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Home > Funk-Rock
MER - Shakedown

MER – Shakedown (Visualizer)

Jan 9, 2022

This thrilling Cinematic Funk/Soul Jazz track features catchy melodies and stabs by funky brass & woodwind sections with funky wah guitar, growling bassline, and tight jazz funk drums.

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MER - Monkey Business

MER – Monkey Business (Visualizer)

Jan 9, 2022

This is a vibrant and uplifting Funk Rock track that features razor-sharp guitar strums, driving basslines, and loud funk drums.

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MER - Brooklyn Mama

MER – Brooklyn Mama (Visualizer)

Jan 9, 2022

This is a “New Orleans-jazz-meets-half-time (dubstep-esque)-beats” funk track that features swinging piano phrases, a vibrant brass section, fat drum sounds, and an electric guitar.

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MER - Break to Kill

MER – Break to Kill (Visualizer)

Jan 9, 2022

This is a thrilling, Spy/B-movie-soundtrack-esque Breakbeat Funk track that features razor-sharp guitar riffs, growling bass, mod-style organs, and massive funk drums.

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Tatsuya Oe Updated: February 19, 2022

Video

  • Dark Model – Danse Macabre (Dance of Death) (Audio)Dark Model – Danse Macabre (Dance of Death) (Audio)

Today’s Popular Topics

  • Day by Day (Microblog)
  • Tatsuya Oe Biography
  • FAQs about Licensing Our Music
  • [Updated] Captain Funk “Leaving” in the opening credit of “Younger” (TV Land)
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  • Dark Model Music on “Elysium (starring Matt Damon, Jodie Foster, etc)” First Footage Reel
  • Captain Funk “Just Wanna Get You Tonight” in “Emily in Paris” (Netflix)
  • Soundtrack for The 21th Century Museum of Contemporary Art, Kanazawa

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  • Dark Model – Ran (Resistance)Dark Model – Ran (Resistance)
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  • Dark Model – Judgment Day (Album version)Dark Model – Judgment Day (Album version)
  • Captain Funk Joins “Grand-Tourisme” organized by FPM (Tomoyuki Tanaka)Captain Funk Joins “Grand-Tourisme” organized by FPM (Tomoyuki Tanaka)

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Microblog

No Title
31 January 2026

日々の業務でAIChatは色々と使っているが、音楽制作のアイデア出しや作曲ツールとして使うことはない。僕が惹かれるコードの響きやリズムのシンコペーション、「間」の取り方、そして展開の予測不能さは、AIが目指している方向とはまったく異なるし、AIにアドバイスされるのも困る(笑)。これは老子の言う「無用の用」なのかもしれない。役に立たない(=AIが「攻略できる」と興味を示さない)ものこそ、侵食されずに生き延びるということ。

Dark Model – Labyrinth (Short Edit) #neoclassical #chambermusic https://www.youtube.com/shorts/_gxKDkvdgHg

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

No Title
28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

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