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Updated: Licensing Guides for Broadcasters & Sync Professionals

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Home > Music Licensing > Updated: Licensing Guides for Broadcasters & Sync Professionals
Categories: Music Licensing and Topics. Tags: Music Business. Formats: Gallery.
Nov 24, 2025

We have updated and consolidated our licensing resources to better reflect how the Model Electronic Records catalog is used in today’s media environment, where broadcast, streaming, and platform-based usage increasingly overlap.

The following pages have been revised:

  • Licensing Our Music
  • FAQs about Licensing Our Music
  • How to Work with Performing Rights Organizations (PRO)
  • Model Electronic Records – Sync License Request Form

Main updates

  • Hybrid licensing model clarified
    Broadcast and streaming programs covered by PRO blanket licenses can use our catalog as standard PRO-registered repertoire, while commercials, corporate content, games, and other branded uses are handled via direct one-stop sync licensing.
  • Streaming originals vs. broadcast simulcast
    We now clearly distinguish between broadcaster-led simulcast / catch-up streaming and streaming originals (e.g., Netflix, Amazon Prime Video, Hulu, Disney+, Apple TV+), many of which require separate sync clearance.
  • Platform music libraries (TikTok / Instagram / Facebook)
    We explain how our music can be used when selected directly from official in-platform music libraries, and when a separate sync license is still required for commercial or off-platform use. We also added a brief explanation of how YouTube Content ID may apply.
  • Updated rights management in Japan
    Domestic authors’ rights are now administered by NexTone, with international uses handled via JASRAC. Neighbouring rights on the master side are distributed via ILCJ and RIAJ, reflecting a more robust framework for broadcast and secondary uses.

These updates are intended to make it easier for broadcasters, editors, music supervisors, agencies, and production companies to work with our catalog in a way that is both creatively flexible and legally straightforward.

If you are considering using music from Model Electronic Records in your next project, please refer to the updated guides above and feel free to reach out via the Sync License Request Form.


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Music Business
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Tatsuya Oe Updated: February 3, 2026

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  • Captain Funk – Night Music [Album Medley]Captain Funk – Night Music [Album Medley]

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Microblog

No Title
22 February 2026

ディズニーの「イマジニアリング」を振り返って再確認できることは、テクノロジーはあくまで「手段」であり、クリエイティブこそがその「目的」であるという事実。 本来、表現したいものがあるからこそ技術は発展してきた。しかし、昨今は手段(テクノロジー)が目的(クリエイティブ・社会的意義)を飲み込んでしまっているようにも感じる。 だからこそ今、あえて「テクノロジーを使わないクリエイティブ」に宿る価値を、深く考える習慣を取り戻したい。

錯覚作品「Magnet Like Slopes」(明治大学MIMS・杉原厚吉作) https://youtu.be/_bwsqRxqOvI

No Title
21 February 2026

ディズニーのイマジニアや、マペット作家ジム・ヘンソンのドキュメンタリーを見たくて、これまで縁のなかったディズニー・プラスに入会してみた。「イマジニアリング〜夢を形にする人々」は、熱心なディズニーファンでなくても、ものづくりやクリエイティブなことに興味のある人なら見て損はしない内容だと思う。トレイラーを紹介したかったのだが、それよりも自分のショート動画を紹介したい衝動が勝るので(笑)、MER『Monkey Business』をお楽しみください。

Captain Funk presents MER – Monkey Business #funk #uplifting https://youtube.com/shorts/0FW8yvxZOZM

No Title
19 February 2026

その昔、香港へDJツアーで出かけたとき、熱気でむせかえるインド人街で大ヒット映画『Disco Dancer(’82)』のVHSを買った。「インドにディスコ、それって最高じゃん!」とハチワレばりに小躍りしながら自宅のビデオデッキに入れると、映像は激しく乱れ、音だけがかすかに聞こえてくる…。インドの規格はPAL方式だったのだ。あの時は諦めざるを得なかった伝説の映画が、今やYouTubeで普通に見られるとは。しかも1.3億再生って、どんだけ人気やねん(笑)。

Disco Dancer – Jimmi Jimmi Jimmi Aaja Aaja Aaja Aaja Re Mere https://youtu.be/ZUdJQSUcK_Y

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