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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Updated: Licensing Guides for Broadcasters & Sync Professionals

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Home > Music Licensing > Updated: Licensing Guides for Broadcasters & Sync Professionals
Categories: Music Licensing and Topics. Tags: Music Business. Formats: Gallery.
Nov 24, 2025

We have updated and consolidated our licensing resources to better reflect how the Model Electronic Records catalog is used in today’s media environment, where broadcast, streaming, and platform-based usage increasingly overlap.

The following pages have been revised:

  • Licensing Our Music
  • FAQs about Licensing Our Music
  • How to Work with Performing Rights Organizations (PRO)
  • Model Electronic Records – Sync License Request Form

Main updates

  • Hybrid licensing model clarified
    Broadcast and streaming programs covered by PRO blanket licenses can use our catalog as standard PRO-registered repertoire, while commercials, corporate content, games, and other branded uses are handled via direct one-stop sync licensing.
  • Streaming originals vs. broadcast simulcast
    We now clearly distinguish between broadcaster-led simulcast / catch-up streaming and streaming originals (e.g., Netflix, Amazon Prime Video, Hulu, Disney+, Apple TV+), many of which require separate sync clearance.
  • Platform music libraries (TikTok / Instagram / Facebook)
    We explain how our music can be used when selected directly from official in-platform music libraries, and when a separate sync license is still required for commercial or off-platform use.
  • Updated rights management in Japan
    Domestic authors’ rights are now administered by NexTone, with international uses handled via JASRAC. Neighbouring rights on the master side are distributed via ILCJ and RIAJ, reflecting a more robust framework for broadcast and secondary uses.

These updates are intended to make it easier for broadcasters, editors, music supervisors, agencies, and production companies to work with our catalog in a way that is both creatively flexible and legally straightforward.

If you are considering using music from Model Electronic Records in your next project, please refer to the updated guides above and feel free to reach out via the Sync License Request Form.


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Music Business
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Tatsuya Oe Updated: December 12, 2025

Video

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Today’s Popular Topics

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Categories in Topics

Microblog

No Title
8 January 2026

OpenAIのビジョンについてChatGPTに質問したところ、「サム・アルトマンはAIを“製品”ではなく、“電力”や“OS”にしたいと考えている」とのことだった。確かに現在の米国AI投資バブルを見ると、ジョブズとゲイツの時代どころか、カーネギーやロックフェラーの「金ぴか時代(Gilded Age)」を彷彿とさせる。一方、Deepseek創業者・梁文鋒氏のインタビューを聞くと、至って地に足が着いている。両者の違いがどんな結果を生むのか、楽しみ。

DeepSeek CEO interview in English https://youtu.be/HRsVZuEMlvI

No Title
7 January 2026

高校の先輩(年が離れていて当時は面識はなかったが)で、国内や外資系企業の経営を手掛けてきた方の話。彼がインタビューで「人生を変えた英語の先生」と語っていた人物は、まさに僕が英語を教わった先生だった。僕自身も、その型破りな教育スタイルに大きな影響を受けたので、強く共感した。大学では熱心に講義に通った記憶がなく偉そうなことは言えないが、その後の人生で、あの先生を超えるほど刺激的な教え方に出会ったことはない。

OE – Patterns of Passion (Short Edit) #minimalism #piano #contemporarymusic https://youtu.be/GC1-nZByD3Q

No Title
6 January 2026

After Effectsを使って凝ったエフェクトを作ろうとすると「エクスプレッション」の理解が欠かせないが、ざっくり派の僕はスクリプト系の学習に時間を割くのが苦手。JavaScriptも20年近く触っている割に未だに使うのが億劫だし、Flashで日替わりブログを作った時はActionScript(懐かしい)とPHPの連動で苦労した。ただ、色々プログラムやアプリを触ってきたお陰で、音楽とテクノロジーに関しては、試行錯誤自体も楽しみの一つではある。

AppleがFlashを廃止した経緯 https://youtu.be/2qe-oNKIeUg

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