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Tatsuya Oe Joins Sync Summit Hollywood as a panelist

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Home > Topics > Event/Party > Tatsuya Oe Joins Sync Summit Hollywood as a panelist
Categories: Event/Party. Tags: United States, Talk Session, Conference, and Music Business.
Nov 21, 2013
Tatsuya will join Sync Summit Hollywood as a panelist on Dec 4th, 2013.

Tatsuya was invited and will participate as a panelist in Sync Summit Hollywood, which will be held on Day 1 – December 4th.

About Sync Summit

Sync Summit is a high-level, focused networking event where top music supervisors, heads of music in visual and interactive media (TV, film, video games, advertising, the internet and mobile), label executives, publishers, music libraries, composers, artists, technologists, legal, accounting, brand managers and service providers gather for two days of discussion, networking and dealmaking.

Sync Summit is designed to be a different kind of conference – not a mere pitchfest where the connections made are soon forgotten or not followed up, or a general glossing over of the music in media market. Rather, Sync Summit is organized around fostering real, productive networking opportunities, presenting case studies of how music is discovered and used, evolving business models in the music in media market as well as creative and promotional considerations.

For the full agenda, visit SyncSummit.com.

PANEL DISCUSSION: The International Market

Roosevelt Hotel – Hollywood, CA
11:30 – 12:30 PM, Dec 4th – BALLROOM:

The business of music and media defies borders. Music supervisors and rights holders alike do business on a global scale, and there are opportunities for both sides from looking beyond their country to do business. The panel features top rights holders and music supervisors from across the globe discussing the challenges and opportunities in doing business internationally.

SPEAKERS:
Diana Rodriguez – CEO and Founder, Criteria Entertainment (LatAm)
Luciana Pegorer – Executive Director, Brazilian Association of Independent Music (Brazil)
Michèle Amar – CEO, France Rocks, Director, French Music Export Office (France)
Tatsuya Oe – Founder/CEO, Recording Artist, Dark Model (Japan, US)
Roberto Izaac – Head of Music Programming, mun2 (NBC Universo)
Anastasiya Mushchil – Chief of Synchronization Department, Firma Melodiya (Russia)
Andreas Katsambas – Founder/CEO, The End Records (US, EU)
Jen Taunton –Music Supervisor, Level Two Music (Australia)

MODERATOR:
Robert Singerman – Founder, Music With Subtitles


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United StatesTalk SessionConferenceMusic Business
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Tatsuya Oe Updated: December 12, 2025

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No Title
27 March 2026

一時期、エピクテトスの言葉に深く感動して読み耽っていたけれど、今はそのドライすぎる視点に「もう少し夢を見てもいいんじゃない?」と感じる部分がある。奴隷という過酷な境遇にいた彼には必要な強さだったのかもしれないが、その哲学を突き詰めると「宝くじが当たっても外れても、僕の幸福には無関係だ」なんて言う、寂しい人になってしまいそう。さて、そろそろ創作に本腰を入れたいので、マイクロブログはしばらく不定期更新とさせていただきます!

エピクテトス『語録 要録』 (中公クラシックス W 92) https://amzn.to/485V4Cr

No Title
25 March 2026

創作の範囲が驚くほど多岐に渡るゲーテは、「過去を振り返って反省する」タイプではなく、「今の自分を作品に叩きつけたら、すぐさま次の新しい自己へ脱皮する」タイプだった。彼にとって書くことは自己形成の手段であり、書き終えた瞬間、その時の自分はもう次のレベルに移動していると考える。この姿勢には強く同感だ。自作への評価は光栄だが、僕にとって過去作は「当時の全力の落書き」のようなもの。常に脱皮し、「今作りたい音」を追い求めていたい。

ゲーテとの対話(完全版) https://amzn.to/4lXDpTw

No Title
25 March 2026

トランプのSNS投稿という、現代社会で最も信じてはいけないものに世界中が右往左往している。だが、これはもはや彼だけのせいではない。それに過剰反応する側の責任も大きい。彼の投稿をソースにコピペ記事を書く輩を「ジャーナリスト」と呼び、その一喜一憂にレバレッジをかけてギャンブルに励む輩を「投資家」と呼ぶのは、さすがに劣化しすぎだろう。と、そんな「どうでもいい現象」について、わざわざ時間を割いて書いている自分も、過剰反応なのか(笑)

実は「ギャンブル」と同じ?! 投資の本質を考えてみた | 週刊エコノミスト Online https://bit.ly/4bGaheE

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