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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Let Them Come, Let Them Go (Visualizer)

Home > Video > OE – Let Them Come, Let Them Go (Visualizer)
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Categories: Suchness. Tags for Video: Ambient and Soundscape.

This Zen-oriented, quiet, and a little tense soundscape consists of sporadic, unpredictable sequences of bell sounds, strings chords, and Koto plucks on the sparse low drones.

– Keyword for this track –

Ambient, Soundscape, Spiritual, Tense, Reflective, Sparse, Sporadic, Atmospheric, Melancholic, Unpredictable, Psychedelic, Zen, New Age, Drone, Koto, Bell, Japan, Asia, Oriental
BPM: 80

– About “Suchness” –

Tatsuya Oe, an electronic music master who is also known as Dark Model and Captain Funk, completes a concept album under the name of OE. “Suchness” consists of ten “Kankyo-Ongaku” (ambient music) compositions, which are inspired by the Japanese view of nature and Zen philosophy. Immerse yourself to the OE’s world of weaving musical notes and “ma (a silence and void)” into exquisite soundscapes.

Album details: https://s.tatsuyaoe.com/2XJpDsK

– Album Info –

Artist Name: OE
Album Title: “Suchness”
Release Date: May 29th (Fri), 2020
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
UPC Code: 195269000790

-Streaming Services / Downloads –

Spotify
Apple Music
Amazon US MP3
Bandcamp
Album details & other links: https://s.tatsuyaoe.com/2XJpDsK

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    OE - SuchnessOE – Suchness (Visualizer) OE - Jizo CriedOE – Jizo Cried (Visualizer) OE - Bamboo ForestOE – Bamboo Forest (Visualizer) OE - DewdropsOE – Dewdrops (Visualizer) OE - Yama No HibikiOE – Yama No Hibiki (Visualizer)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
30 July 2026

DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

KONTAKT: FIRST STEPS (Ch. 2 Ep. 1) – YouTube https://youtu.be/Gj-ZLEmn15I

No Title
29 July 2026

2010年出版の『インビジブル・エッジ』を読み返す。かつてのアメリカは知財オペレーションという「頭脳戦」に傾倒し、結果として現場の製造スキルや品質向上を手放してしまった。 2026年の今、潮目は変わっている。もはや知財の威光だけで勝てる時代ではなく、「その知財で何を作り出せるのか」というモノづくりの実体価値が改めて問われているように思う。足りないのは、手足を動かして価値を生み出しているという「リアリティ(実感)」なのだ。

『インビジブル・エッジ』その知財が勝敗を分ける https://link.amazon/B03Bi0vho

No Title
27 July 2026

年季の入ったブルースマンやR&Bミュージシャンのインタビューを聞いていると、”We was” という表現が出てくることがある。これは標準英語とは異なるが、彼らの間では決して間違いではない。こういうのは Vernacular(自然発生的な日常文法) といって、Slang(俗語・流行語) や、地域的な Dialect(方言) とも少し違う。このバンドの名前 Sho-nuffは、「あたりきよ!(Sure enough)」みたいな、レトロで味のあるスラング。

Sho-nuff – Don't Use Me Up https://youtu.be/oIHRDJbhwUM

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