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OE “Moment of Now (Suchness 5)” out on Jan 17th, 2025

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Home > Topics > OE > OE “Moment of Now (Suchness 5)” out on Jan 17th, 2025
Categories: OE. Tags: Release, Suchness, and Digital distribution. Formats: Video.

Zero in on Now

“Moment of Now,” the fifth album of OE’s Zen-inspired Suchness project, invites you to immerse yourself fully in the present. The gentle rhythmic beats and electronic sounds interweave to highlight moments of silence and emptiness. Now, let’s dive in.

Contents

  • OE “Moment of Now (Suchness 5)” Tracklist
  • Album Info & Credit
  • Album Description
  • Downloads & Streaming Services

OE “Moment of Now (Suchness 5)” Tracklist

OE - Moment of Now (Suchness 5) 1. Watermills
2. Rhythm of the Wind
3. Let Them Come, Let Them Go (Beat Mix)
4. Deer in the Rain
5. Forest Explorer
6. Hello Solitude
7. Cloud Sea (Beat Mix)
8. Glass Moon
9. Hotaru
10. Silver Thaw
11. Midnight Trail
12. Kodama-sama


Album Info & Credit


Artist Name: OE
Album Title: “Moment of Now (Suchness 5)”
Release Date: January 17th (Fri), 2025
Format: Digital (No physical release)
Cat No: MEOE-1032
UPC Code: 198595519950
Genre: Downtempo / Ambient / Electronic
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone/JASRAC)
Art Direction: Passion Yoko

Album Description

In “Moment of Now,” the latest album from OE’s soundscape project “Suchness,” Tatsuya explores the concept of truly being present—feeling the present moment through mindfulness. Suchness, the Buddhism-originated term, originally connotes mindfulness: a state of mind characterized by focused attention, awareness, and acceptance of the present moment. Drawing on his background as a Japanese artist, Tatsuya further delves into how this essence can be expressed through his music, inspired by his unique connection to nature and sound.

In this album, he blends traditional methods of composing Suchness music—layering and eliminating sparse and aleatoric sounds and sequences—with contemporary rhythmic elements. Genres like disco often rely on repetitive beats and grooves, which can sometimes pull the audience away from the current moment, guiding them on a long journey through time. But Tatsuya’s choice to slow down the rhythms and tempos carefully reverses that effect entirely. The deliberate-paced, thoughtful beats, through moments of silence and voids, invite heightened awareness of the present, like observing cells under a microscope or noticing subtle changes in our surroundings—slow-motion awareness of now.

This approach fosters patience, non-judgment, and mindfulness, encouraging the audience to be present and conscious of what surrounds them. By merging rhythmic beats with his traditional composition style in this project, Tatsuya creates a new perception of time in music: zeroing in on what you are hearing and focusing intensely on what is happening now.

Downloads & Streaming Services

Worldwide

Bandcamp
Apple Music US | JP
Amazon US | JP | UK | FR | GR | IT
7digital
Spotify
Deezer
Tidal
Qobuz
iHeartRadio
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Japan

AWA
Music.jp
Dwango.jp
Recochoku(incl. Hi-Res)
Mora (Hi-Res)
OTOTOY (Lossless) (Hi-Res)
KKBox
Tower Records Music
Line Music
Rakuten Music

Other Asian countries

QQMusic
Kuwo Music(酷我音楽)
NetEase Cloud Music(網易雲音楽)


You might also be interested in:
    OE - SuchnessOE’s New Album “Suchness” Out Now OE - Letting Go (Suchness 6)OE “Letting Go (Suchness 6)” out on Oct 3rd, 2025 OE - Suchness 2OE “Suchness 2” will be released on Jan 14th, 2023 OE - Seisei Ruten (Suchness 4)OE “Seisei Ruten (Suchness 4)” out on March 1st, 2024 OE - Starry Messenger (Suchness 3)OE “Starry Messenger (Suchness 3)” out on Feb 2nd, 2024
ReleaseSuchnessDigital distribution
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No Title
25 March 2026

創作の範囲が驚くほど多岐に渡るゲーテは、「過去を振り返って反省する」タイプではなく、「今の自分を作品に叩きつけたら、すぐさま次の新しい自己へ脱皮する」タイプだった。彼にとって書くことは自己形成の手段であり、書き終えた瞬間、その時の自分はもう次のレベルに移動していると考える。この姿勢には強く同感だ。自作への評価は光栄だが、僕にとって過去作は「当時の全力の落書き」のようなもの。常に脱皮し、「今作りたい音」を追い求めていたい。

ゲーテとの対話(完全版) https://amzn.to/4lXDpTw

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25 March 2026

トランプのSNS投稿という、現代社会で最も信じてはいけないものに世界中が右往左往している。だが、これはもはや彼だけのせいではない。それに過剰反応する側の責任も大きい。彼の投稿をソースにコピペ記事を書く輩を「ジャーナリスト」と呼び、その一喜一憂にレバレッジをかけてギャンブルに励む輩を「投資家」と呼ぶのは、さすがに劣化しすぎだろう。と、そんな「どうでもいい現象」について、わざわざ時間を割いて書いている自分も、過剰反応なのか(笑)

実は「ギャンブル」と同じ?! 投資の本質を考えてみた | 週刊エコノミスト Online https://bit.ly/4bGaheE

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23 March 2026

映画『マネーボール』で一躍有名になったアスレチックス。現在は低迷しているが、ビリー・ビーンによる「データを活用した選手起用」は当時は画期的だった。「良い選手を獲得する資金力のなさ」よりも「得点力のなさ」が真の問題だと気付くのに統計が役立ったという訳だ。メディアやSNSで人気者のアーティスト生活を夢見るのも悪くないが、「独立した音楽家として持続可能なキャリアを築く」ことを優先するならば、統計の知識は味方になってくれる。

映画『マネーボール』予告編 https://youtu.be/8Ln0ySlnxOs

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