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Aug 27 & Sep 10 (Sat) DJ at Nihonbashi “Night Aquarium Museum Lounge”

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Home > Topics > Event/Party > Aug 27 & Sep 10 (Sat) DJ at Nihonbashi “Night Aquarium Museum Lounge”
Categories: Event/Party. Tags: DJ, Live Performance, Tokyo, and Collaborators.
Aug 9, 2011
Nihonbashi Night Aquarium Flyer 2011

Tatsuya is going to have DJ gigs on Aug 27th & Sep 10th at “Night Aquarium Museum Lounge” which is held at Nihonbashi Mitsui Hall.

(During this period, the venue become a lounge/bar at night and you can enjoy DJ gigs and live performances every night.)

We have live performance as well as DJ. On Sep 10th, Tatsuya is supposed to have a special collaborative gig with Meri Neeser (from Switzerland), well-known as a singer of “Piece of You”, “Hey Boy, Hey Girl.” (This is a “DJ+Vocalist” style gig, not a band gig).

Since the Sumidagawa fireworks event is held on Aud 27th, we recommend you drop by the Mitsui Hall after enjoying the fireworks event. Also, we’re preparing for a special tune for Sep 10th gig. Don’t miss it!

“Night Aquarium Museum Lounge” page
https://h-i-d.co.jp/night-aquarium/

Meri Neeser websites
https://www.merineeser.com/
https://myspace.com/merineeser

Meri Neeser

Addendum: Tatsuya uploaded a participation report about this event on his Japanese blog called Findings. Enjoy the article.

TatsuyaOe.com Japanese Blog “Thank you for coming to the Night Aquarium Museum Lounge! (w/ DJ playlist)”


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Tatsuya Oe Updated: November 11, 2017

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ハリウッド映画界には「Temp Love」という用語がある。制作が猛烈なスピードで進むため、最終的な劇伴が完成するまで、映像には多くの「仮の音楽」が当てられる。有名曲等が使われると、監督はその曲に執着し、作曲家に酷似した曲を求めてしまう。この「仮の音楽への執着とプレッシャー」への対応に苦心する作曲家は多いようだ。僕の既存曲が映像に使われるのは歓迎だけど、あえて書き下ろしの仕事を請けないのは、こうした風潮も理由の一つかもしれない。

Temp Loveのワナを避ける方法(英語) https://www.soundstripe.com/blogs/how-to-avoid-temp-love

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この「Rakuen」という曲は、2019年リリースの『Oceans』に収録されているが、最初のバージョンを作ったのはそのずっと前、OE『Director’s Cut』を制作していた頃だったと思う。曲の雰囲気の通り南の島をイメージして作ったのだけれど、当時実際に行ったことのある島は沖縄くらいだった。その後、常夏の島で暮らしてみた後でこの曲を聴くと、頭に浮かぶ映像が俄然リアルなものになった。年中半袖&短パン生活を目指して、今日も頑張るか(笑)。

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『ピクサーの舞台裏という記録映像を観た。脚本や衣装など、専任の担当者が作った雛形に対し全参加者が意見を出し、それが原案よりも良ければ即座に採用・修正される、徹底的に民主主義的なチームワークが貫かれていて驚く。「最大公約数的なベスト」を追求するのはピクサーの真骨頂だが、近年のディズニー周辺のクリエイションの傾向として「“正しく”作らねばならない」という道徳的/倫理的な規律が強くなりすぎて、現場が窒息しないか心配も少々。

Inside Pixar | Official Trailer | Disney+ https://youtu.be/BmYhYPNbhtw

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