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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Home > Soundscape
OE - Rho (Visualizer)

OE – Rho (Audio Visualizer)

Jan 29, 2022

A mysterious, ominous, and futuristic electroacoustic/sound-collage piece where transitional granular sounds, passing hi-tech glitches, also fragmented instrumental noises are intertwined.  

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OE - :-&

OE – :-& (Audio Visualizer)

Jan 29, 2022

Fast-changing and unpredictable electroacoustic/music concrete track where various sounds & noises such as metallic glitches, voices, and fragments of electronic beats, come and go with a breakneck speed.  

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OE - Goraikou

OE – Goraikou (Visualizer)

Jan 14, 2022

This is a floating and dreamy ambient track that features harmonics of electric guitar, high-tone percussion sounds, and panoramic synth drone sounds.

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OE - Bamboo Forest

OE – Bamboo Forest (Visualizer)

Jan 14, 2022

Zen-oriented, floating, and atmospheric soundscape that features sparse and low synth pads and deeply-echoed percussion sounds.

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OE - Yama No Hibiki

OE – Yama No Hibiki (Visualizer)

Jan 14, 2022

This is a sparse, mysterious, and psychedelic soundscape consisting of floating sequences of metallic bell & chime sounds on the dark low drones.

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OE - Jizo Cried

OE – Jizo Cried (Visualizer)

Jan 14, 2022

Zen-oriented and atmospheric soundscape that features sporadic sequences of Japanese plucky strings (Koto-esque) & metallic sounds, and sparse synth pad sounds.

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OE - Misty Garden

OE – Misty Garden (Visualizer)

Jan 14, 2022

This is a dreamy, mysterious, and psychedelic ambient/soundscape that features sequences of panoramic high-tone synth, floating sparse noises, and low drones.

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OE - Suchness

OE – Suchness (Visualizer)

Jan 14, 2022

This sparse, spiritual soundscape consists of sporadic sequences of high-tone bell/hang drum sounds and low drones.

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OE - Let Them Come, Let Them Go

OE – Let Them Come, Let Them Go (Visualizer)

Jan 14, 2022

This Zen-oriented, quiet, and atmospheric soundscape consists of sporadic, unpredictable sequences of bell sounds, strings chords, and Koto plucks on the sparse low drones.

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Tatsuya Oe Updated: February 19, 2022

Video

  • Dark Model – Inferno Suite (Audio)Dark Model – Inferno Suite (Audio)

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Microblog

No Title
15 December 2025

アメリカは利下げ、日本は利上げと誰もが神経を尖らせているが、本来大事なのは、労働者一人一人や個々の企業が付加価値や生産性を高めることなのに、それよりも中央銀行の動きが世の中の指針を決めるかのような錯覚に囚われている。企業の業績よりも、中央銀行の一言やマネタリー・オペレーションで株価や市場心理が大きく揺らぐような経済状況は健全ではない。社会が「頑張りがいのある」場所であるように「陰で」支えるのが、政治家や役人の仕事。

『国富論』を図解してわかりやすく解説します |MindMeister https://mindmeister.jp/posts/Wealth-of-Nations

No Title
15 December 2025

今年の前半は数学の本をけっこう読んだ。確率統計から微分積分まで、理系の大学生が1、2学年で学ぶくらいの内容やデータサイエンスをざっと勉強したけれど、それが今後どこで役に立つのかは正直よく分からない(笑)。でも、数学を勉強していると座禅を組むのに少し似ていて、頭の中の雑念が消えて、思考がクリアになる気がする。時間を見つけて、これからも続けていこうと思う。

食える数学 (角川ソフィア文庫) https://amzn.to/4pA09d1

No Title
13 December 2025

僕の曲は映画やテレビ番組から企業のプロモーション映像まで幅広く使用されている。コンテンツの内容によって選ばれる曲のタイプが異なるのはもちろんだが、国や地域によっても好まれる傾向は大きく異なる。Dark Modelの曲では、日本では『Moment of Truth』や『Close to Infinity』のようなアップテンポの曲が好まれ、欧米では『Abandoned』のような重く、スローな楽曲が人気。いずれにしても、様々なプロの現場で引きがあるのはありがたいことです。

Dark Model – Abandoned (Short Edit) https://www.youtube.com/shorts/O6wruYj6W_A

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