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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Rage and Redemption

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Home > Topics > Dark Model > Dark Model – Rage and Redemption
Categories: Dark Model and New Tracks. Formats: Video.

This track, which follows Dark Model’s first album, is an uplifting, apocalyptic, and Gothic industrial-esque electro track that features choir and orchestral sound.

Tatsuya posted an article called “The Making of Dark Model’s New Track “Rage and Redemption” on his English blog. We hope you (especially young electronic music producers) will enjoy the article and find it helpful.

Updated(Mar 24, 2017): “Rage and Redemption” was newly mixed and included in the new album “Saga.” For details, please visit the album page.

BPM: 128
Keywords: Aggressive, Apocalyptic, Classical, Doomsday, Emotional, Epic, Furious, Gothic, Industrial, Intense, Orchestral, Rousing, Trance-esque, Uplifting, Choir, Choral
Composed and produced by Tatsuya Oe

(This mix is the first version of “Rage and Redemption,” not the album version.)

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.


You might also be interested in:
    Dark Model-Rage and Redemption (First Version)Dark Model’s new track “Rage and Redemption” has been published Dark Model - Danse MacabreDark Model – Danse Macabre (Dance of Death) Dark Model 2014Dark Model – Ran (Resistance) Dark Model 2014Dark Model – Close to Infinity Dark Model - AvalonDark Model – Avalon (from the new album “Saga”)

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Tatsuya Oe Updated: March 9, 2019

Video

  • Dark Model – March of Fury (Visualizer)Dark Model – March of Fury (Visualizer)

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14 September 2025

創作手法にあえて制約や縛りを設けることで、よりクリエイティブなものが生まれることもある。これは作り手なら誰もが経験しているだろう。ただ、そうして生まれた作品を受け手がどう感じるか以前に、このアプローチ自体が目的化・教義化してしまったり、作り手としてむしろ満足できないクオリティに陥ってしまうなら意味がない。そんなことを、かつて話題になった映画製作運動『ドグマ95』を思い出しながら考えた。昨日の「度胸比べ」も厄介だが、「ガマン比べ」も大変だ。

トマス・ヴィンターベア『セレブレーション』(1998) https://amzn.to/4ppfNbo

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13 September 2025

AI研究者・認知科学者として知られるゲイリー・マーカスは、AIの進化の行方について数年前から強い警鐘を鳴らしてきた。炎上好きな彼ゆえ、その発言はある程度割り引いて受け止めるのが賢明だが、日本のIT界には「あえて現状を疑い、問題を突きつける」論客が少ない。いずれにしても、AIビジネスが「誰のテストステロン(男性ホルモン)が一番か」とばかりに、まるでカジノの度胸比べのようになっている現状こそ、まさにバブル(=行き過ぎ)だとも言える。

ゲイリー・マーカス『AIバブルのピーク』 https://garymarcus.substack.com/p/peak-bubble

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13 September 2025

Mac OSが今で言うクラシック環境だった頃、とても個性的で、しかも重宝し、しかも殆ど誰も知らない(笑)音声合成ソフトがあった。数年に一度はそのソフトを再び使いたくなるのだが、Basilisk IIというエミュレーターとMac OS 7.5.3のディスク(!)などを用意して下準備をしなければならないため、毎回思い立っては即座に挫折する。OE『Physical Fiction』や『New Classics Vol.2』に収録されている曲でよく用いた。

OE 『New Classics, Vol. 2』 https://amzn.to/3HZTRDc

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