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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Doublespeak (Visualizer)

Home > Video > OE – Doublespeak (Visualizer)
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  • [Album Medley] OE - Compositions in Light[Album Medley] OE – Compositions in Light

Language:

  • English
  • 日本語
Categories: Compositions in Blue. Tags for Video: Contemporary, IDM, and Electronica.

– Keywords for this track –

Minimalism, Marimba, Piano, Rhythmic, Percussive, Unpredictable, Repetitive, Contemporary, Neoclassical

– About “Compositions in Blue” –

“The Embodiment of OE’s Contemporary Style”

Tatsuya completed his new work as OE immediately following the January release of “Suchness 2.” This album, “Compositions in Blue,” may be called classic OE, in the vein of what had developed from “Here and You” to “New Classics Vol.1 & 2.” While strongly inspired by contemporary music/minimalism, the tracks, embedded with catchy melodies and human touches, successfully combine uniqueness and accessibility.

Album details: https://s.tatsuyaoe.com/46d6WA6

Apple Music/iTunes
Amazon Music US
Amazon Music JP
Bandcamp
Spotify
Youtube Music
NetEase Cloud

Keywords: Electronic Music, Contemporary Music, Minimalism, IDM, Electronica

– Tracklist –

1. Mobius
2. Reincarnation
3. Doublespeak
4. Still Water
5. Circularity, Part 1
6. Vortex
7. Circularity, Part 2
8. Mercury and Venus
9. Mobius (Instrumental Mix)
10. Reincarnation (Instrumental Mix)
11. Still Water (Instrumental Mix)
12. Still Water (Ambient Mix)
13. Circularity, Part 1 (Instrumental Mix)
14. Circularity, Part 2 (Instrumental Mix)

All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
℗ © 2023 Model Electronic
Release Date: April 3rd (Mon), 2023
Format: Digital
Product No: MEOE-1019
UPC Code: 198015863229

– Note for Sync Licensing –

If you’re interested in obtaining a license of music included in this album for your TV/Film/Advertising project, please request a quote from this page.


You might also be interested in:
    OE - Circularity Part2OE – Circularity, Part 2 (Visualizer) OE - Circularity Part1OE – Circularity, Part 1 (Visualizer) OE - Still WaterOE – Still Water (Visualizer) OE - VortexOE – Vortex (Visualizer) OE - Mercury and VenusOE – Mercury and Venus (Visualizer)

Tatsuya Oe Updated: June 24, 2023

Microblog

No Title
15 March 2026

昔、バンドがライブで自曲を演奏する際、加齢と共にテンポが落ちていくのを見て、どこか寂しさを感じたものだ。ダンスミュージックはBPMで細かくジャンルが分かれるため、「遅い曲を作り出したら加齢の証だ」(笑)と一概には言えない。だが「速い曲を聴くのがしんどい」と感じたら、それは何かのサインかもしれない。幸い僕は今のところそういう現象とは無縁で、ここ最近BPM128以上の曲を集中的に作っている。

Conducta | Mixmag Lab London https://youtu.be/T4FZxTFY_ek

No Title
14 March 2026

かつて英文を書く際は、Grammarlyという文法チェッカーを愛用していた。だが数年前、AI機能が大幅に導入されて以降、自分の文章が「誰が書いても同じになる無個性なテンプレ」へ誘導されている気がして、利用を控えるようになった。LinkedIn等でも、”innovative”とか”visionary”、”passionate leader”といった、似た形容詞が並ぶ定型文をよく目にする。AIが作った「完璧すぎるCV」をAIがジャッジするなんて、妙な時代になったものだ。

How Recruiters Spot AI-Written Resumes | NG Career Strategy https://bit.ly/4baf6xN

No Title
13 March 2026

凹凸の少ないフローリングの部屋は、音を吸収するものがなく、壁や床で音が何度も反射してしまう。特にエネルギーの強いベース音は、部屋の角や壁際に溜まりやすい。見た目こそ洒落ているが、響きが「ライブすぎる」ため、リスニングならまだしも制作には全く不向きだ。今回突発的に思いついて、スピーカーのリアポート(背面の穴)に靴下を突っ込んでみた。この「ソックスチューニング」のおかげで、4畳半の和室のような、デッドで制作向きの音に仕上がった。

Speaker Port Plugs: Could They Solve Bass Issues in Your System? – YouTube https://youtu.be/xMVWaFeJImM

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