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Tatsuya Oe Interview about Music Licensing Business for Billboard biz (US)

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Home > Topics > Media/Press > Interview > Tatsuya Oe Interview about Music Licensing Business for Billboard biz (US)
Categories: Interview. Tags: United States, Sync License, and Websites.
Mar 4, 2013
Billboard biz

Tatsuya had a long interview with Mark Frieser, contributing writer of Billboard biz and founder of Sync Summit /Sync Exchange.

This was originally held as a series of interviews on Billboard biz he has been working on from the standpoint of “possibilities of music licensing business,” and the article has been pre-published on Sync Exchange and Music2Deal websites (as well as Blog page on this website). Publication on Billboard.com is due in this early summer.

While we comprehensively covered many topics about music licensing business, these are based on what he has actually experienced and learned for years. We hope this article will be helpful for independent musicians and publishers who have been exploring possibilities of the music business on a daily basis.

If you’re interested in Mark’s other interviews with Gerald Casale (Devo), Martyn Ware (Heaven 17), Chuck D (Public Enemy), Mathew Knowles (Music World Entertainment, and Beyonce’s father), etc., check out Billboard.biz and Sync Summit pages. These precious talks with the music industry greats should be helpful for you as well.

Tatsuya Oe page on Sync Summit

Sync Exchange “Creating a Successful Licensing Business as an Independent Musician (Part 1)”
(Part2)

Tatsuya Oe interview on Sync Exchange

Music2Deal Interview page

Tatrsuya Oe interview on Music2Deal


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United StatesSync LicenseWebsites
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Tatsuya Oe Updated: February 17, 2022

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16 October 2025

「無神論」とは違って、僕は「信じる能力」や「信じることそのもの」に対して懐疑的なところがあるのだけど、「無信論」なんて言葉はもちろん存在しない。そこで、この考えに近いものは何かとAIに聞いたら、「懐疑主義、科学主義、実存主義、ヒューマニズム、もしくはポストモダンです」という答えが返ってきた。「信じることに依存しない生き方こそが真の自由に繋がる」という考え方を、皮肉やニヒリズムに逃げないで伝えられた思想家として、フロムは貴重かも知れない。

エーリッヒ・フロムの哲学思想を図解でわかりやすく|【公式】MindMeister https://mindmeister.jp/posts/Fromm

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「ベートーヴェンはナポレオンを民衆の擁護者と称賛して『英雄』を作曲し、その後、権力に媚びる姿勢に失望して反感を抱いた」というエピソードがある。真相はさておき、音楽が宮廷貴族(クライアント)主催のパーティーミュージックだったモーツァルトの時代と比べると、ベートーヴェンの作曲動機は明らかにアーティスト的であり、音楽(家)の存在理由が18~19世紀にかけて大きく変化したことがよく分かる。オーディエンスにはその違いがあまり意識されないかも知れないけれど。

『ボナパルト交響曲』早稲田大学交響楽団 https://wso-tokyo.jp/classic_fusetsusho_vol-3/  

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ただいまtatsuyaoe.comのテコ入れ作業中。情報の更新はしているけど、たまにPHPやWordPressのキャッチアップ作業が必要になる。自分が運営しているウェブサイトの中では最も古株のこのサイト、2002年に立ち上げた当初はDreamweaverでコツコツ更新していた。Findingsのページはその頃から存在していて、途中で長文形式になったけど、今は初期のフォーマットに戻った感じ。2002年はこんな曲を作ってました。

‎The Glow – OEの曲 – Apple Music https://music.apple.com/jp/song/the-glow/1346363909

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