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Music Placements for TV, Film & Advertising – Autumn 2013 –

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Home > Topics > Music Placement > Music Placements for TV, Film & Advertising – Autumn 2013 –
Categories: Music Placement and Media/Press. Tags: MTV, FOX, Bergdorf Goodman, TV Commercial, TV Program, United States, Forever 21, Sync License, Film, United Kingdom, Advertising, and Videos.
Dec 18, 2013

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.
Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners.

Contents

  • Branding Campaign / Advertising / Corporate (Broadcast TV/Web)
  • Movie / Trailer / TV Promo / Network TV Program (US only)

Placements_2013Autumn

Branding Campaign / Advertising / Corporate (Broadcast TV/Web)

Delta Air Lines (US) “Ask the Pilot”
Wilson Sporting Goods (US) “Inside the Wilson Innovation Center”
Bergdorf Goodman (Apparel/Retail, US)
Nordstrom / Hautelook (Apparel/Retail, US) “Welcome to HauteLook”
Forever 21 (Apparel/Retail, US) “Forever 21 Beauty”
Oakley (Sunglasses, etc, US) “Sets in Motion”
Burton Snowboards (Sports Goods/Apparel, US) “Burton High Fives”
Xcel Wetsuits (Sports Goods, US) “Xcel I TD3”
Colgate / Lady Speed Stick (Deodorant/Antiperspirant, US)
Cisco Systems “Global Sales Experience (GSX)” (Networking equipment, US)
St Lawrence College (Education, Canada) “Interactive Marketing Communications Program”
Vendini (Box Office Software, US) “Vendini Siteline”
and many other placements.

Movie / Trailer / TV Promo / Network TV Program (US only)

The Inevitable Defeat of Mister & Pete (Movie, Lionsgate Entertainment, Code Black Entertainment, Starring: Jennifer Hudson, Jordin Sparks, etc)

The-Inevitable-Defeat-Of-Mister-And-Pete_600

Fox “The Mindy Project” Promo (TV Program)

Fox TV Mindy Project

Fox “Teen Choice Awards”

Fox Sports “NFL on Fox” (TV Program)

NFL_on_Fox

Bravo TV “Interior Therapy with Jeff Lewis” (TV Program)

Interior Therapy

Discovery Channel “Auction Kings” (TV Program)

Auction Kings

Camp (Movie, Roebuck Media)

Camp Movie

MTV “Made” (TV Program)

MTV_Made

A+E Networks “Barter Kings”

Barter_Kings

Telemundo Television Network “Levantate”, “El Rostro de la Venganza”

Other placements: Sundance Channel “Ludo Bites America”, VH1 “Big Ang”, National Geographic “Abandoned”, City (Canada) “Canada’s Got Talent”, CMT, etc

-Web Magazine/Events/Other-

GQ (Magazine, Germany) “Featuring Lukas Podolski”
GLAM Media (Fashion Magazine)
Zagat (Restaurant ratings and reviews, US) (Multiple placements)
Northern Ballet “Brief Landing (Director: Daniel de Andrade, Performance: Kevin Poeung)” (Ballet company, UK)

-Reels / Screenshots- (To be Updated)

Cisco Systems “Global Sales Experience (GSX)”

Cisco_New Normal

Forever 21 “Forever 21 Beauty”

Forever 21 Beauty

Wilson “Inside the Wilson Innovation Center”

Oakley “Sets In Motion” – A Women’s Wake Film

Northern Ballet “Brief Landing”

Burton High Fives Go-Kart Captain Race

Interactive Marketing Communications Program @ St. Lawrence College


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MTVFOXBergdorf GoodmanTV CommercialTV ProgramUnited StatesForever 21Sync LicenseFilmUnited KingdomAdvertisingVideos
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Tatsuya Oe Updated: December 12, 2025

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昔、バンドがライブで自曲を演奏する際、加齢と共にテンポが落ちていくのを見て、どこか寂しさを感じたものだ。ダンスミュージックはBPMで細かくジャンルが分かれるため、「遅い曲を作り出したら加齢の証だ」(笑)と一概には言えない。だが「速い曲を聴くのがしんどい」と感じたら、それは何かのサインかもしれない。幸い僕は今のところそういう現象とは無縁で、ここ最近BPM128以上の曲を集中的に作っている。

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かつて英文を書く際は、Grammarlyという文法チェッカーを愛用していた。だが数年前、AI機能が大幅に導入されて以降、自分の文章が「誰が書いても同じになる無個性なテンプレ」へ誘導されている気がして、利用を控えるようになった。LinkedIn等でも、”innovative”とか”visionary”、”passionate leader”といった、似た形容詞が並ぶ定型文をよく目にする。AIが作った「完璧すぎるCV」をAIがジャッジするなんて、妙な時代になったものだ。

How Recruiters Spot AI-Written Resumes | NG Career Strategy https://bit.ly/4baf6xN

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凹凸の少ないフローリングの部屋は、音を吸収するものがなく、壁や床で音が何度も反射してしまう。特にエネルギーの強いベース音は、部屋の角や壁際に溜まりやすい。見た目こそ洒落ているが、響きが「ライブすぎる」ため、リスニングならまだしも制作には全く不向きだ。今回突発的に思いついて、スピーカーのリアポート(背面の穴)に靴下を突っ込んでみた。この「ソックスチューニング」のおかげで、4畳半の和室のような、デッドで制作向きの音に仕上がった。

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Tatsuya joins Sync Summit Hollywood on Dec 4 as a panelist for The International Market, discussing cross-border music and media...

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