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“Here She Comes Again” featured in Forever 21 “Ashley Smith x Forever 21” (US)

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Home > Topics > Music Placement > “Here She Comes Again” featured in Forever 21 “Ashley Smith x Forever 21” (US)
Categories: Music Placement. Tags: United States, Forever 21, Sync License, SoundCloud, Advertising, and Videos.
Dec 12, 2012

Tatsuya’s track “Here She Comes Again (No Strings Mix)” was licensed and featured in Forever 21 (US)’s 2012 fall campaign video “Ashley Smith x Forever 21.” This video has been aired in movie theaters in the western United States, as well as in Forever 21’s 400+ stores.

Incidentally, Captain Funk feat. Meri Neeser “Piece of You” was also licensed and featured in Forever21’s “Minnie Mouse” campaign in 2010 (see the news and video).


You might also be interested in:
    Forever21- Minnie Muse feat. Captain Funk "Piece of You"“Forever 21 TV – Minnie Muse” features Captain Funk “Piece of You” Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q2). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Summer 2012 – Music Placements for TV, Film & Advertising – Autumn 2013 – Lucozade vs Water feat. Dark Model "Fate"Music Placements for Media and Advertising – Spring 2013 – 2013 Lexus ES Advertising Campaign featuring Dark Model's music "Fate" and "Oath"Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US)
United StatesForever 21Sync LicenseSoundCloudAdvertisingVideos
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Tatsuya Oe Updated: December 12, 2025

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2 July 2026

神経科学者のニーナ・クラウス氏は、「音楽のトレーニングと多言語の習得が脳にもたらす絶大なメリット」を科学的に実証してきた。彼女の実験によると、音楽家やマルチリンガルは、騒がしい雑踏でも聴きたい音をクッキリ浮かび上がらせる「脳のフィルタリング機能」が異常に発達しているらしい。まるで映画『メッセージ』を彷彿させる、言語が脳を書き換えるありがたい能力のようだけど…これ、実際は「耳から脳がどっと疲れる」原因でもある(笑)。

音と脳―あなたの身体・思考・感情を動かす聴覚 | ニーナ・クラウス https://amzn.to/3SC7HAB

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1 July 2026

イギリスのダンスミュージックは、最新曲であっても、90年代レイヴの遺伝子を色濃く引きずっている。そんなことを考えていたら、90年代末にDJをしたロンドンのクラブ「Turnmills」のことをふと思い出した。土曜朝の名物「Trade」の直前に行われていた「Headstart」というパーティだったはずだ。六本木のレコ屋に入るのに躊躇していた学生が、その10年後には欧州からアジアまでDJで飛び回っていたのだから、人生は、動いた分だけ偶然が増える。

Turnmills: The Rise and Fall of London's Legendary Nightclub https://youtu.be/Ne1SKZK50ZA

No Title
30 June 2026

アートが真に社会を揺るがすのは、作者が社会への影響をコントロールしようとしたり、メッセージを伝えるためにアートを「手段化」した時ではない。作者自身の個人的で純粋な衝動を突き詰めた結果、それが結果的に社会のバグや本質を映し出してしまった時だと思う。確かに、気候変動や格差問題といった大義名分を謳(うた)えば助成金は得やすいかもしれない。しかし、それではアートの純度や質を損なってしまう恐れがある。

「アート作品にはアート作品の目的がある」from “The Creative Act: A Way of Being” by Rick Rubin https://amzn.to/4v57Ppw

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