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Tatsuya Oe Joins Sync Summit Hollywood as a panelist

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Home > Topics > Event/Party > Tatsuya Oe Joins Sync Summit Hollywood as a panelist
Categories: Event/Party. Tags: United States, Talk Session, Conference, and Music Business.
Nov 21, 2013
Tatsuya will join Sync Summit Hollywood as a panelist on Dec 4th, 2013.

Tatsuya was invited and will participate as a panelist in Sync Summit Hollywood, which will be held on Day 1 – December 4th.

About Sync Summit

Sync Summit is a high-level, focused networking event where top music supervisors, heads of music in visual and interactive media (TV, film, video games, advertising, the internet and mobile), label executives, publishers, music libraries, composers, artists, technologists, legal, accounting, brand managers and service providers gather for two days of discussion, networking and dealmaking.

Sync Summit is designed to be a different kind of conference – not a mere pitchfest where the connections made are soon forgotten or not followed up, or a general glossing over of the music in media market. Rather, Sync Summit is organized around fostering real, productive networking opportunities, presenting case studies of how music is discovered and used, evolving business models in the music in media market as well as creative and promotional considerations.

For the full agenda, visit SyncSummit.com.

PANEL DISCUSSION: The International Market

Roosevelt Hotel – Hollywood, CA
11:30 – 12:30 PM, Dec 4th – BALLROOM:

The business of music and media defies borders. Music supervisors and rights holders alike do business on a global scale, and there are opportunities for both sides from looking beyond their country to do business. The panel features top rights holders and music supervisors from across the globe discussing the challenges and opportunities in doing business internationally.

SPEAKERS:
Diana Rodriguez – CEO and Founder, Criteria Entertainment (LatAm)
Luciana Pegorer – Executive Director, Brazilian Association of Independent Music (Brazil)
Michèle Amar – CEO, France Rocks, Director, French Music Export Office (France)
Tatsuya Oe – Founder/CEO, Recording Artist, Dark Model (Japan, US)
Roberto Izaac – Head of Music Programming, mun2 (NBC Universo)
Anastasiya Mushchil – Chief of Synchronization Department, Firma Melodiya (Russia)
Andreas Katsambas – Founder/CEO, The End Records (US, EU)
Jen Taunton –Music Supervisor, Level Two Music (Australia)

MODERATOR:
Robert Singerman – Founder, Music With Subtitles


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United StatesTalk SessionConferenceMusic Business
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
22 December 2025

昔、あるミュージシャンが「音楽を作るのは畳職人が畳を作るのと同じだ」と言ったという記事を読んだ。出典がなかったので真偽は定かではないが、その言葉を読んだとき、膝を打ちながらも、かなりドライな意見だと感じた。ただ僕自身は長らく、誰かに頼まれて畳(曲)を作ったことがなく、創作を職人気質に捉えすぎないようにしている。それは、畳作りを一生好きでいられる(=嫌いにならない)方法について真剣に考えた結果の、自分なりの答え。

ダ・ヴィンチは職人だった…「芸術家」と「職人」の違いとは? https://gentosha-go.com/articles/-/29391

No Title
22 December 2025

遅ればせながら「ショパン国際コンクール」のドキュメンタリーを観た。1位を獲ったエリック・ルーの演奏スタイルが非常にアメリカ的なのが印象的だった。僕はこれまで、コンクールやコンテスト、ランキング、オーディションといった、他人による優劣の判断や評価システムに対して猛烈な反発心があって、それをバネに生きてきたところがある。演奏者の方々にはコンクールを一つの通過点と捉え、「自分が音楽と演奏を好きでいられること」を最優先に、邁進してほしいと思う。

【ショパンコンクール】審査員の発言に波紋「音楽のためではなく、拍手のために弾いている人もいる」 https://youtu.be/Ja3znTbQZkk

No Title
20 December 2025

何事も経験を積むことは大事だけど、経験を積んだことで「何をすべきか」じゃなくて「何をすべきでないか」が先に浮かぶようになって、結局進めなくなったり、リスクを冒せなくなったら意味がない。知識や経験を得るほど臆病になり、快適領域でものを考え、バカなことをしなくなる。それを防ぐ一つの方法として「好奇心を持ち続ける」ということがあると思う。「これは自分の領域じゃない」と関心を限定しすぎない。ただし、噂話とかゴシップとかじゃなくて(笑)。

THE CURIOSITY GENE(好奇心の遺伝子) https://youtu.be/HhPZ7yx8ttg

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