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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Helicity (Audio Visualizer)

Home > Video > OE – Helicity (Audio Visualizer)
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  • Captain Funk - Boogie Electricland (Live)Captain Funk – Boogie Electricland (Live)

Language:

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Categories: New Classics Vol.2. Tags for Video: IDM, Electronic-Jazz, and Broken Beat.

Edgy and dystopian IDM/Gothic electronic funk track, filled with sci-fi and cyberpunk atmosphere. It features contrapuntal, thick layers of church organ on unpredictable, fast broken beats and fat synth bass. While the rhythms are intricately programmed, the organ phrases and harmonies soar gradually like a spiral. That’s why it’s called “Helicity,” meaning in physics, the projection of the spin onto the direction of momentum.

– Keyword for this track –

Electronic, Breakbeats, Broken Beats, IDM, Futuristic, Gothic, Rhythmic, Industrial, Solemn, Edgy, Glitch, Rising, Quirky, Dark, Mysterious, Unpredictable, Soaring, Rising, Intense, Tense, Furious, Aggressive, Dramatic, Hi-Tech, Solid, Glitch, Dynamic, Panoramic, Cinematic, Swirling, Uplifting, Experimental, Counterpart
BPM: 105

– About “New Classics Vol.2” –

“New Classics Vol.1 & 2” are collections of new tracks and new arrangements of his past pieces produced under the moniker of “OE” (E is pronounced as long E, like “O.E”).

While the vol.1 focuses on the indie rock/pop electronica and songwriter-oriented side of the project, the vol.2 delves into the contemporary, edgy, and experimental side.

Album details: https://s.tatsuyaoe.com/3sNNkRP

– Album info –

All tracks composed, produced, and mastered by Tatsuya Oe (NexTone / JASRAC)
Label: Model Electronic Records
UPC Code: 191924618690

-Streaming Services / Music Apps-

Spotify
Apple Music
Amazon US MP3
Bandcamp
Album details & other links: https://s.tatsuyaoe.com/3sNNkRP

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    OE - 276EC2 (Visualizer)OE – 276EC2 (Audio Visualizer) OE - M61 (Remix)(Visualizer)OE – M61 (Remix) (Audio Visualizer) OE - f2;5 (Visualizer)OE – f2;5 (Audio Visualizer) OE - The Grid (Visualizer)OE – The Grid (Audio Visualizer) OE - It Happens (Visualizer)OE – It Happens (Audio Visualizer)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
11 March 2026

僕は動物を飼ったことがないが、子豚に関しては本気で飼いたいと思っていた時期がある。人間や羊、犬など身近な哺乳類には群れる習性があるが、実は種全体で見れば単独行動派が大半らしい。また、集団の作り方も動物によって千差万別だ。かつてチャーチルは「私は豚が好きだ。犬は我々を見上げ、猫は我々を見下すが、豚は我々を対等に扱ってくれる」と語ったという。その言葉が真実なのか、いつか豚に直接聞けたらと思っている。

“I am fond of pigs. Dogs look up to us. Cats look down on us. Pigs treat us as equals.” https://bit.ly/3NvPYbK

No Title
10 March 2026

パンチの効いたビートやボーカルを作る際、アタックにTR-808のハイハットやホワイトノイズを薄く重ねると、キックやスネアの解像度が劇的に上がることがある。ハット特有の鋭い「チッ」という音には、10k〜16kHz付近の非常に純度の高いエネルギーが含まれているからだ(単体で聴くとキツイ)。この帯域を超えると人間には聞こえない「超音波」の領域に入るが、犬にとってはここからが本番の可聴範囲となる。犬笛を眺めながら、そんな音の境界線に思いをはせる。

【犬笛による呼び戻し】 https://youtu.be/q2AXwSG7jDg

No Title
10 March 2026

ハリウッド映画界には「Temp Love」という用語がある。制作が猛烈なスピードで進むため、最終的な劇伴が完成するまで、映像には多くの「仮の音楽」が当てられる。有名曲等が使われると、監督はその曲に執着し、作曲家に酷似した曲を求めてしまう。この「仮の音楽への執着とプレッシャー」への対応に苦心する作曲家は多いようだ。僕の既存曲が映像に使われるのは歓迎だけど、あえて書き下ろしの仕事を請けないのは、こうした風潮も理由の一つかもしれない。

Temp Loveのワナを避ける方法(英語) https://www.soundstripe.com/blogs/how-to-avoid-temp-love

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