• Search ...
  • English (en)English
  • 日本語 (ja)日本語
Tatsuya Oe (Captain Funk/Dark Mode/OE)
  • Home
    • Top (Japanese)
    • Topics
    • Sitemap
    • RSS Feeds
    • Contact
    • Privacy Policy
  • About
    • Biography
    • Projects
      • Captain Funk
      • Dark Model
      • OE
      • OE – Suchness
      • MER
      • Playmodel
    • Credits & Awards
    • Testimonials
    • Model Electronic Records
  • Discography
    • Captain Funk
    • Dark Model
    • OE
    • MER
    • Collaborations
    • Remixes
    • Compilations
    • Lyrics
  • Playlists
    • Musically Themed
      • Sci-fi / Cyberpunk
      • Disco / House
      • Downtempo / Trip-Hop / Mellow Hip-Hop
      • Synthwave & Dark Electro
      • Electronic Jazz Funk / Synth Boogie
      • Breakbeats Funk / Big Beat
      • Epic Hybrid: Uptempo
      • Epic Hybrid: Down & Midtempo
      • Swagger, Badass, and Gritty Music
      • Soundscape & Ambient
      • Uplifting Indie & Alternative Rock
      • Vintage Soul, Funk, and Jazz
      • Piano-Driven Tracks
      • Electronic Pop Vocals / Synthpop
    • Functional
      • Running Workout Music
      • Sound for Sitting Meditation
    • Synced Tracks
      • Top Licensed Tracks for Sync
      • Sports Tracks in Use
    • Captain Funk Playlists
    • Dark Model Playlists
    • OE Playlists
  • Blogs
    • Japanese Blog
    • Microblog (Day by Day)
    • English Blog
  • Videos
    • Sync Placements
    • Dark Model
    • Captain Funk
    • OE
    • MER
  • License Music
    • License Form
    • Licensing FAQ
    • Most In-demand Tracks
  • Links/Resources
    • Store Lists
    • Interviews & Resources

Tatsuya and Model Electronic Join MIDEM 2010

← Previous Topic │Topics Top│ Next Topic →
Home > Topics > Model Electronic > Tatsuya and Model Electronic Join MIDEM 2010
Categories: Model Electronic. Tags: Conference, France, and Music Business.
Jan 13, 2010
Midem logo

Tatsuya Oe and his label/publisher Model Electronic will participate in one of the biggest music trade shows and conferences MIDEM, which is held on Jan 24th-27th, at the Palais des Festivals in Cannes, France.

We are planning to meet with labels, distributors, publishers to seek opportunities of licensing (out) and distributing our music.

If you’re interested in meeting us, please let me know via our contact page.

Addendum: Tatsuya uploaded his participation report about MIDEM on his Japanese blog. Please refer to them as well.

“Arrive in Cannes, the previous day of MIDEM (MIDEM participation report Vol.1)”

“Having a strong belief is important (MIDEM participation report Vol.2)”


You might also be interested in:
    Tatsuya will join Sync Summit Hollywood as a panelist on Dec 4th, 2013.Tatsuya Oe Joins Sync Summit Hollywood as a panelist Metropolis magazine-logoCaptain Funk (Tatsuya Oe) Interview on Metropolis Magazine, Tokyo Digikid84 logoAmazing “Hey Boy, Hey Girl (Digikid 84 Remix)” Out Now
ConferenceFranceMusic Business
← Previous Topic │Topics Top│ Next Topic →

Tatsuya Oe Updated: January 22, 2017

Video

  • MER – The Fugitive (Visualizer)MER – The Fugitive (Visualizer)

Today’s Popular Topics

  • Day by Day (Microblog)
  • FAQs about Licensing Our Music
  • Tatsuya Oe Biography
  • [Updated] Captain Funk “Leaving” in the opening credit of “Younger” (TV Land)
  • OE – Cloud Sea (Visualizer)
  • Licensing Our Music (for International Users)
  • Dark Model Music on “Elysium (starring Matt Damon, Jodie Foster, etc)” First Footage Reel
  • [Album Medley] OE – Compositions in Light

Language:

  • English
  • 日本語

Playlists

All Playlists

Random Posts

  • Dark Model FAQs (Frequently Asked Questions)Dark Model FAQs (Frequently Asked Questions)
  • Music Placements for TV, Film & Advertising – Autumn 2013 –Music Placements for TV, Film & Advertising – Autumn 2013 –
  • OE “Into the Echo” on “Shinzou.jp” (Interactive Manga on Apple iTunes)OE “Into the Echo” on “Shinzou.jp” (Interactive Manga on Apple iTunes)
  • Dark Model – Candle in the DesertDark Model – Candle in the Desert
  • Dark Model – Bionic WarriorDark Model – Bionic Warrior

Categories in Topics

Microblog

No Title
31 January 2026

今から22、3年前、モーリー・ロバートソンさんの自宅で EMS Synthi A というスーツケース型シンセの実物を初めて見た。その後、新宿のリキッドルームで爆音ノイズのコラボ・ライブをさせていただいたことを思い出す。僕が日本を離れた後、モーリーさんの博識と洞察力、そして温厚な人柄が広くお茶の間に浸透し、その多才ぶりがさらに開花していくさまを頼もしく思っていた。心よりご冥福をお祈りします。

EMS Synthi A Rare Vintage Analog Synthesizer https://youtu.be/7DnELcaVGpk

No Title
31 January 2026

日々の業務でAIChatは色々と使っているが、音楽制作のアイデア出しや作曲ツールとして使うことはない。僕が惹かれるコードの響きやリズムのシンコペーション、「間」の取り方、そして展開の予測不能さは、AIが目指している方向とはまったく異なるし、AIにアドバイスされるのも困る(笑)。これは老子の言う「無用の用」なのかもしれない。役に立たない(=AIが「攻略できる」と興味を示さない)ものこそ、侵食されずに生き延びるということ。

Dark Model – Labyrinth (Short Edit) #neoclassical #chambermusic https://www.youtube.com/shorts/_gxKDkvdgHg

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

Menu

  • About
  • Discography
  • English Blog
  • Japanese Blog
    • Microblog
  • License Music
  • Links & References
  • RSS Feeds
  • Contact
  • Sitemap

Search in tatsuyaoe.com

Archives

Categories in Topics

Copyright © 2002-2026 Tatsuya Oe / Model Electronic. All rights reserved.
Read previous post:
Impact magazine-Dec 2009
Impact Magazine (UK) Chose Tatsuya as one of “Top 10 Japanese Musicians”

Tatsuya (Captain Funk) was selected among Impact Magazine’s Top 10 Japanese Musicians in its 2009 winter issue, with a recommendation...

Close