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Credits & Awards

Home > Tatsuya Oe Biography > Credits & Awards

Artists and bands (excerpt):

-Music production, Collaboration and Remix-
James Brown, Diana Ross, Chic, Simon LeBon, Ron Sexsmith, Serge Gainsbourg, Hotei, Radiopilot, Dune, Zoobombs, Digikid84, Yoshihide Otomo, Puffy, Tommy February, Anna Tsuchiya, Ami Suzuki, Yasuyuki Okamura, Naruyoshi Kikuchi, Denki Groove, Original Love, FPM, Ken Ishii, etc

-Toured with-
David Bowie (as Groove Syndicate), Kraftwerk, Holger Czukay, Space Cowboy, Atomic Hooligan, Freddy Fresh, etc

TV Commercial/Corporate branding campaign/Worked with (in the US/EU/Asia, excerpt):

(Regarding recent music placements, please refer to “Recent Placements” and “Commercial Reels” page.)

Verizon, Microsoft, ASUS, Intel, Lexus, Toyota, Honda, Audi, Chrysler, Delta Air Lines, De Beers, Cartier, Vivienne Westwood, Nordtrom, Bergdorf Goodman, PepsiCo, Burger King, KFC, Philip Morris USA, Forever 21, Macy’s, Hollister Co., Uniqlo, Skechers, Reebok, Adidas, Oakley, Burton, Quiksilver, Specialized, Fox Head, Patagonia, People.com, ELLE, Wallpaper* Magazine, LinkedIn, Skype Technologies, Zagat, Sony, Panasonic, Canon, Bose Corporation, House of Marley, Energizer, DTC (Diamond Trading Company), Unilever, Mitsubishi Motors, Lancome, Shiseido, Pola, Bain & Company, Zoff, Pfizer, Coloplast, Tennis Australia, Blizzard Entertainment, SEGA, Konami, 21st Century Museum of Contemporary Art, etc.

Agencies/Creative Boutiques: Saatchi & Saatchi, McGarryBowen, Grey, Hakuhodo DY Holdings, Dentsu, J. Walter Thompson, Swell NY, Mr. X Inc, City Room Creative, 507×286 Productions, Huddle Media, Strive Kommunikationsdesign, Open, GT Inc, Ultra Supernew, Noriyuki Tanaka Activity, BB Media, Taiyo Kikaku, etc.

TV music placements (excerpt):

ABC, NBC, CBS, FOX Network, Oprah Winfrey Network, Syfy, ESPN, Discovery Channel, National Geographic, MTV, VH1, Bravo TV, TLC, Telemundo, A&E, History Channel, Discovery Channel, Esquire Network, Fuse, HGTV, Sundance TV, BBC, and All Japanese TV Networks (NHK, NNN, ANN, JNN, TXN, FNN)

Film/Animation/Game (excerpt):

Sony/Columbia Pictures “Money Monster” International Trailer, “Elysium” Trailer, Millenium Entertainment “The Paperboy” Promo, Lionsgate Entertainment “The Inevitable Defeat of Mister & Pete,” “Vaters Garten – Die Liebe meiner Eltern,” Monday (“Twist & Shout” as the theme song. 50th Berlin International Film Festival “International Film Critics Association Award” & “FIPRESCI Award” winner, director:SABU), Table & Fishman (director:Osamu Kobayashi, Studio4c), Dance Battle VS (Sony PS3 Game, US), Tekken, etc

Awards & Nominations:

–The Finalist Award of New York Festivals

–Silver Prize of The Tokyo Interactive Ad Awards

–Official Honoree of Webby Awards (“Best use of Animation or Motion Graphics” & “Consumer Electronics”)
(as to music/sound design of Panasonic “Experience Color”, with Business Architects Inc.)

– Nominee of the 14th (2015) Annual Independent Music Awards “Best Dance/Elecronica Album” (as Dark Model)

– Winner of the 16th (2017) Annual Independent Music Awards “Best Dance/Elecronica Album” (Dark Model “Saga”)


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    Tatsuya Oe (Dark Model/Captain Funk/OE)Tatsuya Oe Biography Model Electronic Records - Sync Agent WantedSync Agent Wanted: Help Us Place Our Music in Media
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Tatsuya Oe Updated: May 12, 2018

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Licensing Guides & Form

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Microblog

No Title
11 February 2026

「部屋をまるごとノイズキャンセリング」という技術は、まだ確立されていない。耳の位置が固定されていない以上、自分の耳に入る音を電気的にキャンセルできないのは当然といえば当然。とはいえ、そんな技術が欲しくなるほど騒音が気になる家に住んでいたことがある。楽器練習用の「防音室」は、音漏れを防ぐだけでなく、外の騒音もかなり遮断するらしい。でも、その中でデスクワークをしないと落ち着かなくなったら、それはそれで問題だな…。

頂上対決!YAMAHAとKAWAIのユニット式防音室をレビュー https://youtu.be/CZNC4WZbgn4

No Title
10 February 2026

ビジネスのアイデア出しや情報収集にAIが役立つことは多々あるが、たまに「なんでそんなこと知ってるの?」的な意外な提案や固有名詞が出てきて驚かされることがある。「音楽の世界で長く活動されてきたあなたにとって、『製造から販売までを自分の美学の射程に収める』というリック・オウエンスの手法は、一つの強力なアンチテーゼ(として参考)になるのではないでしょうか?」いろんな意味で、こんなこと人間は言わないよなあ(笑)。

Inside Designer Rick Owens’s Minimalist Home Filled With Wonderful Objects | Vogue https://youtu.be/zrqqrQmeQS4

No Title
8 February 2026

音楽家のインタビューでよく聞かれる質問の一つが「最初に買ったアルバムは?」というもの。僕はテクノのアーティスト/DJとしてプロのキャリアを始めたけれど、初めて買ったレコードはビリー・ジョエルだし、その後もプログレ、ニューウェーブ、そしてジャズ、現代音楽、R&B、ブラジリアンと渡り歩いてきたので、典型的なテクノ少年的な音楽遍歴ではない。僕にとってテクノとは、それらの音楽のグルーヴや躍動感を結晶化、あるいは抽出した「うまみ」のような存在。

OE – Tessera #pianomusic #minimalism #contemporary https://www.youtube.com/shorts/Syd7wtxF7GU

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