness music—layering and eliminating sparse and aleatoric sounds and sequences—with contemporary rhythmic elements. Genres like disco often rely on repetitive beats and grooves, which can sometimes pull the audience away from the current moment, guiding them on a long journey through time. But Tatsuya’s choice to slow down the rhythms and tempos carefully reverses that effect entirely. The deliberate-paced, thoughtful beats, through moments of silence and voids, invite heightened awareness of the present, like observing cells under a microscope or noticing subtle changes in our surroundings—slow-motion awareness of now.

This approach fosters patience, non-judgment, and mindfulness, encouraging the audience to be present and conscious of what surrounds them. By merging rhythmic beats with his traditional composition style in this project, Tatsuya creates a new perception of time in music: zeroing in on what you are hearing and focusing intensely on what is happening now.

Downloads & Streaming Services

Worldwide

Bandcamp
Apple Music US | JP
Amazon US | JP | UK | FR | GR | IT
7digital
Spotify
Deezer
Tidal
Qobuz
iHeartRadio
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Japan

AWA
Music.jp
Dwango.jp
Recochoku(incl. Hi-Res)
Mora (Hi-Res)
OTOTOY (Lossless) (Hi-Res)
KKBox
Tower Records Music
Line Music
Rakuten Music

Other Asian countries

QQMusic
Kuwo Music(酷我音楽)
NetEase Cloud Music(網易雲音楽)


You might also be interested in:
    OE - Letting Go (Suchness 6)OE “Letting Go (Suchness 6)” out on Oct 3rd, 2025 OE - Suchness 2OE “Suchness 2” will be released on Jan 14th, 2023 OE - SuchnessOE’s New Album “Suchness” Out Now OE - Seisei Ruten (Suchness 4)OE “Seisei Ruten (Suchness 4)” out on March 1st, 2024 OE - Starry Messenger (Suchness 3)OE “Starry Messenger (Suchness 3)” out on Feb 2nd, 2024
ReleaseSuchnessDigital distribution
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Tatsuya Oe Updated: September 5, 2025

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No Title
27 November 2025

スマホを触るのは散歩の時と寝る前くらいだから、普通の人よりスマホ依存度はかなり低いと思う。だから、iPhoneのフラッグシップモデルのニュースを見ると、自分の使い方からすると全然割に合わない価格に見えてしまう。クアルコムとか、目に見えない部分の特許料がいろいろ乗ってるのかな?と思って調べてみたら、最終的なハードメーカーの利益が圧倒的に高かった。そういえば、自作PCはあるのに自作スマホって聞かないな、と思ったら、なんと!

自作スマートフォン – YouTube https://youtu.be/eX4vpe78giM

No Title
26 November 2025

エストニアはデジタル先進国といわれる。人口は140万人で、日本でいえばさいたま市ほどの規模だ。これだけ少人数で効率的に行政やビジネスを運営するには、デジタル化とAIの導入が欠かせない。「日本も見習うべき」という意見はもっともに聞こえるが、就業人口6700万人の国で本気で効率化を図ったら大変なことになる。「国や雇用、治安を守るには生産性を上げすぎない方がよい」。奇妙な考え方だが、そう思う人もいるだろう。

なぜエストニアはデジタル先進国になれたのか – 日経クロステック https://special.nikkeibp.co.jp/atclh/NXT/22/fujitsudg_11/

No Title
26 November 2025

「上達は真似から始まる」というのは、語学やスポーツの習得だけでなく、作曲や芸術のような創造的な活動にもよく当てはまる。でも、なぜ人は「真似したい」と思うのだろう。集団への帰属意識や憧れ、求愛、承認欲求など様々な理由があるはずだ。オウムのスノーボールが踊り始めたのは最初、飼い主の動きを真似たからだろうが、今では14の振付を自分で創り、習得している。オウムに元々踊る特性があるのか、彼が「師匠を真似て、そして超えた」のかは分からない。

Snowball (TM) – Another One Bites The Dust https://youtu.be/cJOZp2ZftCw

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