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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Home > Soundscape
OE - Rho (Visualizer)

OE – Rho (Audio Visualizer)

Jan 29, 2022

A mysterious, ominous, and futuristic electroacoustic/sound-collage piece where transitional granular sounds, passing hi-tech glitches, also fragmented instrumental noises are intertwined.  

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OE - :-&

OE – :-& (Audio Visualizer)

Jan 29, 2022

Fast-changing and unpredictable electroacoustic/music concrete track where various sounds & noises such as metallic glitches, voices, and fragments of electronic beats, come and go with a breakneck speed.  

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OE - Goraikou

OE – Goraikou (Visualizer)

Jan 14, 2022

This is a floating and dreamy ambient track that features harmonics of electric guitar, high-tone percussion sounds, and panoramic synth drone sounds.

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OE - Bamboo Forest

OE – Bamboo Forest (Visualizer)

Jan 14, 2022

Zen-oriented, floating, and atmospheric soundscape that features sparse and low synth pads and deeply-echoed percussion sounds.

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OE - Yama No Hibiki

OE – Yama No Hibiki (Visualizer)

Jan 14, 2022

This is a sparse, mysterious, and psychedelic soundscape consisting of floating sequences of metallic bell & chime sounds on the dark low drones.

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OE - Jizo Cried

OE – Jizo Cried (Visualizer)

Jan 14, 2022

Zen-oriented and atmospheric soundscape that features sporadic sequences of Japanese plucky strings (Koto-esque) & metallic sounds, and sparse synth pad sounds.

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OE - Misty Garden

OE – Misty Garden (Visualizer)

Jan 14, 2022

This is a dreamy, mysterious, and psychedelic ambient/soundscape that features sequences of panoramic high-tone synth, floating sparse noises, and low drones.

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OE - Suchness

OE – Suchness (Visualizer)

Jan 14, 2022

This sparse, spiritual soundscape consists of sporadic sequences of high-tone bell/hang drum sounds and low drones.

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OE - Let Them Come, Let Them Go

OE – Let Them Come, Let Them Go (Visualizer)

Jan 14, 2022

This Zen-oriented, quiet, and atmospheric soundscape consists of sporadic, unpredictable sequences of bell sounds, strings chords, and Koto plucks on the sparse low drones.

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Tatsuya Oe Updated: February 19, 2022

Video

  • Grand Seiko & Watches of Switzerland USA feat. OEGrand Seiko & Watches of Switzerland USA feat. OE

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  • OE “Starry Messenger (Suchness 3)” out on Feb 2nd, 2024OE “Starry Messenger (Suchness 3)” out on Feb 2nd, 2024
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  • Live video uploaded: Captain Funk “Boogie Electricland”Live video uploaded: Captain Funk “Boogie Electricland”
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Microblog

No Title
10 March 2026

パンチの効いたビートやボーカルを作る際、アタックにTR-808のハイハットやホワイトノイズを薄く重ねると、キックやスネアの解像度が劇的に上がることがある。ハット特有の鋭い「チッ」という音には、10k〜16kHz付近の非常に純度の高いエネルギーが含まれているからだ(単体で聴くとキツイ)。この帯域を超えると人間には聞こえない「超音波」の領域に入るが、犬にとってはここからが本番の可聴範囲となる。犬笛を眺めながら、そんな音の境界線に思いをはせる。

【犬笛による呼び戻し】 https://youtu.be/q2AXwSG7jDg

No Title
10 March 2026

ハリウッド映画界には「Temp Love」という用語がある。制作が猛烈なスピードで進むため、最終的な劇伴が完成するまで、映像には多くの「仮の音楽」が当てられる。有名曲等が使われると、監督はその曲に執着し、作曲家に酷似した曲を求めてしまう。この「仮の音楽への執着とプレッシャー」への対応に苦心する作曲家は多いようだ。僕の既存曲が映像に使われるのは歓迎だけど、あえて書き下ろしの仕事を請けないのは、こうした風潮も理由の一つかもしれない。

Temp Loveのワナを避ける方法(英語) https://www.soundstripe.com/blogs/how-to-avoid-temp-love

No Title
9 March 2026

この「Rakuen」という曲は、2019年リリースの『Oceans』に収録されているが、最初のバージョンを作ったのはそのずっと前、OE『Director’s Cut』を制作していた頃だったと思う。曲の雰囲気の通り南の島をイメージして作ったのだけれど、当時実際に行ったことのある島は沖縄くらいだった。その後、常夏の島で暮らしてみた後でこの曲を聴くと、頭に浮かぶ映像が俄然リアルなものになった。年中半袖&短パン生活を目指して、今日も頑張るか(笑)。

Captain Funk – Rakuen #downtempo #rnb #mellowbeats https://www.youtube.com/watch?v=YuQqVF3Ij5U

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