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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Doublespeak (Visualizer)

Home > Video > OE – Doublespeak (Visualizer)
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Language:

  • English
  • 日本語
Categories: Compositions in Blue. Tags for Video: Contemporary, IDM, and Electronica.

– Keywords for this track –

Minimalism, Marimba, Piano, Rhythmic, Percussive, Unpredictable, Repetitive, Contemporary, Neoclassical

– About “Compositions in Blue” –

“The Embodiment of OE’s Contemporary Style”

Tatsuya completed his new work as OE immediately following the January release of “Suchness 2.” This album, “Compositions in Blue,” may be called classic OE, in the vein of what had developed from “Here and You” to “New Classics Vol.1 & 2.” While strongly inspired by contemporary music/minimalism, the tracks, embedded with catchy melodies and human touches, successfully combine uniqueness and accessibility.

Album details: https://s.tatsuyaoe.com/46d6WA6

Apple Music/iTunes
Amazon Music US
Amazon Music JP
Bandcamp
Spotify
Youtube Music
NetEase Cloud

Keywords: Electronic Music, Contemporary Music, Minimalism, IDM, Electronica

– Tracklist –

1. Mobius
2. Reincarnation
3. Doublespeak
4. Still Water
5. Circularity, Part 1
6. Vortex
7. Circularity, Part 2
8. Mercury and Venus
9. Mobius (Instrumental Mix)
10. Reincarnation (Instrumental Mix)
11. Still Water (Instrumental Mix)
12. Still Water (Ambient Mix)
13. Circularity, Part 1 (Instrumental Mix)
14. Circularity, Part 2 (Instrumental Mix)

All tracks composed and produced by Tatsuya Oe (NexTone / JASRAC)
℗ © 2023 Model Electronic
Release Date: April 3rd (Mon), 2023
Format: Digital
Product No: MEOE-1019
UPC Code: 198015863229

– Note for Sync Licensing –

If you’re interested in obtaining a license of music included in this album for your TV/Film/Advertising project, please request a quote from this page.


You might also be interested in:
    OE - Circularity Part2OE – Circularity, Part 2 (Visualizer) OE - Circularity Part1OE – Circularity, Part 1 (Visualizer) OE - Still WaterOE – Still Water (Visualizer) OE - VortexOE – Vortex (Visualizer) OE - Mercury and VenusOE – Mercury and Venus (Visualizer)

Tatsuya Oe Updated: June 24, 2023

Microblog

No Title
1 March 2026

大学生の頃に読んだマリー・シェーファーの『サウンド・エデュケーション』。彼が示した「サウンドスケープ(音の風景)」という概念は、音を取り巻く環境や生態系など「音との関係性」を問い直すきっかけをくれた。後に環境庁が「日本の音風景100選」を選定したが、収録音のチョイスやクオリティの素晴らしさはさておき、その実態は「音の風景」というよりも「風景の音(フィールドレコーディング)」に近い感じがした。ここに、あえてパルス音でも混ぜてみたい(笑)。

R. MURRAY SCHAFER: LISTEN | National Film Board of Canada https://youtu.be/rOlxuXHWfHw

No Title
27 February 2026

「映画にドラマはいらない。ただそこに人間がいて、何かが匂ってくればいいんだ」。かつて小津安二郎はインタビューでそう語ったという。ドゥルーズは小津の映像を「純粋な視覚的・聴覚的状況」と呼んだ。映像デザイン、あるいは環境映像的か。確かに小津の映画は無音でも楽しめる。彼はあの時代、すでに我々とは違う次元で映画を捉えていたのだろう。小津に影響を受けたという米映画『コロンバス』を観ながら、そんなことを考えた。

映画『コロンバス』予告編 https://youtu.be/FawH3iR5Ems

No Title
27 February 2026

ロン・ハワード監督による、マペット作家ジム・ヘンソンのドキュメンタリーを見た。想像以上にエネルギッシュで、多忙な創作人生に驚かされる。 幼少期に親しんだ『セサミ・ストリート』に対し、『ダーク・クリスタル』や『ラビリンス』、『ストーリーテラー』といったダークファンタジーは、当時「やんちゃなファンク青年」(笑)だった僕は夢中にはなれなかった。ただ、この時代のジムなしでは、ギレルモ・デル・トロやジェームズ・キャメロンなどの異才が頭角を現さなかったかもしれない。

Jim Henson Idea Man | Official Trailer https://youtu.be/iyGFV6VIxkI

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