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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Home > IDM
Tatsuya Oe - May 2003 on stage

OE – CG Movie for “Here and You” Release Tour

Feb 22, 2022

A 55-min CG animated movie for OE “Here and You” release tour in 2002. OE and Paradise Jam worked together on “music live performance in sync with visuals.”  

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OE - Plotter (Visualizer)

OE – Plotter (Audio Visualizer)

Jan 29, 2022

This cinematic and fast-paced IDM/electronic funk track consists of a melancholic synth lead, a counterpart of strings, and the glitchy and intricately programmed electronic beats.Filled with a dystopian cyberpunk and futuristic sci-fi atmosphere.

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OE - Helicity (Visualizer)

OE – Helicity (Audio Visualizer)

Jan 29, 2022

Edgy and dystopian IDM/Gothic electronic funk track, filled with sci-fi and cyberpunk atmosphere. It features contrapuntal, thick layers of church organ on unpredictable, fast broken beats and fat synth bass.  

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Diplegia (OE Version)(Visualizer)

OE – Diplegia (OE Version) (Audio Visualizer)

Jan 29, 2022

This fast-paced, piano-driven, and progressive electronic jazz-funk track features an afro-funk-influenced brass section and rhythmic piano & guitar performances.

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OE - Crash Course (Visualizer)

OE – Crash Course (Audio Visualizer)

Jan 29, 2022

A quirky IDM Funk track that consists of many fragments of percussive sounds and metallic glitches, modulated synth riffs, and chopped voices.  

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OE - Time Has Told me (Visualizer)

OE – Time Has Told Me (Audio Visualizer)

Jan 29, 2022

A bright and dreamy acoustic-guitar-driven glitch electronica track that features male vocoder vocals and trumpet lead on the fast techno beat.

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OE - Fickle Hound

OE – Fickle Hound (Audio Visualizer)

Jan 29, 2022

A driving, unpredictable electronic jazz fusion instrumental with electric guitar strums, synth riffs, and quirky piano phrases on the odd-beat electronic drums.  

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OE - New Classics Vol.2 Album Sampler

OE – New Classics Vol.2 – Album Preview

Mar 8, 2018

“New Classics vol.2” delves into the contemporary, edgy, and experimental side. This album was nominated for the 17th Annual Independent Music Awards in the Dance/Electronica Album category.  

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Tatsuya Oe Updated: February 22, 2022

Video

  • Captain Funk – Metropolis – Album PreviewCaptain Funk – Metropolis – Album Preview

Today’s Popular Topics

  • Day by Day (Microblog)
  • Tatsuya Oe Biography
  • Captain Funk – Boogie Electricland (Live)
  • [Album Medley] Captain Funk – Sunshine (Deluxe Edition)
  • [Album Medley] Captain Funk – Heavy Mellow (Deluxe Edition)
  • [Updated] Captain Funk “Leaving” in the opening credit of “Younger” (TV Land)
  • Captain Funk remixes Danish Band Dúné’s “John Wayne Vs. Mary Chain”
  • Captain Funk – “Hey Boy,Hey Girl (feat. Meri Neeser)” Live

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  • Dark Model – Double CrossDark Model – Double Cross
  • Music Placement: ASUS + INTEL -IN SEARCH OF INCREDIBLE-Music Placement: ASUS + INTEL -IN SEARCH OF INCREDIBLE-
  • Dark Model “Oath (Original Mix)” was featured in a campaign promo for XBox “Forza motorsport 5”Dark Model “Oath (Original Mix)” was featured in a campaign promo for XBox “Forza motorsport 5”
  • OE’s music licensed in “Kodama feat. GRAND SEIKO” movieOE’s music licensed in “Kodama feat. GRAND SEIKO” movie
  • [Updated] Captain Funk “Leaving” in the opening credit of “Younger” (TV Land)[Updated] Captain Funk “Leaving” in the opening credit of “Younger” (TV Land)

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Microblog

No Title
20 December 2025

何事も経験を積むことは大事だけど、経験を積んだことで「何をすべきか」じゃなくて「何をすべきでないか」が先に浮かぶようになって、結局進めなくなったり、リスクを冒せなくなったら意味がない。知識や経験を得るほど臆病になり、快適領域でものを考え、バカなことをしなくなる。それを防ぐ一つの方法として「好奇心を持ち続ける」ということがあると思う。「これは自分の領域じゃない」と関心を限定しすぎない。ただし、噂話とかゴシップとかじゃなくて(笑)。

THE CURIOSITY GENE(好奇心の遺伝子) https://youtu.be/HhPZ7yx8ttg

No Title
19 December 2025

当然ながら、自分の作った曲の中でも、動画のアイデアが浮かびやすいものとそうでないものがある。音でストーリーや感情を伝える行為と、動画でそれらを表現する行為は、必ずしも相性が良いとは限らない。特に時間の制約がある場合はなおさら、ふさわしい音楽にも制約が出てくる。目下、「ショート動画を作りやすい曲」を選んでいるのだが、他の名義に比べてOEの曲は選びやすい曲が多いかも知れない。

OE – Speed pf Love (Short Edit) https://youtube.com/shorts/UjFCxGBHI0w

No Title
18 December 2025

「時間の使い方」についてのノウハウはあちこちで耳にする。だが、その大半は時間を「いかに効率良く使うか(How)」という話に終始している。果たしてジェームス・ダイソンは時間を効率的に使って、試作機を5,000も作っただろうか?ピカソが5万点もの作品を遺したのは、タイパを意識したからだろうか?一流のアスリートや演奏家はどうだろう?彼らは時間の効率を追ったのではなく、自分が何をすべきか(What)を絞り込み、それに「惜しみなく時間を使った」。

セネカ『人生の短さについて』 https://amzn.to/49iWNp0

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