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Compilation Album “Kibou” & Demolition Disco “Big Mama” Remix

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Home > Topics > Captain Funk > Compilation Album “Kibou” & Demolition Disco “Big Mama” Remix
Categories: Captain Funk and Awards/Charts. Tags: Release, Remix, Chart, and Digital distribution.
Jun 3, 2011
Demolition Disco "Big Mama EP (Part-One)"

Tatsuya participated in the Japan charity compilation called “Kibou” which was released from Elektrax Music (Australia). Including this album, they released 4 compilations, and very many electronic musicians contributed their tracks to join this project (please refer to their website). All Beatport sales of this compilation will be donated to the Japanese Red Cross Society to aid the people of Japan.

Tatsuya’s contribution track is “Let the music take control (Instrumental Mix).” The original version of this track was produced while making Heavy Metal and Heavy Mellow albums, and Tatsuya polished it again for this participation.

This compilation got ranked No.1 at Juno Download chart in Mid-May. Please drop by Beatport and Juno Downloads to listen to them!

Elektrax Music “Kibou” page

Electrax_Kibou

Next news is regarding German Electro unit Demolition Disco’s “Captain Funk Epic Suite Remix (Riot Riot Records).” While the original mix has pretty modern tribal & bleepy Electro style (which is great), Tatsuya dared to take a different approach by adding more cinematic and spacey/cosmic atmosphere. And it ended up with 10 minutes remix, the longest one he has ever done.

Hopefully, you will take a listen to it at Juno Downloads and enjoy all other cool remixes (StereoHeroes, Aerotronic, Junkietron) as well. Also don’t forget to check out the impressive video of “Big Mama.”

Juno Download Link: https://www.junodownload.com/products/big-mama-ep-part-one/1733639-02/?trackid=5

Demolition Disco “Big Mama (Captain Funk Epic Suite Remix)”

Demolition Disco “Big Mama (Original Mix)”


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ReleaseRemixChartDigital distribution
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Tatsuya Oe Updated: February 17, 2022

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30 June 2026

アートが真に社会を揺るがすのは、作者が社会への影響をコントロールしようとしたり、メッセージを伝えるためにアートを「手段化」した時ではない。作者自身の個人的で純粋な衝動を突き詰めた結果、それが結果的に社会のバグや本質を映し出してしまった時だと思う。確かに、気候変動や格差問題といった大義名分を謳(うた)えば助成金は得やすいかもしれない。しかし、それではアートの純度や質を損なってしまう恐れがある。

「アート作品にはアート作品の目的がある」from “The Creative Act: A Way of Being” by Rick Rubin https://amzn.to/4v57Ppw

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29 June 2026

『スター・ウォーズ』を創る時のルーカスは、完全に客観的な「神の視点(CENがフル稼働した状態)」にいる。しかし、現実の予算や人間関係に悩まされる瞬間、さすがのルーカスの脳も一瞬で「主観の檻(扁桃体)」にハイジャックされてしまう。 この主観に対し、クリエイティビティを使って「負のナラティブや雑音(Chatter)」を上書きする力―それはフィクションを作る以上の訓練が必要だが、創作以上に大切なことかもしれない。

内なる声の活かし方 | イーサン・クロス(TED Talk) https://youtu.be/xb0nLpdWttA

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28 June 2026

僕がお風呂でよく流しているディスコファンク系のラジオから、Alton Edwardsのこの曲が聴こえてくる。とてもキャッチーなシンセ・ブギーだが、実は知ったのは割と最近だ。UK産でアルバムリリースのないアーティストだったため、日本ではあまり馴染みがなかったように思う。六本木の「ウィナーズ」あたりなら12インチが置いてあったかもしれないが、上京したての大学生だった僕は、深夜の六本木に一人フラっと立ち寄るほどの肝がまだ据わっていなかった。

Alton Edwards – I Just Wanna Spend Some Time With You https://youtu.be/coZEkKsKirg

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