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Tatsuya and Model Electronic Join MIDEM 2010

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Home > Topics > Model Electronic > Tatsuya and Model Electronic Join MIDEM 2010
Categories: Model Electronic. Tags: Conference, France, and Music Business.
Jan 13, 2010
Midem logo

Tatsuya Oe and his label/publisher Model Electronic will participate in one of the biggest music trade shows and conferences MIDEM, which is held on Jan 24th-27th, at the Palais des Festivals in Cannes, France.

We are planning to meet with labels, distributors, publishers to seek opportunities of licensing (out) and distributing our music.

If you’re interested in meeting us, please let me know via our contact page.

Addendum: Tatsuya uploaded his participation report about MIDEM on his Japanese blog. Please refer to them as well.

“Arrive in Cannes, the previous day of MIDEM (MIDEM participation report Vol.1)”

“Having a strong belief is important (MIDEM participation report Vol.2)”


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Tatsuya Oe Updated: January 22, 2017

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Microblog

No Title
18 June 2026

(3/3) 創作や勉強、瞑想などの「長時間没頭できる習慣」を持つことが、単なる集中力の向上ではなく、「余計な物語工場への侵入を物理的にロックアウトする時間」を確保することにもつながる——そんな視点は、創作に携わる身としてもとても興味深い。もちろん、DMNを全て排除すべし!と言っているわけではなくて、毎日2時間のウォーキングが無理なくDMN時間を作ってバランスを取るのに役立っていると思う。

“Don't believe in yourself, Don't deceive with belief”(『Quicksand』) https://youtu.be/kFN_bEgDE0M

No Title
17 June 2026

(2/3) だからといって、この傾向をコントロールできないわけではない。作曲や勉強、あるいは瞑想など、明確な対象に向けてCEN(中央実行ネットワーク)をフル稼働させているとき、脳の処理リソースはほぼ100%、その対象に注がれる。なぜなら、ナラティブを編むには「過去の記憶を呼び起こし、未来を予測する」という複雑な処理が必要だからだ。つまりCENがしっかり働いている間、DMNは物理的に“物語を紡ぐ余裕”を持てなくなる。

「DMNとCENはシーソーの関係」(12分過ぎ) https://youtu.be/rr3GA_UCHNo&t=728

No Title
16 June 2026

(1/3) 創作として物語を紡いだり、他人の物語に耳を傾けるのは好きだけれど、人間の脳が“勝手に”物語(ナラティブ)を作り出す働きを持つ習性を、時に煩わしく感じることがある。それは、先日少し触れたDMNが活性化している状態だ。もしこの物語生成が常にポジティブな方向に働くなら、人生はさぞ楽しいだろう。しかし現実には、誤解や思い込み、予期不安、ときには妄想といったネガティブな方向へ認知を歪めてしまうことも少なくない。

なぜマインドワンダリングが良くないのか(トレイシー・マークス博士) https://youtu.be/4WXc8mSmU4c

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Impact magazine-Dec 2009
Impact Magazine (UK) Chose Tatsuya as one of “Top 10 Japanese Musicians”

Tatsuya (Captain Funk) was selected among Impact Magazine’s Top 10 Japanese Musicians in its 2009 winter issue, with a recommendation...

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