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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Circularity, Part 2 (Visualizer)

Home > Video > OE – Circularity, Part 2 (Visualizer)
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Language:

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  • 日本語
Categories: Compositions in Blue. Tags for Video: Orchestral Electronic, Contemporary, IDM, and Electronica.

– Keywords for this track –

Minimalism, Orchestral, Marimba, Girls Choir, Odd Beat, Contemporary, Electronic, Repetitive, Classical, Neoclassical, European

– About “Compositions in Blue” –

“The Embodiment of OE’s Contemporary Style”

Tatsuya completed his new work as OE immediately following the January release of “Suchness 2.” This album, “Compositions in Blue,” may be called classic OE, in the vein of what had developed from “Here and You” to “New Classics Vol.1 & 2.” While strongly inspired by contemporary music/minimalism, the tracks, embedded with catchy melodies and human touches, successfully combine uniqueness and accessibility.

Album details: https://s.tatsuyaoe.com/46d6WA6

Apple Music/iTunes
Amazon Music US
Amazon Music JP
Bandcamp
Spotify
Youtube Music
NetEase Cloud

Keywords: Electronic Music, Contemporary Music, Minimalism, IDM, Electronica

– Tracklist –

1. Mobius
2. Reincarnation
3. Doublespeak
4. Still Water
5. Circularity, Part 1
6. Vortex
7. Circularity, Part 2
8. Mercury and Venus
9. Mobius (Instrumental Mix)
10. Reincarnation (Instrumental Mix)
11. Still Water (Instrumental Mix)
12. Still Water (Ambient Mix)
13. Circularity, Part 1 (Instrumental Mix)
14. Circularity, Part 2 (Instrumental Mix)

All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
℗ © 2023 Model Electronic
Release Date: April 3rd (Mon), 2023
Format: Digital
Product No: MEOE-1019
UPC Code: 198015863229

– Note for Sync Licensing –

If you’re interested in obtaining a license of music included in this album for your TV/Film/Advertising project, please request a quote from this page.


You might also be interested in:
    OE - Circularity Part1OE – Circularity, Part 1 (Visualizer) OE - DoublespeakOE – Doublespeak (Visualizer) OE - Still WaterOE – Still Water (Visualizer) OE - VortexOE – Vortex (Visualizer) OE - Mercury and VenusOE – Mercury and Venus (Visualizer)

Tatsuya Oe Updated: June 24, 2023

Microblog

No Title
6 November 2026

アルバムのミックスダウンを追い込み、16曲を通し聴き。「なかなか良いじゃないの」と浸っていた11曲目、ふとファイル名を見て愕然とした。…これ、3週間前にアートワーク用に作った暫定版だ!その後、細部を詰めて取り組んできた作業の成果に、本人が全く気づいていなかったという事実。 ここは前向きに、「前のミックスの時点で、すでにほぼ完璧に仕上がっていたということだ」という、あふれんばかりの自己肯定感で突っ走ることにします(笑)。

自己肯定感が高い人の4大特徴が明らかに! – STUDY HACKER https://studyhacker.net/self-esteem-high

No Title
3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

No Title
2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

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