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OE “Hollow Stone” featured in Anon Optics (Burton Snowboards) “M3” Video

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Home > Topics > OE > OE “Hollow Stone” featured in Anon Optics (Burton Snowboards) “M3” Video
Categories: OE and Music Placement. Tags: Remix, United States, Sync License, Hollow Stone, and Advertising. Formats: Video.

OE “Hollow Stone (Instrumental Mix)” was featured in the video of Anon Optics’ (Burton’s sub-brand for snowboard goggles and eyewear) new product “M3.” Check out the video on their landing page.

https://www.anonoptics.com/

Anon Optics M3 video

 

While this track is an unreleased mix which was newly recorded, the original mix was included in OE’s 2002 release “Here and You.”

https://www.tatsuyaoe.com/music/projects/oe/

Enjoy this awesome video featuring Bode Merrill and my music.


You might also be interested in:
    Quiksilver North America_Balis Big Eco Weekend Uluwatu ChallengeOE “Hollow Stone” on Quiksilver North America “Bali’s Big Eco Weekend” NBC- The voiceMusic Placements for TV, Film & Advertising – Winter 2015 – Verizon Wirelss TV commercial "Droid DNA -Extra Sensory" featuring Dark Model "Oath (Dubstep Remix)"Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US) OE musicOE – Hollow Stone (New Remix) “Here She Comes Again” featured in Forever 21 “Ashley Smith x Forever 21” (US)
RemixUnited StatesSync LicenseHollow StoneAdvertising
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
1 July 2026

イギリスのダンスミュージックは、最新曲であっても、90年代レイヴの遺伝子を色濃く引きずっている。そんなことを考えていたら、90年代末にDJをしたロンドンのクラブ「Turnmills」のことをふと思い出した。土曜朝の名物「Trade」の直前に行われていた「Headstart」というパーティだったはずだ。六本木のレコ屋に入るのに躊躇していた学生が、その10年後には欧州からアジアまでDJで飛び回っていたのだから、人生は、動いた分だけ偶然が増える。

Turnmills: The Rise and Fall of London's Legendary Nightclub https://youtu.be/Ne1SKZK50ZA

No Title
30 June 2026

アートが真に社会を揺るがすのは、作者が社会への影響をコントロールしようとしたり、メッセージを伝えるためにアートを「手段化」した時ではない。作者自身の個人的で純粋な衝動を突き詰めた結果、それが結果的に社会のバグや本質を映し出してしまった時だと思う。確かに、気候変動や格差問題といった大義名分を謳(うた)えば助成金は得やすいかもしれない。しかし、それではアートの純度や質を損なってしまう恐れがある。

「アート作品にはアート作品の目的がある」from “The Creative Act: A Way of Being” by Rick Rubin https://amzn.to/4v57Ppw

No Title
29 June 2026

『スター・ウォーズ』を創る時のルーカスは、完全に客観的な「神の視点(CENがフル稼働した状態)」にいる。しかし、現実の予算や人間関係に悩まされる瞬間、さすがのルーカスの脳も一瞬で「主観の檻(扁桃体)」にハイジャックされてしまう。 この主観に対し、クリエイティビティを使って「負のナラティブや雑音(Chatter)」を上書きする力―それはフィクションを作る以上の訓練が必要だが、創作以上に大切なことかもしれない。

内なる声の活かし方 | イーサン・クロス(TED Talk) https://youtu.be/xb0nLpdWttA

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