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Tatsuya and Model Electronic Join MIDEM 2010

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Home > Topics > Model Electronic > Tatsuya and Model Electronic Join MIDEM 2010
Categories: Model Electronic. Tags: Conference, France, and Music Business.
Jan 13, 2010
Midem logo

Tatsuya Oe and his label/publisher Model Electronic will participate in one of the biggest music trade shows and conferences MIDEM, which is held on Jan 24th-27th, at the Palais des Festivals in Cannes, France.

We are planning to meet with labels, distributors, publishers to seek opportunities of licensing (out) and distributing our music.

If you’re interested in meeting us, please let me know via our contact page.

Addendum: Tatsuya uploaded his participation report about MIDEM on his Japanese blog. Please refer to them as well.

“Arrive in Cannes, the previous day of MIDEM (MIDEM participation report Vol.1)”

“Having a strong belief is important (MIDEM participation report Vol.2)”


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Tatsuya Oe Updated: January 22, 2017

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Microblog

No Title
4 February 2026

AIや機械学習の普及で、フィールドワーク(野外調査)をしない研究者が増えているという。開花時期の予測や鳥の移動パターンの観察など、データサイエンスが可能にする領域は多く、テクノロジーの貢献は大きい。ただ、それが現場経験の価値を失わせるわけではない。「自然に触れずして自然を研究する」ことに、ワクワクを感じ続けられるかは、その人の取り組み方や動機次第だと思う。音楽も同じようなところがある。

「私はめったに外に出ません」AI時代に野外調査を見捨てる科学者達(Nature) https://www.nature.com/articles/d41586-025-04150-w

No Title
3 February 2026

この「Rambler and Canter」は、田舎道を散策し、ときに駆けるような牧歌的な風景をイメージして作った曲。最初『Here and You』(2002)に収録されたこの曲、『New Classics Vol.1』(2018)のリリースにあたり、リズムや音のメリハリを調整した。当初は乗馬の映像を合わせていたが印象が弱く、シンクロ感のあるパンチの効いた素材を探すうちに、なぜか米国小売チェーンのCM風ショート動画に変貌してしまった(笑)。

OE – Rambler and Canter (Short Edit) #feelgoodmusic #postrock https://www.youtube.com/shorts/00l7FK3bE_E

No Title
2 February 2026

マレーシアのマハティール氏のドキュメンタリーを見た。あるアメリカ人の銀行家は彼を「トランプ的な独裁者」と評したが、「公の精神」の深さという点において、両者は全く性質が異なる。華人系とマレー系の格差是正に心血を注いだ元医者と、格差と分断を自らの支持基盤を熱狂させるための道具として利用しつつもTACOる元不動産屋。この差には、流石のマキアヴェリもフィレンツェの墓から「そこ、全然違うから!」と、鋭いツッコミを入れるに違いない。

帝王学:マキアヴェッリ『君主論』は少し誤解されている https://library.libecity.com/articles/01JF6GJ4JR5V495THQH7539CGA

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Tatsuya (Captain Funk) was selected among Impact Magazine’s Top 10 Japanese Musicians in its 2009 winter issue, with a recommendation...

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