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Home > EDM
Dark Model "Fate" video

Dark Model – Fate (Album version)

Sep 28, 2014

An orchestral Electro Funk/EDM track filled with a futuristic, heroic and badass vibe. It includes Dubstep-esque synth bass, glitchy breaks & drops.  

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Dark Model "Moment of Truth" video

Dark Model – Moment of Truth

Sep 28, 2014

Uplifting, cinematic breakbeat/EDM track which features tribal percussion & drumline (marching band), massive electronic beats, and full orchestral arrangements.  

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Dark Model "Hope is Never Gone" video

Dark Model – Hope Is Never Gone

Sep 28, 2014

An uplifting, trance-esque orchestral electronic track featuring minimalistic piano, strings & horn phrases, and marching drums.

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Dark Model "JudgmentDay" video

Dark Model – Judgment Day (Album version)

Sep 28, 2014

Apocalyptic, epic, and melancholic Orchestral/Classical Electronica/EDM, which features minimalistic violin phrases and a building with woodwinds, horn ensemble, and heavy (Dubstep-esque) beats & bass.  

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Dark Model "Onibi" video

Dark Model – Onibi (Demon Fire)

Sep 28, 2014

An intense and cinematic Orchestral Electronic track, which has a touch of modern electronic music such as EDM / Drumstep / Neurofunk (or even Breakcore). However, its arrangement and instrumentation are based on authentic cinematic orchestral music.  

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Dark Model "Oath (Dubstep Remix)" video

Dark Model – Oath (Dubstep Remix)

Sep 28, 2014

Remix of “Oath,” a dramatic and emotionally storytelling Orchestral Electronica track consisting of three (four) parts like a suite.  

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Tatsuya Oe Updated: February 19, 2022

Video

  • Dark Model – Farewell To The MoonDark Model – Farewell To The Moon

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Microblog

No Title
31 January 2026

今から22、3年前、モーリー・ロバートソンさんの自宅で EMS Synthi A というスーツケース型シンセの実物を初めて見た。その後、新宿のリキッドルームで爆音ノイズのコラボ・ライブをさせていただいたことを思い出す。僕が日本を離れた後、モーリーさんの博識と洞察力、そして温厚な人柄が広くお茶の間に浸透し、その多才ぶりがさらに開花していくさまを頼もしく思っていた。心よりご冥福をお祈りします。

EMS Synthi A Rare Vintage Analog Synthesizer https://youtu.be/7DnELcaVGpk

No Title
31 January 2026

日々の業務でAIChatは色々と使っているが、音楽制作のアイデア出しや作曲ツールとして使うことはない。僕が惹かれるコードの響きやリズムのシンコペーション、「間」の取り方、そして展開の予測不能さは、AIが目指している方向とはまったく異なるし、AIにアドバイスされるのも困る(笑)。これは老子の言う「無用の用」なのかもしれない。役に立たない(=AIが「攻略できる」と興味を示さない)ものこそ、侵食されずに生き延びるということ。

Dark Model – Labyrinth (Short Edit) #neoclassical #chambermusic https://www.youtube.com/shorts/_gxKDkvdgHg

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

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