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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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MER – The Fugitive (Visualizer)

Home > Video > MER – The Fugitive (Visualizer)
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      • Anti-Crime Breaks
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Categories: Anti-Crime Breaks. Tags for Video: Breakbeat and Soul-Jazz.

This is an uplifting and thrilling Big Band Soul Jazz/Break Beats track that features impactful stabs and melodic leads by brass and strings, funky wah guitar, growling bassline, and tight jazz funk drums.

BPM: 140
Keywords for this track: Jazz Funk, Break Beats, Big Beat, Crossover, Soul Jazz, Wah Guitar, Energetic, Impactful, Powerful, Heroic, Dramatic, Uplifting, 70s, Driving, Brass/Horn Section, Trumpet, Saxophone, Strings Section, Big Band, Fast-paced, Instrumental, Raw, Captain Funk, Tatsuya Oe, Chase Music, Crime Action Movie

– About “Anti-Crime Breaks: Thrilling and Badass Jazz Funk Tracks ” –

Model Electronic Records, led by Tatsuya Oe (aka Dark Model / Captain Funk / OE), releases a new album under the moniker of MER. “Anti-Crime Breaks” is a collection of thrilling and badass jazz-funk and breakbeat tracks reminiscent of soundtracks from the late 70’s crime action and detective movies. Get your adrenaline pumping with this energetic funk music, which is way more than just “retro.”

Album details: https://s.tatsuyaoe.com/3eIhdKY

Artist Name: MER
Album Title: “Anti-Crime Breaks: Thrilling and Badass Jazz Funk Tracks”
Release Date: August 23, 2021
Format: Digital
Product No: MER-3006
UPC Code: 755491208199
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)

– Streaming and Downloads –

Apple Music
Amazon US
Spotify
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Details & other links: https://s.tatsuyaoe.com/3eIhdKY

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    MER - EmergencyMER – Emergency (Uplifting Jazz Disco Funk/Fusion/late 70s) MER - Monkey BusinessMER – Monkey Business (Visualizer) MER - ShakedownMER – Shakedown (Visualizer) MER - Break to KillMER – Break to Kill (Visualizer) MER - Justice CityMER – Justice City (Visualizer)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
2 March 2026

昨年末に「今年はAIチャットによくお世話になった」と書いてまだ2か月だが、このところめっきり使う頻度が減り、サブスクもやめた。期待できる答えが返ってくる分野が意外と限られている(コーディングとか)ことが分かったので、それ以外のことを真剣に聞くだけ時間の無駄と思うようになったというのが近い。Redditとかでは「ChatGPT最近、マジでムカつくし、うざい」などと言われているが、機械相手に感情的になるくらいなら、電源を切って外に出よう。

Thundercat – It Is What It Is(それが現実だ/仕方ない) https://youtu.be/lqDs_quhy0I

No Title
1 March 2026

大学生の頃に読んだマリー・シェーファーの『サウンド・エデュケーション』。彼が示した「サウンドスケープ(音の風景)」という概念は、音を取り巻く環境や生態系など「音との関係性」を問い直すきっかけをくれた。後に環境庁が「日本の音風景100選」を選定したが、収録音のチョイスやクオリティの素晴らしさはさておき、その実態は「音の風景」というよりも「風景の音(フィールドレコーディング)」に近い感じがした。ここに、あえてパルス音でも混ぜてみたい(笑)。

R. MURRAY SCHAFER: LISTEN | National Film Board of Canada https://youtu.be/rOlxuXHWfHw

No Title
27 February 2026

「映画にドラマはいらない。ただそこに人間がいて、何かが匂ってくればいいんだ」。かつて小津安二郎はインタビューでそう語ったという。ドゥルーズは小津の映像を「純粋な視覚的・聴覚的状況」と呼んだ。映像デザイン、あるいは環境映像的か。確かに小津の映画は無音でも楽しめる。彼はあの時代、すでに我々とは違う次元で映画を捉えていたのだろう。小津に影響を受けたという米映画『コロンバス』を観ながら、そんなことを考えた。

映画『コロンバス』予告編 https://youtu.be/FawH3iR5Ems

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