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Live Performance with OE band at NHK-FM “Live Beat”

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Home > Topics > OE > Live Performance with OE band at NHK-FM “Live Beat”
Categories: OE, Media/Press, and Event/Party. Tags: Radio, Live Performance, NHK, and Japan.
May 10, 2004

Tatsuya had a live performance with his “OE” band at NHK-FM‘s public recording program “Live Beat.” We hope you will enjoy the program along with the program director’s review (in Japanese). His band played not only his original tracks such as “Tessera,””Diplegia,””The Glow,” but also a cover of Burt Bacharach’s “This Guy” in their “electronic progressive” manner.

On Air 2004.5/12(Wed) NHK-FM 23:20-24:20
Official website: https://www4.nhk.or.jp/livebeat/

– members of OE band-

Tatsuya Oe (Vo, Guitar, Key, Programming)

Hitoshi Arai (Guitar & Chorus, from Northern Bright)
Ryota Hayashida(Engineer)
Masami Kurihara (Bass, from Kurikoder Quartet/DCPRG)
Arata Suzuki (Sax, from Tigris And Euphrates / Shibusa Shirazu)
Keisaku Nakamura (Key, from Kai)

01. Intro
02. Tessera
03. Tessera Part II
04. It Happens
05. Helicity
06. Time Has Told Me (Remix Version)
07. This Guy’s in Love With You
08. Time Has Told Me (Original Version)
09. Diplegia
10. The Glow
11. Losing My Way
12. All Around
(Recorded at NHK 505 studio on April 22, 2004)


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RadioLive PerformanceNHKJapan
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Tatsuya Oe Updated: July 10, 2018

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Categories in Topics

Microblog

No Title
19 December 2025

当然ながら、自分の作った曲の中でも、動画のアイデアが浮かびやすいものとそうでないものがある。音でストーリーや感情を伝える行為と、動画でそれらを表現する行為は、必ずしも相性が良いとは限らない。特に時間の制約がある場合はなおさら、ふさわしい音楽にも制約が出てくる。目下、「ショート動画を作りやすい曲」を選んでいるのだが、他の名義に比べてOEの曲は選びやすい曲が多いかも知れない。

OE – Speed pf Love (Short Edit) https://youtube.com/shorts/UjFCxGBHI0w

No Title
18 December 2025

「時間の使い方」についてのノウハウはあちこちで耳にする。だが、その大半は時間を「いかに効率良く使うか(How)」という話に終始している。果たしてジェームス・ダイソンは時間を効率的に使って、試作機を5,000も作っただろうか?ピカソが5万点もの作品を遺したのは、タイパを意識したからだろうか?一流のアスリートや演奏家はどうだろう?彼らは時間の効率を追ったのではなく、自分が何をすべきか(What)を絞り込み、それに「惜しみなく時間を使った」。

セネカ『人生の短さについて』 https://amzn.to/49iWNp0

No Title
17 December 2025

タイラー・ペリーは今や押しも押されぬメディア・モーグル(帝王)だが、ニューオリンズの貧しい街に生まれ、父親から壮絶な虐待を受けて育った、生粋の苦労人。ハリウッドに無視され、評論家には酷評され続けた一方で、黒人庶民層の圧倒的な支持を得た。彼の作品は万人のツボにはまるとは限らないが、彼がビジネスで貫いてきた信条―「イニシアティブとオーナーシップを死守すべし」―には、100%賛同する。エンタメの世界では、これがいかに大変なことか。

『ハリウッドが無視する間に、彼は自分の帝国を作った』 https://youtu.be/PTzI8_0Qu-M

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