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Tatsuya and Model Electronic Join MIDEM 2010

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Home > Topics > Model Electronic > Tatsuya and Model Electronic Join MIDEM 2010
Categories: Model Electronic. Tags: Conference, France, and Music Business.
Jan 13, 2010
Midem logo

Tatsuya Oe and his label/publisher Model Electronic will participate in one of the biggest music trade shows and conferences MIDEM, which is held on Jan 24th-27th, at the Palais des Festivals in Cannes, France.

We are planning to meet with labels, distributors, publishers to seek opportunities of licensing (out) and distributing our music.

If you’re interested in meeting us, please let me know via our contact page.

Addendum: Tatsuya uploaded his participation report about MIDEM on his Japanese blog. Please refer to them as well.

“Arrive in Cannes, the previous day of MIDEM (MIDEM participation report Vol.1)”

“Having a strong belief is important (MIDEM participation report Vol.2)”


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Tatsuya Oe Updated: January 22, 2017

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Microblog

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Web2.0華やかりし頃にWiredのクリス・アンダーソンが「ロングテール」という概念を打ち出した。販売機会の少ない商品でもアイテム数を幅広く取り揃えることで、総体としての売上げは大きくなるという理想郷。あれから20年経ち、Spotifyは年間1,000回再生に満たない楽曲にはロイヤリティを支払わないというルールを導入した。デジタルの世界でも管理コストはかかるし、アルゴリズムはロングテールに味方しない。現実の流通・小売と同じと言えば同じ。

Spotify defends 1,000-stream royalties threshold after critical report https://bit.ly/4jGvXen

No Title
11 January 2026

40過ぎる頃までは、超夜型の生活をしていた。東京に住んで西海岸の連中と仕事をしていると、朝6時になっても、まだ彼らは昼食の時間。時間が押しているプロジェクトになると、いつまで経っても寝られない、なんてこともしばしば。ただ、渡米して彼らと同じ時間帯で仕事ができて楽になったかというと、その手の「他人のペースで動く仕事」自体をきっぱりやめた。それ以降、僕にとっての朝6時は普通に「起床の時間」になった。めでたしめでたし。

Captain Funk – Night Shift (Short Edit) #disco #funk #deephouse https://youtube.com/shorts/gSmk-SZOQGY

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10 January 2026

今の時代、「無関心でいられること」や「情報を遮断できること」は、時に関心や好奇心を持つこと以上に重要な態度であり、知性だと思う。西洋社会、特にアメリカでは何もしないことや黙ること、状況をただ静観することは、「敗北」や「無能」と結びつけられてきた。「即座に何か反応する」動的な姿勢こそが美徳とされてきたが、その美徳が現在、理性を食いつぶす最大の仇となって自分たちに返ってきているような気がする。

OE – The Great River – Ambient Visualizer https://youtu.be/0rsUCSgrLq4

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Impact magazine-Dec 2009
Impact Magazine (UK) Chose Tatsuya as one of “Top 10 Japanese Musicians”

Tatsuya (Captain Funk) was selected among Impact Magazine’s Top 10 Japanese Musicians in its 2009 winter issue, with a recommendation...

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